I shot this as a long infrared exposure to slow the scene down and strip away the expected tones. The result felt less dramatic and more ancient, like the landscape wasn’t performing at all.
Same place, different way of seeing.
I shot this as a long infrared exposure to slow the scene down and strip away the expected tones. The result felt less dramatic and more ancient, like the landscape wasn’t performing at all.
Same place, different way of seeing.
I went with a long infrared exposure instead, about five minutes. The water smoothed out, the clouds blurred into structure, and the village stayed put.
Same place, different sense of time.
I went with a long infrared exposure instead, about five minutes. The water smoothed out, the clouds blurred into structure, and the village stayed put.
Same place, different sense of time.
The blue ice shows years of flow and compression, while the dark bands are rock and sediment being carried downhill, actively reshaping the land.
Changing perspective doesn’t just change what you see, it changes how you understand it.
The blue ice shows years of flow and compression, while the dark bands are rock and sediment being carried downhill, actively reshaping the land.
Changing perspective doesn’t just change what you see, it changes how you understand it.
I wasn’t looking for a photo, I just noticed how none of them stood on their own. Every trunk leaned into another, crossing and depending in a way that felt quietly familiar.
That was enough to make me stop.
I wasn’t looking for a photo, I just noticed how none of them stood on their own. Every trunk leaned into another, crossing and depending in a way that felt quietly familiar.
That was enough to make me stop.
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