To celebrate, I put together a retrospective to analyse how Nintendo’s strategy led to the DS’ success, changed Nintendo as a company and whether or not it could work with Switch 2
Check it out on @rollingstone.com.web.brid.gy
Still, it’s fascinating to see this corner of film history come to life
Check out my review on @whatsonnetflix.bsky.social
Still, it’s fascinating to see this corner of film history come to life
Check out my review on @whatsonnetflix.bsky.social
We discuss:
- channelling personal trauma into the film
- directing remotely from Hong Kong
- screening the film for animation nerds at MAF
Check it out on What’s On Netflix
We discuss:
- channelling personal trauma into the film
- directing remotely from Hong Kong
- screening the film for animation nerds at MAF
Check it out on What’s On Netflix
www.backmarket.co.uk/en-gb/c/tech...
www.backmarket.co.uk/en-gb/c/tech...
To get to the heart of why, I interviewed industry experts about the woes of the modern gaming landscape, cycles of nostalgia and the joy of retro gaming
Check it out on @backmarketofficial.bsky.social
To get to the heart of why, I interviewed industry experts about the woes of the modern gaming landscape, cycles of nostalgia and the joy of retro gaming
Check it out on @backmarketofficial.bsky.social
I interviewed Steve Box and Aardman co-founder Peter Lord!
We discuss:
- crafting the famous dogfight
- DreamWorks’ impact on the film
- UK vs US filmmaking
Give it a read!
I interviewed Steve Box and Aardman co-founder Peter Lord!
We discuss:
- crafting the famous dogfight
- DreamWorks’ impact on the film
- UK vs US filmmaking
Give it a read!
We discuss:
- crafting the famous dogfight
- DreamWorks’ impact on the film
- UK vs US filmmaking
Check it out on @lwlies.com
We discuss:
- crafting the famous dogfight
- DreamWorks’ impact on the film
- UK vs US filmmaking
Check it out on @lwlies.com
We discuss:
- initial promise in the idea
- finding optimism in the failure
- working with Miyamoto and Iwata
Check it out on my Substack
We discuss:
- initial promise in the idea
- finding optimism in the failure
- working with Miyamoto and Iwata
Check it out on my Substack
It’s positive message is appreciated but if you’re older than 10 years old, this one’s going under your head
Check it out on What’s On Netflix
It’s positive message is appreciated but if you’re older than 10 years old, this one’s going under your head
Check it out on What’s On Netflix
We chat:
- adapting it from series to feature
- balancing light and dark tones
- adapting Quentin Blake’s drawings to 3D
Check it out on What’s On Netflix
We chat:
- adapting it from series to feature
- balancing light and dark tones
- adapting Quentin Blake’s drawings to 3D
Check it out on What’s On Netflix
However, familiar problems stop this from becoming the Pokémon game we’ve all been dreaming of
Check it out on @RollingStone
However, familiar problems stop this from becoming the Pokémon game we’ve all been dreaming of
Check it out on @RollingStone
Stadium, Colosseum, Legends Arceus and Mystery Dungeon are all eligible. People who know me already know what I put at the top
Give it a read on @ign.com
Stadium, Colosseum, Legends Arceus and Mystery Dungeon are all eligible. People who know me already know what I put at the top
Give it a read on @ign.com
It’s a 10-episode speedrun through a family’s life that feels just as emotionally satisfying as 10 seasons of TV. An absolute miracle of a show
Check it out on @skwigly.bsky.social
It’s a 10-episode speedrun through a family’s life that feels just as emotionally satisfying as 10 seasons of TV. An absolute miracle of a show
Check it out on @skwigly.bsky.social
Was a joy to replay all of these and find the little details that make them all unique
Check it out on @ign.com
Was a joy to replay all of these and find the little details that make them all unique
Check it out on @ign.com
We discuss Portman’s role as a producer, comparisons to Ghibli and breaking down complex ideas for children
Check it out on @cartoonbrew.bsky.social
We discuss Portman’s role as a producer, comparisons to Ghibli and breaking down complex ideas for children
Check it out on @cartoonbrew.bsky.social
The slick action is in place along with that smooth editing and fun animation style, but the film stumbles in an honest attempt at more mature themes and a more complex plot
Check out my review on @IGN
The slick action is in place along with that smooth editing and fun animation style, but the film stumbles in an honest attempt at more mature themes and a more complex plot
Check out my review on @IGN
- lessons learned from the first movie
- referencing Lupin III and Mind Game
- recent structural changes at DreamWorks
Check it out on @skwigly
- lessons learned from the first movie
- referencing Lupin III and Mind Game
- recent structural changes at DreamWorks
Check it out on @skwigly
I wanted to reward the smooth satisfaction you get from making a jump and the games that give you the confidence to try crazy stuff
Check it out on @ign.com
I wanted to reward the smooth satisfaction you get from making a jump and the games that give you the confidence to try crazy stuff
Check it out on @ign.com
I AM FRANKELDA, the first Mexican stop-mo feature, is maximalist madness. One of the most joyful experiences I’ve had with a movie for a while, a dedication to human creativity
Check out my review on @skwigly.bsky.social
I AM FRANKELDA, the first Mexican stop-mo feature, is maximalist madness. One of the most joyful experiences I’ve had with a movie for a while, a dedication to human creativity
Check out my review on @skwigly.bsky.social
THE LAST BLOSSOM (Housenka) is my pick of the festival, a Scorsese-esque character study of a gangster with a massive bleeding heart at its core
Check out my review on @skwigly.bsky.social
THE LAST BLOSSOM (Housenka) is my pick of the festival, a Scorsese-esque character study of a gangster with a massive bleeding heart at its core
Check out my review on @skwigly.bsky.social
It looks unbelievable, Imageworks are wizards and I don’t get how they do it. On the other hand, the story and character work just about limps over the line
Check out my review on @discussingfilm.net
It looks unbelievable, Imageworks are wizards and I don’t get how they do it. On the other hand, the story and character work just about limps over the line
Check out my review on @discussingfilm.net