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Review to come.
Review to come.
I’d say over 50% of musicology I read has this problem. Amplification of mere possibility, + impatience with the limitations of primary sources.
I’d say over 50% of musicology I read has this problem. Amplification of mere possibility, + impatience with the limitations of primary sources.
Ideal if you want to put a huge body of musical literature together and just marinade in it over months.
Ideal if you want to put a huge body of musical literature together and just marinade in it over months.
It’s certainly solid, well crafted fare w/ plenty of nice moments. But the entireties don’t really amount to much in terms of emotional impact. It’s honestly all pretty forgettable once the music stops.
It’s certainly solid, well crafted fare w/ plenty of nice moments. But the entireties don’t really amount to much in terms of emotional impact. It’s honestly all pretty forgettable once the music stops.
I just think his kind of analysis isn’t that meaningful. It’s all a glorified Sudoku puzzle, not that important for experiencing the music in performance.
I just think his kind of analysis isn’t that meaningful. It’s all a glorified Sudoku puzzle, not that important for experiencing the music in performance.
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classicalcandor.blogspot.com/2025/11/dome...
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