JP
jprr.bsky.social
JP
@jprr.bsky.social
Alice Cooper gestures at menace; Ice-T itemizes it. One song name-checks irritation. The other turns password resets, office lunches, and unsolicited advice into a full psychological meltdown.
#MusicCriticism #IceT #Institutionalized #AliceCooper
pablohoneyfish.wordpress.com/2026/01/10/t...
The Architecture of Aggression: A Comparative Analysis of Mundane Rage in Alice Cooper’s Brutal Planet and Body Count’s Manslaughter
The landscape of heavy metal and transgressive rock has long served as a repository for the disenfranchised and the short-fused. Within this auditory arena, artists have frequently pivoted between …
pablohoneyfish.wordpress.com
January 11, 2026 at 12:46 AM
Three sci-fi movies. Infinite space. Zero curiosity. When science fiction stops asking questions, all you’re left with are shiny coffins drifting through the void.
#ScienceFiction #FilmCriticism #SciFi #PlotHoles #Passengers #Lifepod #EventHorizon
pablohoneyfish.wordpress.com/2026/01/09/t...
The Vacuum of Intent: A Critical Analysis of Intellectual Incuriosity and Narrative Collapse in High-Concept Science Fiction
The trajectory of science fiction cinema in the late twentieth and early twenty-first centuries has often been defined by a widening chasm between aesthetic sophistication and intellectual commitme…
pablohoneyfish.wordpress.com
January 10, 2026 at 1:00 AM
Covers, interpolations, and “reimaginings” that mistake recognition for meaning. From Heart to Nine Inch Nails, a tour of pop songs that lost the plot—and the rare ones that actually earned the risk.
#Pop #Criticism #MusicEssay #Covers #PopMusic
pablohoneyfish.wordpress.com/2026/01/08/t...
The Semiotics of Recognition: Analytical Perspectives on the Aesthetic Dilution and Reimagining of Iconic Pop Motifs
The contemporary musical landscape is increasingly defined by a tension between the preservation of iconic artistic legacies and the commercial imperative to leverage recognizable motifs for new au…
pablohoneyfish.wordpress.com
January 8, 2026 at 8:24 PM
Self-awareness isn’t substance. Preemptive confession isn’t courage. When artists narrate their flaws instead of transforming them, irony becomes insulation and influence becomes an excuse.
#AsherRoth #McKennaGrace #Eminem #MusicCriticism #PopCulture
pablohoneyfish.wordpress.com/2026/01/05/t...
The Architecture of Preemptive Self-Criticism: Lyrical Defensiveness and the Pastiche of Authenticity in Modern Pop Culture
The evolution of the twentieth-century and early twenty-first-century lyrical subject is marked by an increasingly complex relationship with the concept of influence. As the media landscape has shi…
pablohoneyfish.wordpress.com
January 5, 2026 at 9:14 PM
Holocaust cinema keeps mistaking accessibility for truth. When everyone speaks English, Nazis become sitcom fools, rescuers turn into saints, and God starts playing favorites, history doesn’t get clearer—it gets cleaner.
#FilmCriticism #Holocaust #History
pablohoneyfish.wordpress.com/2026/01/04/t...
The Architecture of Reassurance: Linguistic, Moral, and Theological Erasure in Contemporary Holocaust Cinema
The evolution of Holocaust cinema has transitioned from the stark, documentary-style “atrocity films” used by Allied forces for re-education purposes after 1945 to a modern genre characterized by a…
pablohoneyfish.wordpress.com
January 4, 2026 at 9:14 PM
Two hood dramas. Zero accountability. Nineteen Summers and All Day and a Night want to indict “the system,” but keep tripping over the inconvenient fact of choice.
#FilmCriticism #HoodCinema #Narrative #SocialIssues #IndieFilm #MovieReview #Cinema
pablohoneyfish.wordpress.com/2025/12/31/c...
Cinematic Determinism and the Ethics of Agency: A Comparative Analysis of Nineteen Summers and All Day and a Night
The evolution of contemporary urban cinema, specifically the subgenre often categorized as the “hood film,” has increasingly moved toward a framework of sociological determinism. This movement is e…
pablohoneyfish.wordpress.com
January 1, 2026 at 1:33 AM
Papa Roach’s “Periscope” peers at intimacy from a safe distance; Cradle of Filth’s “You Are My Nautilus” name-drops itself into a literary shipwreck.
#MusicCriticism #Rock #Metal #PapaRoach #CradleOfFilth #Lyrics #Metaphor #NuMetal #ExtremeMetal
pablohoneyfish.wordpress.com/2025/12/30/t...
The Semiotics of Submersion: Metaphorical Discontinuity and the Crisis of Aesthetic Gravity in Contemporary Heavy Music
The utilization of maritime and subaquatic imagery within the heavy music landscape frequently serves as a shorthand for emotional profundity, yet the efficacy of such metaphors often founders upon…
pablohoneyfish.wordpress.com
December 31, 2025 at 1:44 AM
Three Batista movies. Zero functioning worlds. Solar flares that misbehave, nukes that never age, cities that don’t exist, and CGI landscapes you couldn’t stub a toe on if you tried.
#Afterburn #InTheLostLands #MySpyTheEternalCity #DaveBautista
pablohoneyfish.wordpress.com/2025/12/30/a...
A Batista Bomb Triptych: Afterburn, In the Lost Lands, and My Spy: The Eternal City
“Unofficial, Unauthorized Sequel to Escape from New York/L.A. Ostensibly Set in France but Actually Shot in Slovakia” would have been too long and overly specific a title — I can see why they went …
pablohoneyfish.wordpress.com
December 30, 2025 at 7:08 PM
Jekyll and Hyde is not a dual role. Hyde is a disguise. Every time filmmakers forget that, Stevenson rolls in his grave—and another adaptation faceplants into gothic nonsense.
#JekyllAndHyde #FilmCriticism #LiteraryAdaptation #GothicHorror
pablohoneyfish.wordpress.com/2025/12/24/t...
The Anatomy of Fragmentation: Morphological and Philosophical Misconstructions in Cinematic Adaptations of the Jekyll-Hyde Duality
The historical trajectory of Robert Louis Stevenson’s 1886 novella, The Strange Case of Dr. Jekyll and Mr. Hyde, across the medium of cinema reveals a persistent tension between the source material…
pablohoneyfish.wordpress.com
December 24, 2025 at 7:26 PM
Fifty mistook weight loss for depth and autobiography for insight. All Things Fall Apart and Get Rich or Die Tryin’ are ego exercises dressed up as seriousness.
#FilmCriticism #MovieReview #AllThingsFallApart #GetRichOrDieTryin #50Cent #EgoTrip
pablohoneyfish.wordpress.com/2025/12/22/t...
The Anatomy of Transformative Narcissism: A Critical Investigation into the Cinematic Career of 50 Cent
The transition of Curtis ‘50 Cent’ Jackson from the apex of the hip-hop industry to the competitive sphere of feature filmmaking represents a distinct case study in the intersection of celebrity br…
pablohoneyfish.wordpress.com
December 24, 2025 at 3:25 AM
Tyrese Gibson has cultivated a career that thrives on two fronts: the global dominance of the Fast & Furious franchise and a prolific output of lower-budget genre films.
#TyreseGibson #TheWrecker #BloodlineKiller #TheSystem #Action #Thriller #Horror
pablohoneyfish.wordpress.com/2025/12/21/t...
The Tyrese Gibson VOD Industrial Complex: A Critical Analysis of Low-Budget Genre Cinema and the Prestige-Parity Paradox
The contemporary cinematic landscape is characterized by a stark bifurcation between high-concept franchise tentpoles and the burgeoning sector of direct-to-video (DTV) and video-on-demand (VOD) pr…
pablohoneyfish.wordpress.com
December 22, 2025 at 2:31 AM
Nouvelle Vie treats prostitution like a habit you can quit, not a system you’re trapped in. That confusion isn’t poetic—it’s dangerous.
#NouvelleVie #FilmCriticism #SexWork #Exploitation #FilmReview #FilmEssay
pablohoneyfish.wordpress.com/2025/12/17/t...
The Pathology of Survival: A Critical Analysis of Richi Mbebele’s Nouvelle Vie
Nouvelle Vie (2024) makes a fundamental mistake: it conflates prostitution with drug addiction. Not sex (of which there is none) but prostitution, which the film treats not as labor, not as exploit…
pablohoneyfish.wordpress.com
December 17, 2025 at 10:58 PM