@mjhousiaux12.bsky.social
Reposted
October 31, 2025 at 6:25 PM
October 31, 2025 at 6:25 PM
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EVIL DEAD TRAP (Toshiharu Ikeda, 1988)
SERPENT'S PATH (Kiyoshi Kurosawa, 1998)
#MasakiTamura #ToshiharuIkeda #MiyukiOno #EvilDeadTrap #KiyoshiKurosawa #TeruyukiKagawa #SerpentsPath #sidebyside
SERPENT'S PATH (Kiyoshi Kurosawa, 1998)
#MasakiTamura #ToshiharuIkeda #MiyukiOno #EvilDeadTrap #KiyoshiKurosawa #TeruyukiKagawa #SerpentsPath #sidebyside
October 30, 2025 at 9:45 PM
EVIL DEAD TRAP (Toshiharu Ikeda, 1988)
SERPENT'S PATH (Kiyoshi Kurosawa, 1998)
#MasakiTamura #ToshiharuIkeda #MiyukiOno #EvilDeadTrap #KiyoshiKurosawa #TeruyukiKagawa #SerpentsPath #sidebyside
SERPENT'S PATH (Kiyoshi Kurosawa, 1998)
#MasakiTamura #ToshiharuIkeda #MiyukiOno #EvilDeadTrap #KiyoshiKurosawa #TeruyukiKagawa #SerpentsPath #sidebyside
Reposted
...of the abandoned military base where the film is set, the first time she and we have taken a breather from all the madness going on below.
October 30, 2025 at 9:44 PM
...of the abandoned military base where the film is set, the first time she and we have taken a breather from all the madness going on below.
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...and proceeding through a series of daring and disgusting setpieces. And just when you think you have the movie figured out, it switches to yet another mode, the highlight of which is these POV shots that (if I'm not mistaken) were conceived by the great experimental...
October 30, 2025 at 9:42 PM
...and proceeding through a series of daring and disgusting setpieces. And just when you think you have the movie figured out, it switches to yet another mode, the highlight of which is these POV shots that (if I'm not mistaken) were conceived by the great experimental...
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October 30, 2025 at 9:41 PM
October 30, 2025 at 9:41 PM
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PLANET OF THE VAMPIRES (Mario Bava, 1965)
ALIEN (Ridley Scott, 1979)
#MarioBava #AntonioRinaldi #PlanetoftheVampires #RidleyScott #DerekVanlint #Alien #sidebyside
ALIEN (Ridley Scott, 1979)
#MarioBava #AntonioRinaldi #PlanetoftheVampires #RidleyScott #DerekVanlint #Alien #sidebyside
October 29, 2025 at 5:36 PM
PLANET OF THE VAMPIRES (Mario Bava, 1965)
ALIEN (Ridley Scott, 1979)
#MarioBava #AntonioRinaldi #PlanetoftheVampires #RidleyScott #DerekVanlint #Alien #sidebyside
ALIEN (Ridley Scott, 1979)
#MarioBava #AntonioRinaldi #PlanetoftheVampires #RidleyScott #DerekVanlint #Alien #sidebyside
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...the characters used later on, surrounded by perfectly lit red and green plumes of smoke. Equally amazing is the breadth of this film's influence. Take away the Pop Art palate and it's pretty easy to everything that inspired Ridley Scott's ALIEN.
October 29, 2025 at 5:35 PM
...the characters used later on, surrounded by perfectly lit red and green plumes of smoke. Equally amazing is the breadth of this film's influence. Take away the Pop Art palate and it's pretty easy to everything that inspired Ridley Scott's ALIEN.
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A masterpiece of mise en scène. It is frankly amazing how good this looks given how little money Bava and his crew had to work with. Nothing seems out of place, from the macro landscapes and architecture to the micro futuristic details, such as the video communicator...
October 29, 2025 at 5:35 PM
A masterpiece of mise en scène. It is frankly amazing how good this looks given how little money Bava and his crew had to work with. Nothing seems out of place, from the macro landscapes and architecture to the micro futuristic details, such as the video communicator...
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October 29, 2025 at 5:34 PM
October 29, 2025 at 5:34 PM
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A giallo of sorts that substitutes the colors of a Dutch still life for the genre's usual Pop Art palate. Almost functions as a meta-commentary on the trajectory of Italian horror in the 1970s/1980, the genre simulating death in increasingly realistic and gruesome ways.
October 28, 2025 at 5:22 PM
A giallo of sorts that substitutes the colors of a Dutch still life for the genre's usual Pop Art palate. Almost functions as a meta-commentary on the trajectory of Italian horror in the 1970s/1980, the genre simulating death in increasingly realistic and gruesome ways.
Reposted
THE HOUSE WITH LAUGHING WINDOWS (Pupi Avati, 1976)
#PupiAvati #PasqualeRachini #LinoCapolicchio #TheHousewithLaughingWindows
#PupiAvati #PasqualeRachini #LinoCapolicchio #TheHousewithLaughingWindows
October 28, 2025 at 5:21 PM
THE HOUSE WITH LAUGHING WINDOWS (Pupi Avati, 1976)
#PupiAvati #PasqualeRachini #LinoCapolicchio #TheHousewithLaughingWindows
#PupiAvati #PasqualeRachini #LinoCapolicchio #TheHousewithLaughingWindows
THE HOUSE WITH LAUGHING WINDOWS (Pupi Avati, 1976)
#PupiAvati #PasqualeRachini #LinoCapolicchio #TheHousewithLaughingWindows
#PupiAvati #PasqualeRachini #LinoCapolicchio #TheHousewithLaughingWindows
October 28, 2025 at 5:21 PM
THE HOUSE WITH LAUGHING WINDOWS (Pupi Avati, 1976)
#PupiAvati #PasqualeRachini #LinoCapolicchio #TheHousewithLaughingWindows
#PupiAvati #PasqualeRachini #LinoCapolicchio #TheHousewithLaughingWindows
Reposted
...by the house's ventilation systems riffling through a plastic plant. But how is one supposed to see body after body hanging from trees and not think of America's history of racial injustice (esp. when you throw in the shot-gunning of the young black boy later in the film...
October 27, 2025 at 6:14 PM
...by the house's ventilation systems riffling through a plastic plant. But how is one supposed to see body after body hanging from trees and not think of America's history of racial injustice (esp. when you throw in the shot-gunning of the young black boy later in the film...
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...into sharp relief. There are the 9/11 parallels, most obvious in the film's opening scene. And the even more topical allusions to the Great Recession, when the character briefly take refuge in an empty housing development, where everything is fake and Wahlberg gets spooked...
October 27, 2025 at 6:13 PM
...into sharp relief. There are the 9/11 parallels, most obvious in the film's opening scene. And the even more topical allusions to the Great Recession, when the character briefly take refuge in an empty housing development, where everything is fake and Wahlberg gets spooked...
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October 27, 2025 at 6:12 PM
October 27, 2025 at 6:12 PM
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A revenge film that takes its time building up to the bloodshed, but when it gets there...hoo boy.
October 25, 2025 at 10:44 AM
A revenge film that takes its time building up to the bloodshed, but when it gets there...hoo boy.
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October 25, 2025 at 10:43 AM
October 25, 2025 at 10:43 AM
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...Also contains a pretty long list of images you'd be hard-pressed to find in any other film, most notably the VR cactus sex of the film's conclusion.
October 23, 2025 at 4:17 PM
...Also contains a pretty long list of images you'd be hard-pressed to find in any other film, most notably the VR cactus sex of the film's conclusion.
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As mind-bending as it is revolting, pushing human flesh to its absolute limits then asking the viewer to go a step further. The woman eating herself may be the grossest thing I've ever seen, but the gore is oddly beautiful (one more way to film mixes up pain and pleasure)...
October 23, 2025 at 4:16 PM
As mind-bending as it is revolting, pushing human flesh to its absolute limits then asking the viewer to go a step further. The woman eating herself may be the grossest thing I've ever seen, but the gore is oddly beautiful (one more way to film mixes up pain and pleasure)...
Reposted
SPLATTER: NAKED BLOOD (Hisayasu Satō, 1996)
#HisayasuSatō #AkikoAshizawa #YumikaHayashi #SplatterNakedBlood
#HisayasuSatō #AkikoAshizawa #YumikaHayashi #SplatterNakedBlood
October 23, 2025 at 4:14 PM
SPLATTER: NAKED BLOOD (Hisayasu Satō, 1996)
#HisayasuSatō #AkikoAshizawa #YumikaHayashi #SplatterNakedBlood
#HisayasuSatō #AkikoAshizawa #YumikaHayashi #SplatterNakedBlood