𝔼𝕃𝕃𝔼
@salemskeeper.bsky.social
Horror | Couture | Film
PastelArchive on Letterboxd 🍿🖤
PastelArchive on Letterboxd 🍿🖤
My cat has been ill.
Call me Dr. Ellie Sattler.
Call me Dr. Ellie Sattler.
January 30, 2026 at 1:39 AM
My cat has been ill.
Call me Dr. Ellie Sattler.
Call me Dr. Ellie Sattler.
I think this is one of my favourite looks from the Pillion press tour.
January 23, 2026 at 12:15 AM
I think this is one of my favourite looks from the Pillion press tour.
It’s called *range*, Sweetie.
January 23, 2026 at 12:13 AM
It’s called *range*, Sweetie.
Reposted by 𝔼𝕃𝕃𝔼
Check out Augur issue 8.2 for my short story, "The Event Horizon of Honey," a surrealist horror tale exploring memory loss, grief, love, and the eldritch entities that stalk the woods beyond the beehives: augursociety.org/augur-issue-...
Augur Issue 8.2 Augur Magazine Issue 8.2 - Augur Literary Society
Augur Magazine Issue 8.2 asks you to exist in the in-between, in the cycles where yes, all things grow and die–but all things also live, vibrantly, exquisitely, and unapologetically–in revolutions whe...
augursociety.org
January 15, 2026 at 7:19 PM
Check out Augur issue 8.2 for my short story, "The Event Horizon of Honey," a surrealist horror tale exploring memory loss, grief, love, and the eldritch entities that stalk the woods beyond the beehives: augursociety.org/augur-issue-...
The dreaded “poor etiquette” in the theatre tonight:
✅ Talking with their partner throughout the film
✅ Both on their phones
✅ Man flicks his Coors Light can from his side table, it clatters to the ground & onto the path of the theatre steps. Doesn’t pick it up even after the film was over.
✅ Talking with their partner throughout the film
✅ Both on their phones
✅ Man flicks his Coors Light can from his side table, it clatters to the ground & onto the path of the theatre steps. Doesn’t pick it up even after the film was over.
January 18, 2026 at 4:01 AM
The dreaded “poor etiquette” in the theatre tonight:
✅ Talking with their partner throughout the film
✅ Both on their phones
✅ Man flicks his Coors Light can from his side table, it clatters to the ground & onto the path of the theatre steps. Doesn’t pick it up even after the film was over.
✅ Talking with their partner throughout the film
✅ Both on their phones
✅ Man flicks his Coors Light can from his side table, it clatters to the ground & onto the path of the theatre steps. Doesn’t pick it up even after the film was over.
Despite the goofy gif, being called “my beloved” feels like I’m in a 1000 yr old vampiric pairing.
January 14, 2026 at 1:35 AM
Despite the goofy gif, being called “my beloved” feels like I’m in a 1000 yr old vampiric pairing.
Watching French Bill Hader.
January 10, 2026 at 10:12 PM
Watching French Bill Hader.
Le Bonheur (1965)
Directed by Agnès Varda
Directed by Agnès Varda
January 10, 2026 at 10:11 PM
Le Bonheur (1965)
Directed by Agnès Varda
Directed by Agnès Varda
David Bowie 🖤
Jan 8 1947 - Jan 10 2016
The Hunger (1983)
Labyrinth (1986)
Jan 8 1947 - Jan 10 2016
The Hunger (1983)
Labyrinth (1986)
January 9, 2026 at 1:10 AM
David Bowie 🖤
Jan 8 1947 - Jan 10 2016
The Hunger (1983)
Labyrinth (1986)
Jan 8 1947 - Jan 10 2016
The Hunger (1983)
Labyrinth (1986)
I’m doubling down on my initial reaction to OBAA.
It reeks like the wet fart of Oscar grabs.
Dicaprio plays a “revolutionary”, while co-financing a 14 story luxury hotel in Israel.
Using roles as a PR shield for various dealings makes me sick. What’s worse is that people eat this shit up.
It reeks like the wet fart of Oscar grabs.
Dicaprio plays a “revolutionary”, while co-financing a 14 story luxury hotel in Israel.
Using roles as a PR shield for various dealings makes me sick. What’s worse is that people eat this shit up.
ICYMI: The winners at the 31st Annual @criticschoice.bsky.social Awards ✨
#CriticsChoiceAwards
Best Picture - One Battle After Another
#CriticsChoiceAwards
Best Picture - One Battle After Another
January 7, 2026 at 10:17 PM
I’m doubling down on my initial reaction to OBAA.
It reeks like the wet fart of Oscar grabs.
Dicaprio plays a “revolutionary”, while co-financing a 14 story luxury hotel in Israel.
Using roles as a PR shield for various dealings makes me sick. What’s worse is that people eat this shit up.
It reeks like the wet fart of Oscar grabs.
Dicaprio plays a “revolutionary”, while co-financing a 14 story luxury hotel in Israel.
Using roles as a PR shield for various dealings makes me sick. What’s worse is that people eat this shit up.
January 3, 2026 at 5:02 AM
All (incredible) shorts
Juliet Dan Paris (1967)
El Inmortal (1968)
Emotion (1966)
Safe Among Stars (2019)
#lastfourwatched
#letterboxd
Juliet Dan Paris (1967)
El Inmortal (1968)
Emotion (1966)
Safe Among Stars (2019)
#lastfourwatched
#letterboxd
January 2, 2026 at 11:21 PM
All (incredible) shorts
Juliet Dan Paris (1967)
El Inmortal (1968)
Emotion (1966)
Safe Among Stars (2019)
#lastfourwatched
#letterboxd
Juliet Dan Paris (1967)
El Inmortal (1968)
Emotion (1966)
Safe Among Stars (2019)
#lastfourwatched
#letterboxd
Heart Eyes (2025) has one of the best villain designs that I’ve seen in recent years.
Something that I think we’ve been missing from the slasher genre as of late—the creation of another masked slasher icon.
Obviously with how many times I’ve watched (7+) it quickly became a comfort film for me.
1/2
Something that I think we’ve been missing from the slasher genre as of late—the creation of another masked slasher icon.
Obviously with how many times I’ve watched (7+) it quickly became a comfort film for me.
1/2
January 2, 2026 at 11:03 PM
Heart Eyes (2025) has one of the best villain designs that I’ve seen in recent years.
Something that I think we’ve been missing from the slasher genre as of late—the creation of another masked slasher icon.
Obviously with how many times I’ve watched (7+) it quickly became a comfort film for me.
1/2
Something that I think we’ve been missing from the slasher genre as of late—the creation of another masked slasher icon.
Obviously with how many times I’ve watched (7+) it quickly became a comfort film for me.
1/2
Watching Dinner in America (2020) over Breakfast in Canada (2026)
January 1, 2026 at 6:10 PM
Watching Dinner in America (2020) over Breakfast in Canada (2026)
January 1, 2026 at 5:38 AM
I actually had many favourite first-watches this month, so I can’t narrow it down to the classic four.
Sentimental Value (2025)
It Ends (2025)
In the Mood for Love (2000)
Paying for It (2024)
After Hours (1985)
The Umbrellas of Cherbourg (1964)
Belle de Jour (1967)
Here’s to more in the New Year!
Sentimental Value (2025)
It Ends (2025)
In the Mood for Love (2000)
Paying for It (2024)
After Hours (1985)
The Umbrellas of Cherbourg (1964)
Belle de Jour (1967)
Here’s to more in the New Year!
December 31, 2025 at 11:20 PM
I actually had many favourite first-watches this month, so I can’t narrow it down to the classic four.
Sentimental Value (2025)
It Ends (2025)
In the Mood for Love (2000)
Paying for It (2024)
After Hours (1985)
The Umbrellas of Cherbourg (1964)
Belle de Jour (1967)
Here’s to more in the New Year!
Sentimental Value (2025)
It Ends (2025)
In the Mood for Love (2000)
Paying for It (2024)
After Hours (1985)
The Umbrellas of Cherbourg (1964)
Belle de Jour (1967)
Here’s to more in the New Year!
Reposted by 𝔼𝕃𝕃𝔼
This year, @salemskeeper.bsky.social and I made a concerted effort to watch more films we’ve never seen—international, independent, classics, etc. Here are all of this year’s additions to my list of perfect movies. Full list here: boxd.it/OPBi0
Braydon’s Bangers
Movies I measure as masterworks.
boxd.it
December 31, 2025 at 7:09 PM
This year, @salemskeeper.bsky.social and I made a concerted effort to watch more films we’ve never seen—international, independent, classics, etc. Here are all of this year’s additions to my list of perfect movies. Full list here: boxd.it/OPBi0
HBD to the queen of Italian gothic horror, Barbara Steele, an absolutely mesmerising talent on screen with over 65 credits. Appearing in many favourites such as Black Sunday (1960), The Pitt and the Pendulum (1961), Castle of Blood (1964), and The Long Hair of Death (1964). 🖤
December 29, 2025 at 11:54 PM
HBD to the queen of Italian gothic horror, Barbara Steele, an absolutely mesmerising talent on screen with over 65 credits. Appearing in many favourites such as Black Sunday (1960), The Pitt and the Pendulum (1961), Castle of Blood (1964), and The Long Hair of Death (1964). 🖤
Of course an ethereal beauty would be a fellow Capricorn. HBD to one of my favourite actors in giallo. 🩷
December 25, 2025 at 4:08 AM
Of course an ethereal beauty would be a fellow Capricorn. HBD to one of my favourite actors in giallo. 🩷
Reposted by 𝔼𝕃𝕃𝔼
Roast me like one of your chestnuts on an open fire.
December 25, 2025 at 2:14 AM
Roast me like one of your chestnuts on an open fire.
Favourite first-watches of November 🖤
Bound (1996)
Le Samourai (1967)
Outrage (1950)
Memories of Murder (2003)
#noirvember #letterboxd #criterion
Bound (1996)
Le Samourai (1967)
Outrage (1950)
Memories of Murder (2003)
#noirvember #letterboxd #criterion
November 30, 2025 at 3:42 PM
Favourite first-watches of November 🖤
Bound (1996)
Le Samourai (1967)
Outrage (1950)
Memories of Murder (2003)
#noirvember #letterboxd #criterion
Bound (1996)
Le Samourai (1967)
Outrage (1950)
Memories of Murder (2003)
#noirvember #letterboxd #criterion
If we didn’t have Mulholland Drive, we wouldn’t have Party in the USA by Miley Cyrus.
Just two girlies landing in L.A with a dream and a cardigan.
Just two girlies landing in L.A with a dream and a cardigan.
November 22, 2025 at 4:29 PM
If we didn’t have Mulholland Drive, we wouldn’t have Party in the USA by Miley Cyrus.
Just two girlies landing in L.A with a dream and a cardigan.
Just two girlies landing in L.A with a dream and a cardigan.
I love the way @realgdt.bsky.social speaks about film.
It always feels deeply emotional.
In Q&A’s, his perspective on casting & set design—and his personal connection to the source material or story—is remarkably insightful & inspiring.
He conveys this in a way that is incredibly poetic.
(1/2)
It always feels deeply emotional.
In Q&A’s, his perspective on casting & set design—and his personal connection to the source material or story—is remarkably insightful & inspiring.
He conveys this in a way that is incredibly poetic.
(1/2)
November 11, 2025 at 5:39 PM
Reposted by 𝔼𝕃𝕃𝔼
Interview with the Vampire was released 31 years ago today 🧛
November 11, 2025 at 5:33 PM
Interview with the Vampire was released 31 years ago today 🧛
I love the way @realgdt.bsky.social speaks about film.
It always feels deeply emotional.
In Q&A’s, his perspective on casting & set design—and his personal connection to the source material or story—is remarkably insightful & inspiring.
He conveys this in a way that is incredibly poetic.
(1/2)
It always feels deeply emotional.
In Q&A’s, his perspective on casting & set design—and his personal connection to the source material or story—is remarkably insightful & inspiring.
He conveys this in a way that is incredibly poetic.
(1/2)
November 11, 2025 at 12:48 AM
I love the way @realgdt.bsky.social speaks about film.
It always feels deeply emotional.
In Q&A’s, his perspective on casting & set design—and his personal connection to the source material or story—is remarkably insightful & inspiring.
He conveys this in a way that is incredibly poetic.
(1/2)
It always feels deeply emotional.
In Q&A’s, his perspective on casting & set design—and his personal connection to the source material or story—is remarkably insightful & inspiring.
He conveys this in a way that is incredibly poetic.
(1/2)