Luchy
@luchy1.bsky.social
Until you make the unconscious conscious, it will direct your life and you will call it fate.
C.G. Jung
C.G. Jung
Débora Arango
- Esquizofrenia, 1949
- Matilde posando como actriz retirada, 1942
- La masacre del 9 de abril, 1948
- Las monjas y el cardenal, 1970
#colombianartists #womenartists #tornexpressionism #arthistory
- Esquizofrenia, 1949
- Matilde posando como actriz retirada, 1942
- La masacre del 9 de abril, 1948
- Las monjas y el cardenal, 1970
#colombianartists #womenartists #tornexpressionism #arthistory
February 20, 2026 at 1:06 AM
Débora Arango
- Esquizofrenia, 1949
- Matilde posando como actriz retirada, 1942
- La masacre del 9 de abril, 1948
- Las monjas y el cardenal, 1970
#colombianartists #womenartists #tornexpressionism #arthistory
- Esquizofrenia, 1949
- Matilde posando como actriz retirada, 1942
- La masacre del 9 de abril, 1948
- Las monjas y el cardenal, 1970
#colombianartists #womenartists #tornexpressionism #arthistory
Reposted by Luchy
Wifredo Lam: The Power of Art, Exile, and Transformation www.youtube.com/watch?v=MTnx... #art #ArtHistory #cuba
Wifredo Lam: The Power of Art, Exile, and Transformation
YouTube video by The Museum of Modern Art
www.youtube.com
February 12, 2026 at 12:55 PM
Wifredo Lam: The Power of Art, Exile, and Transformation www.youtube.com/watch?v=MTnx... #art #ArtHistory #cuba
The Trees have Ears and the Field has Eyes
Hieronymus Bosch, 1500
"One way to stop seeing trees, or rivers, or hills, only as 'natural resources,' is to class them as fellow beings—as kinfolk.”
~ Ursula Le Guin
#northernrenaissance #netherlandishart #arthistory
Hieronymus Bosch, 1500
"One way to stop seeing trees, or rivers, or hills, only as 'natural resources,' is to class them as fellow beings—as kinfolk.”
~ Ursula Le Guin
#northernrenaissance #netherlandishart #arthistory
February 10, 2026 at 9:05 PM
The Trees have Ears and the Field has Eyes
Hieronymus Bosch, 1500
"One way to stop seeing trees, or rivers, or hills, only as 'natural resources,' is to class them as fellow beings—as kinfolk.”
~ Ursula Le Guin
#northernrenaissance #netherlandishart #arthistory
Hieronymus Bosch, 1500
"One way to stop seeing trees, or rivers, or hills, only as 'natural resources,' is to class them as fellow beings—as kinfolk.”
~ Ursula Le Guin
#northernrenaissance #netherlandishart #arthistory
Reposted by Luchy
A culture cannot evolve without honest, powerful storytelling. When a society repeatedly experiences glossy, hollowed-out, pseudo-stories, it degenerates. We need true satires, tragedies, & comedies that shine a clean light into dingy corners of the human psyche & society.~Robert McKee
February 5, 2026 at 2:52 PM
A culture cannot evolve without honest, powerful storytelling. When a society repeatedly experiences glossy, hollowed-out, pseudo-stories, it degenerates. We need true satires, tragedies, & comedies that shine a clean light into dingy corners of the human psyche & society.~Robert McKee
Reposted by Luchy
The Metropolitan Museum of Art Puts 490,000 High-Res Images Online & Makes Them Free to Use
www.openculture.com/2024/11/the-...
www.openculture.com/2024/11/the-...
The Metropolitan Museum of Art Puts 490,000 High-Res Images Online & Makes Them Free to Use
Update: The Metropolitan Museum of Art has put online 492,000 high-resolution images of artistic works. Even better, the museum has placed the vast majority of these images into the public domain, mea...
www.openculture.com
January 26, 2026 at 2:02 AM
The Metropolitan Museum of Art Puts 490,000 High-Res Images Online & Makes Them Free to Use
www.openculture.com/2024/11/the-...
www.openculture.com/2024/11/the-...
Singing Man
Jonathan Borofsky, 1994
"…I am fully aware that I was once physically part of a female human being... When male and female energies combine with grace and balance, all things are in harmony and peace and creativity is at its peak."
#conceptualart #neosurrealism #sculpture #arthistory
Jonathan Borofsky, 1994
"…I am fully aware that I was once physically part of a female human being... When male and female energies combine with grace and balance, all things are in harmony and peace and creativity is at its peak."
#conceptualart #neosurrealism #sculpture #arthistory
January 22, 2026 at 10:18 PM
Singing Man
Jonathan Borofsky, 1994
"…I am fully aware that I was once physically part of a female human being... When male and female energies combine with grace and balance, all things are in harmony and peace and creativity is at its peak."
#conceptualart #neosurrealism #sculpture #arthistory
Jonathan Borofsky, 1994
"…I am fully aware that I was once physically part of a female human being... When male and female energies combine with grace and balance, all things are in harmony and peace and creativity is at its peak."
#conceptualart #neosurrealism #sculpture #arthistory
Sandro Botticelli
Birth of Venus, mid 1480s
Primavera, early 1480s
“I wear myself out trying to render the orange trees so that they're not stiff but like those I saw by Botticelli in Florence. It's a dream that won't come true.”
~Berthe Morisot
#florentinerenaissance #florentineschool #arthistory
Birth of Venus, mid 1480s
Primavera, early 1480s
“I wear myself out trying to render the orange trees so that they're not stiff but like those I saw by Botticelli in Florence. It's a dream that won't come true.”
~Berthe Morisot
#florentinerenaissance #florentineschool #arthistory
January 20, 2026 at 10:08 PM
Sandro Botticelli
Birth of Venus, mid 1480s
Primavera, early 1480s
“I wear myself out trying to render the orange trees so that they're not stiff but like those I saw by Botticelli in Florence. It's a dream that won't come true.”
~Berthe Morisot
#florentinerenaissance #florentineschool #arthistory
Birth of Venus, mid 1480s
Primavera, early 1480s
“I wear myself out trying to render the orange trees so that they're not stiff but like those I saw by Botticelli in Florence. It's a dream that won't come true.”
~Berthe Morisot
#florentinerenaissance #florentineschool #arthistory
Landscape from a Dream
Paul Nash, 1938
“I believed that by a process of what I can only describe as inward dilation of the eyes I could increase my actual vision.”
#surrealism #britishmodernism #arthistory
Paul Nash, 1938
“I believed that by a process of what I can only describe as inward dilation of the eyes I could increase my actual vision.”
#surrealism #britishmodernism #arthistory
January 17, 2026 at 1:54 AM
Landscape from a Dream
Paul Nash, 1938
“I believed that by a process of what I can only describe as inward dilation of the eyes I could increase my actual vision.”
#surrealism #britishmodernism #arthistory
Paul Nash, 1938
“I believed that by a process of what I can only describe as inward dilation of the eyes I could increase my actual vision.”
#surrealism #britishmodernism #arthistory
Beatriz Gonzalez
Los Suicidas del Sisga No 1, 1965
Ánimas benditas, 1967
La pesca milagrosa, 1992
Empalizada, 2001
"Art says things that history cannot.”
#artistascolombianas #colombianartists #popart #conceptualart #arthistory
Los Suicidas del Sisga No 1, 1965
Ánimas benditas, 1967
La pesca milagrosa, 1992
Empalizada, 2001
"Art says things that history cannot.”
#artistascolombianas #colombianartists #popart #conceptualart #arthistory
January 11, 2026 at 11:19 PM
Beatriz Gonzalez
Los Suicidas del Sisga No 1, 1965
Ánimas benditas, 1967
La pesca milagrosa, 1992
Empalizada, 2001
"Art says things that history cannot.”
#artistascolombianas #colombianartists #popart #conceptualart #arthistory
Los Suicidas del Sisga No 1, 1965
Ánimas benditas, 1967
La pesca milagrosa, 1992
Empalizada, 2001
"Art says things that history cannot.”
#artistascolombianas #colombianartists #popart #conceptualart #arthistory
El Greco
(Domenikos Theotokopoulos)
-El caballero de la mano en el pecho, 1580
-El entierro del Conde de Orgaz, 1586
-Vista de Toledo, 1600
#mannerism #spanishrenaissance #counterreformation #spanishmysticism #arthistory
(Domenikos Theotokopoulos)
-El caballero de la mano en el pecho, 1580
-El entierro del Conde de Orgaz, 1586
-Vista de Toledo, 1600
#mannerism #spanishrenaissance #counterreformation #spanishmysticism #arthistory
January 9, 2026 at 9:50 PM
El Greco
(Domenikos Theotokopoulos)
-El caballero de la mano en el pecho, 1580
-El entierro del Conde de Orgaz, 1586
-Vista de Toledo, 1600
#mannerism #spanishrenaissance #counterreformation #spanishmysticism #arthistory
(Domenikos Theotokopoulos)
-El caballero de la mano en el pecho, 1580
-El entierro del Conde de Orgaz, 1586
-Vista de Toledo, 1600
#mannerism #spanishrenaissance #counterreformation #spanishmysticism #arthistory
Consuelo Kanaga
Frances with a Flower, 1932
She Is a Tree of Life, 1950
“Most people try to be striking to catch the eye. I think the thing is not to catch the eye but the spirit.”
#photojournalism #modernism #groupf64 #womenartists #photography #arthistory
Frances with a Flower, 1932
She Is a Tree of Life, 1950
“Most people try to be striking to catch the eye. I think the thing is not to catch the eye but the spirit.”
#photojournalism #modernism #groupf64 #womenartists #photography #arthistory
January 8, 2026 at 9:08 PM
Consuelo Kanaga
Frances with a Flower, 1932
She Is a Tree of Life, 1950
“Most people try to be striking to catch the eye. I think the thing is not to catch the eye but the spirit.”
#photojournalism #modernism #groupf64 #womenartists #photography #arthistory
Frances with a Flower, 1932
She Is a Tree of Life, 1950
“Most people try to be striking to catch the eye. I think the thing is not to catch the eye but the spirit.”
#photojournalism #modernism #groupf64 #womenartists #photography #arthistory
Reposted by Luchy
Vija Celmins, House #1, 1965
https://botfrens.com/collections/14377/contents/1137043
https://botfrens.com/collections/14377/contents/1137043
December 31, 2025 at 12:26 PM
Vija Celmins, House #1, 1965
https://botfrens.com/collections/14377/contents/1137043
https://botfrens.com/collections/14377/contents/1137043
The Lacemaker
Johannes Vermeer, 1670
“Vermeer is not a sun painter, but rather a moon-painter – like Uccello – that’s good, it is the pure, final stage of art, the moment when it becomes more real than reality.”
~Arshile Gorky
#dutchbaroque #delftschool #dutchgoldenage #genrepainting #arthistory
Johannes Vermeer, 1670
“Vermeer is not a sun painter, but rather a moon-painter – like Uccello – that’s good, it is the pure, final stage of art, the moment when it becomes more real than reality.”
~Arshile Gorky
#dutchbaroque #delftschool #dutchgoldenage #genrepainting #arthistory
December 31, 2025 at 1:11 AM
The Lacemaker
Johannes Vermeer, 1670
“Vermeer is not a sun painter, but rather a moon-painter – like Uccello – that’s good, it is the pure, final stage of art, the moment when it becomes more real than reality.”
~Arshile Gorky
#dutchbaroque #delftschool #dutchgoldenage #genrepainting #arthistory
Johannes Vermeer, 1670
“Vermeer is not a sun painter, but rather a moon-painter – like Uccello – that’s good, it is the pure, final stage of art, the moment when it becomes more real than reality.”
~Arshile Gorky
#dutchbaroque #delftschool #dutchgoldenage #genrepainting #arthistory
Reposted by Luchy
In 1819, Madrid’s Museo del Prado opened to the public, transforming a royal collection into a national museum and reshaping how European masterpieces were preserved, studied, and shared with society at large. #ArtHistory
December 15, 2025 at 5:27 PM
In 1819, Madrid’s Museo del Prado opened to the public, transforming a royal collection into a national museum and reshaping how European masterpieces were preserved, studied, and shared with society at large. #ArtHistory
Self portraits by four artists:
Elisabeth Louise Vigée Le Brun, Self-Portrait with Daughter Julie, 1789
Paula Modersohn-Becker, Self-Portrait with Hat and Veil, 1907
Amadeo Modigliani, Self Portrait, 1919
Stanley Spencer, Self-Portrait with Patricia Preece, 1937
#selfportraits #arthistory
Elisabeth Louise Vigée Le Brun, Self-Portrait with Daughter Julie, 1789
Paula Modersohn-Becker, Self-Portrait with Hat and Veil, 1907
Amadeo Modigliani, Self Portrait, 1919
Stanley Spencer, Self-Portrait with Patricia Preece, 1937
#selfportraits #arthistory
December 13, 2025 at 11:32 PM
Self portraits by four artists:
Elisabeth Louise Vigée Le Brun, Self-Portrait with Daughter Julie, 1789
Paula Modersohn-Becker, Self-Portrait with Hat and Veil, 1907
Amadeo Modigliani, Self Portrait, 1919
Stanley Spencer, Self-Portrait with Patricia Preece, 1937
#selfportraits #arthistory
Elisabeth Louise Vigée Le Brun, Self-Portrait with Daughter Julie, 1789
Paula Modersohn-Becker, Self-Portrait with Hat and Veil, 1907
Amadeo Modigliani, Self Portrait, 1919
Stanley Spencer, Self-Portrait with Patricia Preece, 1937
#selfportraits #arthistory
New York City
Piet Mondrian, 1942
“To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. ”
#destijl #thestyle #neoplasticism #modernart #dutchartists #arthistory
Piet Mondrian, 1942
“To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. ”
#destijl #thestyle #neoplasticism #modernart #dutchartists #arthistory
December 11, 2025 at 12:46 AM
New York City
Piet Mondrian, 1942
“To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. ”
#destijl #thestyle #neoplasticism #modernart #dutchartists #arthistory
Piet Mondrian, 1942
“To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. ”
#destijl #thestyle #neoplasticism #modernart #dutchartists #arthistory
Reposted by Luchy
El mismo modelo para distintos personajes: Santo Tomás y el rey Melchor, de Rubens
December 4, 2025 at 1:04 PM
El mismo modelo para distintos personajes: Santo Tomás y el rey Melchor, de Rubens
Window or Wall Sign
Bruce Nauman, 1967
"My work is basically an outgrowth of the anger I feel about the human condition. The aspects of it that make me angry are our capacity for cruelty and the ability people have to ignore situations they don't like.”
#postminimalism #arthistory #conceptualart
Bruce Nauman, 1967
"My work is basically an outgrowth of the anger I feel about the human condition. The aspects of it that make me angry are our capacity for cruelty and the ability people have to ignore situations they don't like.”
#postminimalism #arthistory #conceptualart
November 25, 2025 at 1:00 AM
Window or Wall Sign
Bruce Nauman, 1967
"My work is basically an outgrowth of the anger I feel about the human condition. The aspects of it that make me angry are our capacity for cruelty and the ability people have to ignore situations they don't like.”
#postminimalism #arthistory #conceptualart
Bruce Nauman, 1967
"My work is basically an outgrowth of the anger I feel about the human condition. The aspects of it that make me angry are our capacity for cruelty and the ability people have to ignore situations they don't like.”
#postminimalism #arthistory #conceptualart
Woman I
Willem de Kooning, 1950-52
“I might work on a painting for a month, but it has too look like I painted it in a minute.”
#abstractexpressionism #newyorkschool #figurativepainting #modernart #arthistory
Willem de Kooning, 1950-52
“I might work on a painting for a month, but it has too look like I painted it in a minute.”
#abstractexpressionism #newyorkschool #figurativepainting #modernart #arthistory
November 21, 2025 at 1:13 AM
Woman I
Willem de Kooning, 1950-52
“I might work on a painting for a month, but it has too look like I painted it in a minute.”
#abstractexpressionism #newyorkschool #figurativepainting #modernart #arthistory
Willem de Kooning, 1950-52
“I might work on a painting for a month, but it has too look like I painted it in a minute.”
#abstractexpressionism #newyorkschool #figurativepainting #modernart #arthistory
Rosa Bonheur
—-
The Wounded Eagle, 1870
King of the Forest, 1878
El Cid, 1879
Two Horses, 1889
“…I loved to move among animals. I would study an animal and draw it in the position it took, and when it changed to another position I would draw that.”
#animalier #romanticism #womenartists #arthistory
—-
The Wounded Eagle, 1870
King of the Forest, 1878
El Cid, 1879
Two Horses, 1889
“…I loved to move among animals. I would study an animal and draw it in the position it took, and when it changed to another position I would draw that.”
#animalier #romanticism #womenartists #arthistory
November 19, 2025 at 1:54 AM
Rosa Bonheur
—-
The Wounded Eagle, 1870
King of the Forest, 1878
El Cid, 1879
Two Horses, 1889
“…I loved to move among animals. I would study an animal and draw it in the position it took, and when it changed to another position I would draw that.”
#animalier #romanticism #womenartists #arthistory
—-
The Wounded Eagle, 1870
King of the Forest, 1878
El Cid, 1879
Two Horses, 1889
“…I loved to move among animals. I would study an animal and draw it in the position it took, and when it changed to another position I would draw that.”
#animalier #romanticism #womenartists #arthistory
Paul Delvaux
The Hands, 1941
Sleeping Venus, 1944
“In my opinion [surrealism] is above all a reawakening of the poetic idea in art, the reintroduction of the subject but in a very particular sense, that of the strange and illogical.”
#surrealism #figurativepainting #femalenude #arthistory
The Hands, 1941
Sleeping Venus, 1944
“In my opinion [surrealism] is above all a reawakening of the poetic idea in art, the reintroduction of the subject but in a very particular sense, that of the strange and illogical.”
#surrealism #figurativepainting #femalenude #arthistory
November 15, 2025 at 11:32 PM
Paul Delvaux
The Hands, 1941
Sleeping Venus, 1944
“In my opinion [surrealism] is above all a reawakening of the poetic idea in art, the reintroduction of the subject but in a very particular sense, that of the strange and illogical.”
#surrealism #figurativepainting #femalenude #arthistory
The Hands, 1941
Sleeping Venus, 1944
“In my opinion [surrealism] is above all a reawakening of the poetic idea in art, the reintroduction of the subject but in a very particular sense, that of the strange and illogical.”
#surrealism #figurativepainting #femalenude #arthistory
Chaos and Nature
Andy Goldsworthy, 2007
“We often forget that we are nature. Nature is not something separate from us. So when we say that we have lost our connection to nature, we've lost our connection to ourselves.”
#environmentalart #ephemeralart #landart #photography #arthistory
Andy Goldsworthy, 2007
“We often forget that we are nature. Nature is not something separate from us. So when we say that we have lost our connection to nature, we've lost our connection to ourselves.”
#environmentalart #ephemeralart #landart #photography #arthistory
November 14, 2025 at 1:59 AM
Chaos and Nature
Andy Goldsworthy, 2007
“We often forget that we are nature. Nature is not something separate from us. So when we say that we have lost our connection to nature, we've lost our connection to ourselves.”
#environmentalart #ephemeralart #landart #photography #arthistory
Andy Goldsworthy, 2007
“We often forget that we are nature. Nature is not something separate from us. So when we say that we have lost our connection to nature, we've lost our connection to ourselves.”
#environmentalart #ephemeralart #landart #photography #arthistory
Mother as a Mountain
Anish Kapoor, 1985
"The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story."
#postminimalism #sculpture #newbritishart #britishartists #maleartists #installationart #arthistory
Anish Kapoor, 1985
"The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story."
#postminimalism #sculpture #newbritishart #britishartists #maleartists #installationart #arthistory
November 12, 2025 at 1:30 AM
Mother as a Mountain
Anish Kapoor, 1985
"The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story."
#postminimalism #sculpture #newbritishart #britishartists #maleartists #installationart #arthistory
Anish Kapoor, 1985
"The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story."
#postminimalism #sculpture #newbritishart #britishartists #maleartists #installationart #arthistory
Katsushika Hokusai
The Great Wave off Kanagawa, 1831
Thirtysix Views of Mount Fuji, 1831
Under the Mannen Bridge at Fukagawa, 1832
#edo #ukiyo-e #woodblockprints #woodblockart #japaneseartists #influentialartists #arthistory
The Great Wave off Kanagawa, 1831
Thirtysix Views of Mount Fuji, 1831
Under the Mannen Bridge at Fukagawa, 1832
#edo #ukiyo-e #woodblockprints #woodblockart #japaneseartists #influentialartists #arthistory
November 6, 2025 at 10:25 PM
Katsushika Hokusai
The Great Wave off Kanagawa, 1831
Thirtysix Views of Mount Fuji, 1831
Under the Mannen Bridge at Fukagawa, 1832
#edo #ukiyo-e #woodblockprints #woodblockart #japaneseartists #influentialartists #arthistory
The Great Wave off Kanagawa, 1831
Thirtysix Views of Mount Fuji, 1831
Under the Mannen Bridge at Fukagawa, 1832
#edo #ukiyo-e #woodblockprints #woodblockart #japaneseartists #influentialartists #arthistory
Prince
Judy Pfaff, 2021
“I think there is a nervousness in my work. It’s like a love affair with materials. I feel a need for certain things, like color, and I’ll just do anything to get the fragrance or the flavor right.”
#processart #installationart #womenartists #contemporaryart #arthistory
Judy Pfaff, 2021
“I think there is a nervousness in my work. It’s like a love affair with materials. I feel a need for certain things, like color, and I’ll just do anything to get the fragrance or the flavor right.”
#processart #installationart #womenartists #contemporaryart #arthistory
November 4, 2025 at 10:02 PM
Prince
Judy Pfaff, 2021
“I think there is a nervousness in my work. It’s like a love affair with materials. I feel a need for certain things, like color, and I’ll just do anything to get the fragrance or the flavor right.”
#processart #installationart #womenartists #contemporaryart #arthistory
Judy Pfaff, 2021
“I think there is a nervousness in my work. It’s like a love affair with materials. I feel a need for certain things, like color, and I’ll just do anything to get the fragrance or the flavor right.”
#processart #installationart #womenartists #contemporaryart #arthistory
