LEAN has mostly focused on fiction but we're very interested in memoir, especially the kind that evokes the contexts and conditions of life, sidelining the individual for the sake of conveying useful information
LEAN has mostly focused on fiction but we're very interested in memoir, especially the kind that evokes the contexts and conditions of life, sidelining the individual for the sake of conveying useful information
A big thanks to Semyon Khokhlov for featuring us!
A big thanks to Semyon Khokhlov for featuring us!
Diego Lama's "The Silent City," translated by Rose Facchini, portrays a besieged city expanding toward the infinite.
Stephen Mortland's amazing story "Three Sofias" is all about promiscuous acts of attention.
www.lean-mag.com
Diego Lama's "The Silent City," translated by Rose Facchini, portrays a besieged city expanding toward the infinite.
Stephen Mortland's amazing story "Three Sofias" is all about promiscuous acts of attention.
www.lean-mag.com
Diego Lama's "The Silent City," translated by Rose Facchini, portrays a besieged city expanding toward the infinite.
Stephen Mortland's amazing story "Three Sofias" is all about promiscuous acts of attention.
www.lean-mag.com
Diego Lama's "The Silent City," translated by Rose Facchini, portrays a besieged city expanding toward the infinite.
Stephen Mortland's amazing story "Three Sofias" is all about promiscuous acts of attention.
www.lean-mag.com
Featuring Jon Conley's story of a hot day at the beach where the people aren't quite right.
And a story by Jon Doughboy that stirs up a heteroglossic stew on a very clear night in Idaho.
www.lean-mag.com
Featuring Jon Conley's story of a hot day at the beach where the people aren't quite right.
And a story by Jon Doughboy that stirs up a heteroglossic stew on a very clear night in Idaho.
www.lean-mag.com
Featuring Jon Conley's story of a hot day at the beach where the people aren't quite right.
And a story by Jon Doughboy that stirs up a heteroglossic stew on a very clear night in Idaho.
www.lean-mag.com
Featuring Jon Conley's story of a hot day at the beach where the people aren't quite right.
And a story by Jon Doughboy that stirs up a heteroglossic stew on a very clear night in Idaho.
www.lean-mag.com
www.full-stop.net/2025/03/06/f...
www.full-stop.net/2025/03/06/f...
www.full-stop.net/2025/03/06/f...
www.full-stop.net/2025/03/06/f...
---Jenny Erpenbeck
---Jenny Erpenbeck
3rd person can be used to center an individual just as 1st person can be used to sideline them.
3rd person can be used to center an individual just as 1st person can be used to sideline them.
3rd person can be used to center an individual just as 1st person can be used to sideline them.
3rd person can be used to center an individual just as 1st person can be used to sideline them.
It's not enough for a character to be "self-aware" or even to look out beyond themselves because such looking can easily turn into self-affirmation.
It's not enough for a character to be "self-aware" or even to look out beyond themselves because such looking can easily turn into self-affirmation.
@spurleditions.bsky.social in a new translation by Dana Lupo
@spurleditions.bsky.social in a new translation by Dana Lupo
Are you tired of lit that doggedly tracks the private concerns of an individual?
Do you think the individual story is always just one element in a larger human situation?
If you do, send your stuff to LEAN!
Are you tired of lit that doggedly tracks the private concerns of an individual?
Do you think the individual story is always just one element in a larger human situation?
If you do, send your stuff to LEAN!
A blast from the past:
Alphonse Daudet's story "A Game of Billiards" (1873) in a new translation by Elliot Menard
And the present:
Two stories by contemporary Italian writer Diego Lama translated by Rose Facchini
www.lean-mag.com
A blast from the past:
Alphonse Daudet's story "A Game of Billiards" (1873) in a new translation by Elliot Menard
And the present:
Two stories by contemporary Italian writer Diego Lama translated by Rose Facchini
www.lean-mag.com
A blast from the past:
Alphonse Daudet's story "A Game of Billiards" (1873) in a new translation by Elliot Menard
And the present:
Two stories by contemporary Italian writer Diego Lama translated by Rose Facchini
www.lean-mag.com
A blast from the past:
Alphonse Daudet's story "A Game of Billiards" (1873) in a new translation by Elliot Menard
And the present:
Two stories by contemporary Italian writer Diego Lama translated by Rose Facchini
www.lean-mag.com
Memoir has all sorts of non-protagonist-centered possibilities (really!) and there are some fascinating examples from Gluckel of Hameln's Memoirs to Alexander Kluge's Air Raid to Hua Hsu's recent Stay True.
So send your unorthodox memoir along!
Memoir has all sorts of non-protagonist-centered possibilities (really!) and there are some fascinating examples from Gluckel of Hameln's Memoirs to Alexander Kluge's Air Raid to Hua Hsu's recent Stay True.
So send your unorthodox memoir along!
Are you tired of lit that doggedly tracks the private concerns of an individual?
Do you think the individual story is always just one element in a larger human situation?
If you do, send your stuff to LEAN!
Are you tired of lit that doggedly tracks the private concerns of an individual?
Do you think the individual story is always just one element in a larger human situation?
If you do, send your stuff to LEAN!
You have to go to Ndakaaru.
You have to find your little brother.
At any cost.
Do you hear?
You have to bring him back here, to Kayar.
Dead or alive.
Even just his bones.
Do you hear?
--from Ken Bugul's Coming and Going at lean-mag.com
You have to go to Ndakaaru.
You have to find your little brother.
At any cost.
Do you hear?
You have to bring him back here, to Kayar.
Dead or alive.
Even just his bones.
Do you hear?
--from Ken Bugul's Coming and Going at lean-mag.com
www.lean-mag.com
www.lean-mag.com