And the New Moon by its little finger swung
From the telegraph wires, we knew how God had
happened
And what the blackbird in the whitethorn sang."
The sixth stanza from Patrick Kavanagh's "The Long Garden."
And the New Moon by its little finger swung
From the telegraph wires, we knew how God had
happened
And what the blackbird in the whitethorn sang."
The sixth stanza from Patrick Kavanagh's "The Long Garden."
Cartoon by Gary Larson.
Cartoon by Gary Larson.
Call me naive if you wish, but when I listen to a song called 'Telegram Sam', I expect it to be about a fella who actually works for the telegram service. Going by these lyrics I have serious doubts that the bloke ever had anything to do with the Telegram Service!
Call me naive if you wish, but when I listen to a song called 'Telegram Sam', I expect it to be about a fella who actually works for the telegram service. Going by these lyrics I have serious doubts that the bloke ever had anything to do with the Telegram Service!
The song was inspired from an unlikely source for a punk band, namely the 1955 movie "Guys & Dolls" ('Have you ever fallen in love with someone you shouldn't have? Wait 'til it happens to you').
The song was inspired from an unlikely source for a punk band, namely the 1955 movie "Guys & Dolls" ('Have you ever fallen in love with someone you shouldn't have? Wait 'til it happens to you').
Cartoon by Gary Larson.
Cartoon by Gary Larson.
The sleeve art portrays a Zippo lighter,with a hinged lid,fake wick & striking stone.The LP slips out from the top of the 'lighter'.The cover is a notable example of inventive album packaging.The LP further enhanced Marley on the contemporary music scene.
The sleeve art portrays a Zippo lighter,with a hinged lid,fake wick & striking stone.The LP slips out from the top of the 'lighter'.The cover is a notable example of inventive album packaging.The LP further enhanced Marley on the contemporary music scene.
But my head's in Mississippi
The blues has got a hold of me
I beleve I'm Gettin' dizzy
(Help me now)
I keep thinkin' 'bout that night in Memphis
Lord, I thought I was in Heaven
But I was stumblin' through the parking lot
Of an invisible 7-11"
ZZ Top
But my head's in Mississippi
The blues has got a hold of me
I beleve I'm Gettin' dizzy
(Help me now)
I keep thinkin' 'bout that night in Memphis
Lord, I thought I was in Heaven
But I was stumblin' through the parking lot
Of an invisible 7-11"
ZZ Top
Phil Everly, jokingly suggested to Zevon, that he should adapt the 1935 movie "Werewolf Of London" into a song. Zevon, along with LeRoy Marinell & Waddy Wachtel quikly wrote what they thought of as a 'novelty' song.
I wish there were more novelties like it!
Phil Everly, jokingly suggested to Zevon, that he should adapt the 1935 movie "Werewolf Of London" into a song. Zevon, along with LeRoy Marinell & Waddy Wachtel quikly wrote what they thought of as a 'novelty' song.
I wish there were more novelties like it!
Bonnie Raitt
Bonnie Raitt
Bob Dylan.
Bob Dylan.
Opens with a wah-wah pedal intro, the wah-wah pedal was fairly new in 1968. Hendrix used it to spine-tingling effect on the song, switching between rhythm & lead, with the riffs & solos swaying left to right in a hypnotic fashion.
Opens with a wah-wah pedal intro, the wah-wah pedal was fairly new in 1968. Hendrix used it to spine-tingling effect on the song, switching between rhythm & lead, with the riffs & solos swaying left to right in a hypnotic fashion.
The title track was written as a tribute to Martyn's friend, Nick Drake, who had died of an antidepressant overdose. Martyn said "It was done for a friend of mine, and it was done right with very clear motives, and I'm very pleased with it, for varying reasons."
The title track was written as a tribute to Martyn's friend, Nick Drake, who had died of an antidepressant overdose. Martyn said "It was done for a friend of mine, and it was done right with very clear motives, and I'm very pleased with it, for varying reasons."
The song peaked at #2 on the UK singles chart, which broke T.Rex's sequence of four offical #1 UK singles. The previous four official 45's were, "Hot Love", "Get It On", "Telegram Sam" & Metal Guru."
The song peaked at #2 on the UK singles chart, which broke T.Rex's sequence of four offical #1 UK singles. The previous four official 45's were, "Hot Love", "Get It On", "Telegram Sam" & Metal Guru."
Recorded with little known (at that time) Rod Stewart on vocals, Ronnie Wood (bass) & Mick Waller (drums). Riff-heavy blues was in its infancy in 1968, but the album serves up heavier cuts of new material & blues standards. The album is seen as a milestone of its era.
Recorded with little known (at that time) Rod Stewart on vocals, Ronnie Wood (bass) & Mick Waller (drums). Riff-heavy blues was in its infancy in 1968, but the album serves up heavier cuts of new material & blues standards. The album is seen as a milestone of its era.
A mixed bag of early singles, B-sides & outtakes from their first three albums. A treat of an LP to entice the new hordes of Tull fans who had already sent "Thick As A Brick" to the top of the US chart. "Living In The Past" peaked at #3 in America.
A mixed bag of early singles, B-sides & outtakes from their first three albums. A treat of an LP to entice the new hordes of Tull fans who had already sent "Thick As A Brick" to the top of the US chart. "Living In The Past" peaked at #3 in America.