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We hope you liked our 2025 #ArtistAdventCalendar.
We are taking a break from social media till the new year. See you in 2026, when we will have more lectures, events, podcast episodes, journal articles and magazines, and more social media content, of course.
We hope you liked our 2025 #ArtistAdventCalendar.
We are taking a break from social media till the new year. See you in 2026, when we will have more lectures, events, podcast episodes, journal articles and magazines, and more social media content, of course.
🖼️ ‘Angels Garlanding the Infant Christ’, Ann Macbeth, watercolour heightened with gouache and gold paint.
Ann Macbeth was a British embroiderer, designer, teacher and author and a member of the Glasgow Movement.
🖼️ ‘Angels Garlanding the Infant Christ’, Ann Macbeth, watercolour heightened with gouache and gold paint.
Ann Macbeth was a British embroiderer, designer, teacher and author and a member of the Glasgow Movement.
🖼️ Design for ‘Amis and Amile’ silk book pouch, May Morris, 1905, @ashmoleanmuseum.bsky.social.
🖼️ Design for ‘Amis and Amile’ silk book pouch, May Morris, 1905, @ashmoleanmuseum.bsky.social.
🖼️ ‘The Light of the World’, William Holman Hunt, 1851-52, @kebleoxford.bsky.social.
🖼️ ‘The Light of the World’, William Holman Hunt, 1851-52, @kebleoxford.bsky.social.
Inside Heaven’s gate are two angels – one carrying a scale to weigh the soul, and the other holding a crown of roses to welcome accepted souls.
🖼️ ‘The watchers of the straight gate’, Anna Lea Merritt, 1894.
Inside Heaven’s gate are two angels – one carrying a scale to weigh the soul, and the other holding a crown of roses to welcome accepted souls.
🖼️ ‘The watchers of the straight gate’, Anna Lea Merritt, 1894.
Like many artists of the Arts and Crafts era Traquair worked in a variety of mediums, from embroideries, manuscript illumination, bookbinding, enamelwork, furniture decoration, and mural decoration.
Like many artists of the Arts and Crafts era Traquair worked in a variety of mediums, from embroideries, manuscript illumination, bookbinding, enamelwork, furniture decoration, and mural decoration.
🖼️ ‘Alleluia’, Thomas Cooper Gotch, exhibited 1896, Tate.
His daughter, Phyllis Marian Gotch, often modelled for her father. She is here seen as the central figure, arms raised in prayer.
🖼️ ‘Alleluia’, Thomas Cooper Gotch, exhibited 1896, Tate.
His daughter, Phyllis Marian Gotch, often modelled for her father. She is here seen as the central figure, arms raised in prayer.
🖼️ ‘Saint Bride’, John Duncan, 1913, @nationalgalleries.bsky.social.
🖼️ ‘Saint Bride’, John Duncan, 1913, @nationalgalleries.bsky.social.
Sharing Jewish artist Simeon Solomon’s ‘Lighting the Lamps, Eve of Sabbath’ 1862, Birmingham Museum and Art Gallery, to celebrate this Festival of Lights.
Sharing Jewish artist Simeon Solomon’s ‘Lighting the Lamps, Eve of Sabbath’ 1862, Birmingham Museum and Art Gallery, to celebrate this Festival of Lights.
From Simeon Solomon, to Marie Spartali Stillman, Marianne Stokes, John Everett Millais, Evelyn De Morgan, Robert Braithwaite Martineau and William Bell Scott.
From Simeon Solomon, to Marie Spartali Stillman, Marianne Stokes, John Everett Millais, Evelyn De Morgan, Robert Braithwaite Martineau and William Bell Scott.
Depicting the Nativity scene in a dilapidated barn near Penkill Castle, Scotland. Angels watch from the rafters, as shepherds arrive.
🖼️ ‘The Nativity’, William Bell Scott, 1872, @nationalgalleries.bsky.social.
Depicting the Nativity scene in a dilapidated barn near Penkill Castle, Scotland. Angels watch from the rafters, as shepherds arrive.
🖼️ ‘The Nativity’, William Bell Scott, 1872, @nationalgalleries.bsky.social.
🖼️ ‘Glora in Excelsis’, @demorganfoundation.bsky.social , depicts the nativity scene when angels appear to the shepherds to announce Christ’s birth.
🖼️ ‘Glora in Excelsis’, @demorganfoundation.bsky.social , depicts the nativity scene when angels appear to the shepherds to announce Christ’s birth.
This idealised working class young woman, with worn boots, no gloves or head covering and with a sharp sickle in her right hand, has harvested mistletoe from a snowy, bleak setting, to divide up and sell.
This idealised working class young woman, with worn boots, no gloves or head covering and with a sharp sickle in her right hand, has harvested mistletoe from a snowy, bleak setting, to divide up and sell.
The University of Delaware Library and the Delaware Art Museum invite applications for the 2026 joint Fellowship in Pre-Raphaelite Studies.
Application deadline: January 5, 2026
For more information, see: delart.org/opportunitie...
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The University of Delaware Library and the Delaware Art Museum invite applications for the 2026 joint Fellowship in Pre-Raphaelite Studies.
Application deadline: January 5, 2026
For more information, see: delart.org/opportunitie...
...
Stokes depicts a new mother’s sheer exhaustion, giving the Virgin Mary the same lived experience as other mothers.
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Stokes depicts a new mother’s sheer exhaustion, giving the Virgin Mary the same lived experience as other mothers.
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