Jordi FA
@roidj.bsky.social
Arts escèniques. Comentaris personals i notícies. Òpera, teatre, dansa, música clàssica 📷 CC Josep Aznar
The flop that finally flew: why did it take 40 years for Sondheim’s Merrily We Roll Along to soar? www.theguardian.com/stage/2025/n...
The flop that finally flew: why did it take 40 years for Sondheim’s Merrily We Roll Along to soar?
Its 1981 New York premiere was a disaster but this told-in-reverse musical became a Tony award-winning hit with Daniel Radcliffe. The film version is a tear-jerking joy
www.theguardian.com
November 17, 2025 at 10:27 PM
The flop that finally flew: why did it take 40 years for Sondheim’s Merrily We Roll Along to soar? www.theguardian.com/stage/2025/n...
Dead Man Walking #review – searing honesty and humanity in ENO’s staging of Heggie’s compelling #opera www.theguardian.com/music/2025/n...
Dead Man Walking review – searing honesty and humanity in ENO’s staging of Heggie’s compelling opera
The first staging in the UK of Heggie and Terrence McNally’s adaptation of the memoir by Sister Helen Prejean is an anguished reflection on truth, compassion and capital punishment, sung with empathy ...
www.theguardian.com
November 14, 2025 at 4:34 AM
Dead Man Walking #review – searing honesty and humanity in ENO’s staging of Heggie’s compelling #opera www.theguardian.com/music/2025/n...
Ivo van Hove’s All My Sons extends the UK’s special relationship with Arthur Miller www.theguardian.com/stage/2025/n...
Ivo van Hove’s All My Sons extends the UK’s special relationship with Arthur Miller
In his first major hit play, now receiving another starry revival, the celebrated dramatist’s analysis of the American psyche is steeped in European tradition
www.theguardian.com
November 13, 2025 at 10:17 PM
Ivo van Hove’s All My Sons extends the UK’s special relationship with Arthur Miller www.theguardian.com/stage/2025/n...
Recuperant una #crítica amb motiu de la reposició d'aquest espectacle únic per @temporadaalta.bsky.social
Coup Fatal review – zoot-suited spectacular celebrates Congo's sapeurs www.theguardian.com/stage/2015/j...
Coup Fatal review – zoot-suited spectacular celebrates Congo's sapeurs www.theguardian.com/stage/2015/j...
Coup Fatal review – zoot-suited spectacular celebrates Congo's sapeurs
Alain Platel’s dance-music-fashion mashup brings together supremely gifted and elegantly dressed performers from Kinshasa
www.theguardian.com
November 2, 2025 at 11:43 AM
Recuperant una #crítica amb motiu de la reposició d'aquest espectacle únic per @temporadaalta.bsky.social
Coup Fatal review – zoot-suited spectacular celebrates Congo's sapeurs www.theguardian.com/stage/2015/j...
Coup Fatal review – zoot-suited spectacular celebrates Congo's sapeurs www.theguardian.com/stage/2015/j...
Avisats n’estem www.elpuntavui.cat/cultura/arti...
Avisats n'estem
Fins al 3 de novembre es pot veure al Liceu l'òpera ‘Akhnaten', de Philip Glass, un gran espectacle que inclou una reflexió sobre els orígens del monoteisme
www.elpuntavui.cat
October 24, 2025 at 9:13 PM
Avisats n’estem www.elpuntavui.cat/cultura/arti...
La Bohème review – noirish reframing of Puccini’s classic weepy www.theguardian.com/music/2025/o...
La Bohème review – noirish reframing of Puccini’s classic weepy
Floris Visser’s stylish bohemia recalls Brassaï’s Paris, while Puccini’s score is delivered with crispness and elasticity
www.theguardian.com
October 19, 2025 at 6:45 AM
La Bohème review – noirish reframing of Puccini’s classic weepy www.theguardian.com/music/2025/o...
The Seagull review – Caroline Quentin sparkles in sharp, stylish Chekhov www.theguardian.com/stage/2025/o...
The Seagull review – Caroline Quentin sparkles in sharp, stylish Chekhov
James Brining’s first production as Lyceum artistic director finds humour and humanity in a finely etched ensemble
www.theguardian.com
October 19, 2025 at 6:43 AM
The Seagull review – Caroline Quentin sparkles in sharp, stylish Chekhov www.theguardian.com/stage/2025/o...
Ian Judge obituary www.theguardian.com/stage/2025/o...
Ian Judge obituary
Theatre and opera director whose work stretched from Gilbert and Sullivan to Shakespeare
www.theguardian.com
October 15, 2025 at 9:40 PM
Ian Judge obituary www.theguardian.com/stage/2025/o...
Mary Page Marlowe review – Susan Sarandon shines in slippery study of a life in pieces www.theguardian.com/stage/2025/o...
Mary Page Marlowe review – Susan Sarandon shines in slippery study of a life in pieces
Five actors play the protagonist at different stages over 70 years in Tracy Letts’ play, co-starring Andrea Riseborough
www.theguardian.com
October 14, 2025 at 8:47 PM
Mary Page Marlowe review – Susan Sarandon shines in slippery study of a life in pieces www.theguardian.com/stage/2025/o...
Giant – exploration of Roald Dahl and antisemitism that speaks to our times www.theguardian.com/stage/2024/s...
Giant – exploration of Roald Dahl and antisemitism that speaks to our times
Sophisticated play melds fact with fiction in its dramatisation of a scandalous moment in the author’s life
www.theguardian.com
October 10, 2025 at 11:14 PM
Giant – exploration of Roald Dahl and antisemitism that speaks to our times www.theguardian.com/stage/2024/s...
Patricia Routledge brought humanity to an array of eccentrics, from Hyacinth Bucket to Lady Bracknell www.theguardian.com/stage/2025/o...
Patricia Routledge brought humanity to an array of eccentrics, from Hyacinth Bucket to Lady Bracknell
The versatile star, who has died aged 96, portrayed absurdly pretentious and apparently grotesque characters with wonderful sympathy
www.theguardian.com
October 10, 2025 at 10:48 PM
Patricia Routledge brought humanity to an array of eccentrics, from Hyacinth Bucket to Lady Bracknell www.theguardian.com/stage/2025/o...
‘We have permission to be brave’: the women taking charge of crisis-hit Welsh National Opera www.theguardian.com/music/2025/s...
‘We have permission to be brave’: the women taking charge of crisis-hit Welsh National Opera
Adele Thomas and Sarah Crabtree took up their positions as joint heads of WNO in January after brutal funding cuts. But they are confident their pared-down operation will still offer ‘an electric nigh...
www.theguardian.com
October 8, 2025 at 9:45 PM
‘We have permission to be brave’: the women taking charge of crisis-hit Welsh National Opera www.theguardian.com/music/2025/s...
Susanna review – Opera North’s arresting take on Handel’s proto-#MeToo tale www.theguardian.com/music/2025/o...
Susanna review – Opera North’s arresting take on Handel’s proto-#MeToo tale
Dance, sign language, outstanding singing and precise orchestral playing all illuminate this powerful tale of gendered violence and abuses of power
www.theguardian.com
October 8, 2025 at 9:43 PM
Susanna review – Opera North’s arresting take on Handel’s proto-#MeToo tale www.theguardian.com/music/2025/o...
"Gaudim més de la dansa quan la coneixem més."
🗣 Àngels Margarit: “Tenia molt clar que havia d’impulsar artistes de collita pròpia”
Entrevista de balanç amb la directora sortint del Mercat de les Flors.
✍️ Clàudia Brufau
Entrevista de balanç amb la directora sortint del Mercat de les Flors.
✍️ Clàudia Brufau
Àngels Margarit: “Calia estimar-se el que passa aquí”
La directora del Mercat de les Flors deixa el càrrec a mitjan setembre de 2025 i parlem amb ella per fer balanç. És una de les coreògrafes més importants del país, fundadora de la companyia Mudances.V...
entreacte.cat
October 1, 2025 at 1:54 AM
"Gaudim més de la dansa quan la coneixem més."
Reposted by Jordi FA
Sobre 'El Mestre i Margarita' del Teatre Lliure, text publicat en 'El Periódico' 📰
September 30, 2025 at 9:28 AM
Sobre 'El Mestre i Margarita' del Teatre Lliure, text publicat en 'El Periódico' 📰
La escena argentina desembarca en Madrid con tres producciones del teatro San Martín www.lavanguardia.com/cultura/2025...
La escena argentina desembarca en Madrid con tres producciones del teatro San Martín
Los Teatros del Canal invitan a contemplar desde Madrid lo que se vive en la calle Corrientes de Buenos Aires. Un viaje al otro lado del Atlántico que tiene vocación de
www.lavanguardia.com
October 1, 2025 at 1:44 AM
La escena argentina desembarca en Madrid con tres producciones del teatro San Martín www.lavanguardia.com/cultura/2025...
Reposted by Jordi FA
Hem inaugurat temporada amb 'La mort i la primavera' i un clam per aturar el genocidi a Palestina. 🌹
September 26, 2025 at 10:56 AM
Hem inaugurat temporada amb 'La mort i la primavera' i un clam per aturar el genocidi a Palestina. 🌹