Kersti slädfärd från 1901 skildrar konstnärens femåriga dotter Kersti i full fart på väg till kyrkan i Sundborn.
Carl Larsson, Kersti slädfärd, 1901. Lärarstiftelsen
#waldemarsudde #carllarsson
#christmas
Kersti slädfärd från 1901 skildrar konstnärens femåriga dotter Kersti i full fart på väg till kyrkan i Sundborn.
Carl Larsson, Kersti slädfärd, 1901. Lärarstiftelsen
#waldemarsudde #carllarsson
#christmas
📸 Alberto Giacometti, Les Femmes de Venise, 1956 - 1957 et Fernand Léger, La Partie de Campagne, 1954 - Archives Fondation Maeght.
#albertogiacometti #fernandleger
#fernandléger
#fondationmaeght
📸 Alberto Giacometti, Les Femmes de Venise, 1956 - 1957 et Fernand Léger, La Partie de Campagne, 1954 - Archives Fondation Maeght.
#albertogiacometti #fernandleger
#fernandléger
#fondationmaeght
Degas presents a cheerful and festive scene, but from an unusual perspective – one theater visitors usually don’t get to see: the view of the musicians in the foreground to the dancers in the spotlight.
Edgar Degas, Orchestra Musicians, 1872 (1874 – 1876), Frankfurt, Städel Museum
Degas presents a cheerful and festive scene, but from an unusual perspective – one theater visitors usually don’t get to see: the view of the musicians in the foreground to the dancers in the spotlight.
Edgar Degas, Orchestra Musicians, 1872 (1874 – 1876), Frankfurt, Städel Museum
Otto Speckter (1801-1871), Ein Knabe mit einem Brezel in der Hand, vor ihm Brot (Illustration zur Fabel »Kuchen und Brot«), 1833 (?), Hamburger Kunsthalle, Kupferstichkabinett/ bpk
#hamburgerkunsthalle
#kupferstichkabinett
#ottospeckter
Otto Speckter (1801-1871), Ein Knabe mit einem Brezel in der Hand, vor ihm Brot (Illustration zur Fabel »Kuchen und Brot«), 1833 (?), Hamburger Kunsthalle, Kupferstichkabinett/ bpk
#hamburgerkunsthalle
#kupferstichkabinett
#ottospeckter
🇮🇹 Jean Colombe, Il mese di novembre, Très riches Heures du Duc de Berry, 1485-1489 ca., Chantilly, Musée Condé.
#jeancolombe
#muséecondé
#museeconde
@chateauchantilly
#tresrichesheuresduducdeberry
#trèsrichesheuresduducdeberry
🇮🇹 Jean Colombe, Il mese di novembre, Très riches Heures du Duc de Berry, 1485-1489 ca., Chantilly, Musée Condé.
#jeancolombe
#muséecondé
#museeconde
@chateauchantilly
#tresrichesheuresduducdeberry
#trèsrichesheuresduducdeberry
#proutsneck
#winslowhomer
#yaleartgallery
#yaleuniversityartgallery
@yaleartgallery
#proutsneck
#winslowhomer
#yaleartgallery
#yaleuniversityartgallery
@yaleartgallery
This miniature of Sontag is by Alessandro Fiocchi, after Franz Winterhalter.
#henriettesontag
@wallacemuseum
This miniature of Sontag is by Alessandro Fiocchi, after Franz Winterhalter.
#henriettesontag
@wallacemuseum
#owenhumphreys
#tynemouth
#owenhumphreys
#tynemouth
Eugène Verboeckhoven, Chicks (1858), RMFAB, Brussels.
#eugeneverboeckhoven
#eugèneverboeckhoven
Eugène Verboeckhoven, Chicks (1858), RMFAB, Brussels.
#eugeneverboeckhoven
#eugèneverboeckhoven
#newyorkpubliclibrary
#nypl
@nypl
@nyplart
#spencercollection
#newworld
#happythanksgiving
#newyorkpubliclibrary
#nypl
@nypl
@nyplart
#spencercollection
#newworld
#happythanksgiving
He was, wrote Roger Ebert, the “soul of film noir.”
#filmnoir
#RobertMitchum
#outofthepast
#jacquestourneur
He was, wrote Roger Ebert, the “soul of film noir.”
#filmnoir
#RobertMitchum
#outofthepast
#jacquestourneur
Barthélémy L’Anglais, Le Livre des propriétés des choses, France, 1485, vers 1467-1475, 15e siècle, Parchemin enluminé.
Photo: Paris, @labnf Bibliothèque nationale de France, département des Manuscrits, FR 134 (fol. 262v).
@museecluny
#labnf
#illuminatedmanuscript
Barthélémy L’Anglais, Le Livre des propriétés des choses, France, 1485, vers 1467-1475, 15e siècle, Parchemin enluminé.
Photo: Paris, @labnf Bibliothèque nationale de France, département des Manuscrits, FR 134 (fol. 262v).
@museecluny
#labnf
#illuminatedmanuscript
Tomás Maldonado participó en el Arte Concreto y en la renovación plástica en su pais (Argentina) durante los años 40. Dedicado por entero al diseño, en 1955 dejó la pintura, que no retomó hasta el 2000.
#TomásMaldonado
#TomasMaldonado
#museoreinasofia
#Maldonado
Tomás Maldonado participó en el Arte Concreto y en la renovación plástica en su pais (Argentina) durante los años 40. Dedicado por entero al diseño, en 1955 dejó la pintura, que no retomó hasta el 2000.
#TomásMaldonado
#TomasMaldonado
#museoreinasofia
#Maldonado
Based on a small oil sketch made in Algonquin Park in the fall of 1915, two years before the artist drowned in Canoe Lake, this masterful large-format painting was acquired in 1922 by the Art Association of Montreal.
#TomThomson, «Dans le Nord», 1915. Montreal Museum of Fine Arts
#mbamtl
Based on a small oil sketch made in Algonquin Park in the fall of 1915, two years before the artist drowned in Canoe Lake, this masterful large-format painting was acquired in 1922 by the Art Association of Montreal.
#TomThomson, «Dans le Nord», 1915. Montreal Museum of Fine Arts
#mbamtl
#JeanGaumy
#Wimmereux
#Normandy
#MagnumPhotos
#Gaumy
@magnumphotos
#JeanGaumy
#Wimmereux
#Normandy
#MagnumPhotos
#Gaumy
@magnumphotos
#giacarangi
#gia
#chrisvonwangenheim
#Wangenheim
#giacarangi
#gia
#chrisvonwangenheim
#Wangenheim
#northsea
#rijksmuseum
@rijksmuseum
#northsea
#rijksmuseum
@rijksmuseum
#whitneymuseum
#felixgonzaleztorres
@whitneymuseum
#whitneymuseum
#felixgonzaleztorres
@whitneymuseum
#elliotterwitt
#Erwitt
#brighton
#elliotterwitt
#Erwitt
#brighton
#metsiena
#saintandrew
#SimoneMartini
#metropolitanmuseum
#themet
#metropolitanmuseumofart
@metmuseum
#metsiena
#saintandrew
#SimoneMartini
#metropolitanmuseum
#themet
#metropolitanmuseumofart
@metmuseum
I really hate this motherfucker.
I really hate this motherfucker.
🇬🇧 Distorted in terms of size, weight, and function, the bells that dominate René Magritte’s painting “Voice of Space” (1931) hover before our eyes, drawing us into an alternate dimension where dreams and reality merge and anything is possible.
#peggyguggenheimcollection
🇬🇧 Distorted in terms of size, weight, and function, the bells that dominate René Magritte’s painting “Voice of Space” (1931) hover before our eyes, drawing us into an alternate dimension where dreams and reality merge and anything is possible.
#peggyguggenheimcollection
Walter Thor, Affiche cycles
Griffon. sans date, probablement début 20e siècle.
c.bnf.fr/V4H
#Gallica
#BnF
#bicycle
#walterthor
#griffon
Walter Thor, Affiche cycles
Griffon. sans date, probablement début 20e siècle.
c.bnf.fr/V4H
#Gallica
#BnF
#bicycle
#walterthor
#griffon
#metsiena
#saintluke
#simonemartini
#metropolitanmuseumofart
#gettymuseum
@metmuseum
@gettymuseum
#metsiena
#saintluke
#simonemartini
#metropolitanmuseumofart
#gettymuseum
@metmuseum
@gettymuseum