plumppixel.bsky.social
@plumppixel.bsky.social
Human Resonance
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dlvr.it
January 6, 2026 at 2:48 PM
Savva Tsekmes Home Again.
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dlvr.it
January 6, 2026 at 2:48 PM
ÓST: Where Branding Turns Candles into Objects of Space and Sensation
ÓST: Where Branding Turns Candles into Objects of Space and Sensation ibby January 05, 2026 ÓST is a candle brand from Brazil that elevates candles into design objects through thoughtful branding, product design, and a cohesive visual identity by the talented team at Estudio Capim.  ÓST is a candle brand from Vitória, Brazil, founded by Laila and Jana with a clear ambition: to treat the candle not as a decorative afterthought, but as a design object in its own right. As a candle connoisseur, it is refreshing to see a project that approaches the category with this level of intention and respect for form, material, and experience. Developed from the ground up by Estudio Capim, the project spans naming, strategy, visual identity, product design, packaging, signage, and digital applications, resulting in a cohesive system where brand and product speak the same language. In a market saturated with familiar shapes and visual clichés, ÓST positions itself through restraint and clarity. Each collection is produced in limited editions, using high-quality materials and refined finishes that emphasize tactility and presence. The candle becomes a sensorial object, meant to be observed, felt, and experienced within a space rather than simply consumed. At the heart of the project is the idea of inviting people to “look again.” Rather than following trends, originality emerges through consistency. Forms, materials, typography, and tone work together as a unified whole, extending seamlessly from the object itself to packaging and retail expressions. This coherence gives the brand a strong sense of authorship from the outset. The name ÓST carries layered meaning. In Portuguese, it relates to hosting, reflecting the role candles play in moments of hospitality and gathering. It also nods to the idea of a vessel, something that holds presence or spirit. As an acronym, ÓST stands for Observar, Sentir, Transformar, which translate to Observe, Feel, Transform. This philosophy mirrors how the brand hopes users engage with its products. By elevating candles into thoughtfully designed objects with aesthetic and emotional weight, ÓST shows how a unified branding system can reshape a familiar category, one detail, one material, and one quiet moment at a time.  
dlvr.it
January 5, 2026 at 10:56 PM
Dalziel & Pow Designs Guinness Wayfinding and Branding in London
Dalziel & Pow Designs Guinness Wayfinding and Branding in London ibby January 05, 2026 Dalziel & Pow designs a storytelling-led wayfinding and branding system for the new Guinness Open Gate Brewery London, blending brand heritage, playful signage, and immersive design. As the new year begins, many are embracing fresh starts, new routines, and for some, a temporary break from alcohol. But if you happen to find yourself in London this winter, Guinness may have just given you a very well-designed reason to bend the rules. Opening to the public on December 11, the Guinness Open Gate Brewery London is a 54,000-square-foot destination set across three buildings in Covent Garden’s historic Old Brewer’s Yard. The experience spans brewing, food, retail, and community, and navigating it all is part of the story. That’s where Dalziel & Pow, the global strategy and design studio behind the Guinness Storehouse in Dublin, steps in. Rather than treating wayfinding as a functional afterthought, Dalziel & Pow approached the project as a storytelling system. The guiding idea, Discover the Unexpected, is expressed through a playful, character-driven visual language that feels unmistakably Guinness while responding to the energy of Covent Garden. Externally, signage takes inspiration from the most iconic Guinness symbol of all: the perfectly poured pint. Matte black directory panels topped with crisp white “heads” double as navigational tools and brand moments. Subtle layers of color beneath the surface reference each building’s identity, while hand-painted signs, bold black arrows, and trails of small golden harps guide visitors through the site. Inside, the system becomes even more expressive. Dalziel & Pow collaborated with Mason London to reintroduce beloved Guinness characters, including the toucan and sea lion made famous by John Gilroy. These illustrated figures interact with signage, staircases, and walls, turning movement through the space into a series of small discoveries. Hand-drawn “pub facts” and large typographic moments transform transitions into moments of delight and learning. Retail plays a central role as well. The Guinness Good Things pop-up store is conceived as a flexible platform for short-term collaborations with artists, designers, and brands, housed within an industrial shell layered with murals and digital façades. Nearby, the Guinness Goods Market Store offers a lively, localized retail experience, complete with bottle personalization and an “Our Beers” wall that celebrates the brand’s breadth. The result is a wayfinding and retail system that feels warm, human, and deeply considered. It’s proof that when navigation, storytelling, and brand identity align, even finding your way to a pint can become part of the experience.
dlvr.it
January 5, 2026 at 10:56 PM