“[It] was actually a toilet and this is one of the first group photos I took of the band. The upstairs room was packed for the gig, with most people sitting on the floor … in a cloud of marijuana smoke.”
📸 Paul Slattery
“[It] was actually a toilet and this is one of the first group photos I took of the band. The upstairs room was packed for the gig, with most people sitting on the floor … in a cloud of marijuana smoke.”
📸 Paul Slattery
📸 Michael Spencer Jones
📸 Michael Spencer Jones
Looks like the band needed a quick beer.
📸 Paul Slattery
Looks like the band needed a quick beer.
📸 Paul Slattery
“This picture was taken while Noel was singing ’Don’t Look Back In Anger’ ... Suddenly Bono loomed into view and I quickly swapped focus ... I think this is one of the best live images I've ever taken.”
📸 Jill Furmanovsky
“This picture was taken while Noel was singing ’Don’t Look Back In Anger’ ... Suddenly Bono loomed into view and I quickly swapped focus ... I think this is one of the best live images I've ever taken.”
📸 Jill Furmanovsky
“Liam was drunk and minutes before this was taken had been chasing Parisians on bicycles over the bridge before hurling his drink at the wall ... Noel was thoroughly fed up but the session continued. That is what I love about Oasis.”
📸 Jill Furmanovsky
“Liam was drunk and minutes before this was taken had been chasing Parisians on bicycles over the bridge before hurling his drink at the wall ... Noel was thoroughly fed up but the session continued. That is what I love about Oasis.”
📸 Jill Furmanovsky
The band originally had shown up to the studio without their frontman Liam. He missed his train from Manchester!
📸 Ian Davies
The band originally had shown up to the studio without their frontman Liam. He missed his train from Manchester!
📸 Ian Davies
Destined to be scrapped for parts the car was acquired with parts already stripped, including the engine. It was resprayed and freshened up with a new mascot and grille.
📸 Michael Spencer Jones
Destined to be scrapped for parts the car was acquired with parts already stripped, including the engine. It was resprayed and freshened up with a new mascot and grille.
📸 Michael Spencer Jones
The cover art was originally intended to be a nighttime shot. However, the main lighting generator had blown up during the shoot and made the film completely underexposed.
📸 Michael Spencer Jones
The cover art was originally intended to be a nighttime shot. However, the main lighting generator had blown up during the shoot and made the film completely underexposed.
📸 Michael Spencer Jones
This shoot is my all-time favorite, so expect some more posts on it 😉
📸 Michael Spencer Jones
This shoot is my all-time favorite, so expect some more posts on it 😉
📸 Michael Spencer Jones
THE BEST THERE IS AND,
THE BEST THERE *EVER* WILL BE!
Words cannot describe how much Oasis means to me, and I’m glad I can share my love for them with you all.
Thank you for 100 followers! 🎉
📸 Jill Furmanovsky (1997).
THE BEST THERE IS AND,
THE BEST THERE *EVER* WILL BE!
Words cannot describe how much Oasis means to me, and I’m glad I can share my love for them with you all.
Thank you for 100 followers! 🎉
📸 Jill Furmanovsky (1997).
📸 Koh Hasebe / Shinko Music / Getty Images
📸 Koh Hasebe / Shinko Music / Getty Images
“I was just focusing on Noel and Liam, when suddenly in the background of my shot I saw a pair of legs sail past. It was Bonehead lying on his back with his legs in the air being a piece of luggage on the now moving conveyor belt.”
📸 Jill Furmanovsky
“I was just focusing on Noel and Liam, when suddenly in the background of my shot I saw a pair of legs sail past. It was Bonehead lying on his back with his legs in the air being a piece of luggage on the now moving conveyor belt.”
📸 Jill Furmanovsky
📸 Jill Furmanovsky
📸 Jill Furmanovsky
📸 Stefan De Batselier
📸 Stefan De Batselier
Originally taken in black and white, the photo was hand-painted to achieve a more “surrealist” effect that matched the song’s lyrics.
📸 Michael Spencer Jones
Originally taken in black and white, the photo was hand-painted to achieve a more “surrealist” effect that matched the song’s lyrics.
📸 Michael Spencer Jones
📸 Michael Spencer Jones
📸 Michael Spencer Jones
📸 Michael Spencer Jones
📸 Michael Spencer Jones
From Oasis: The Official Magazine (1996).
📸 Peter J. Walsh
From Oasis: The Official Magazine (1996).
📸 Peter J. Walsh
📸 Peter Robathan
📸 Peter Robathan