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The exhibition is on show until 25 January 2026.
The exhibition is on show until 25 January 2026.
We've chosen this piece by Carel Weight RA, who often populated his work with ghostly presences. In 'I Cheer a Dead Man’s Sweetheart', the man on the right appears as a ghost, watching the couple on the left.
We've chosen this piece by Carel Weight RA, who often populated his work with ghostly presences. In 'I Cheer a Dead Man’s Sweetheart', the man on the right appears as a ghost, watching the couple on the left.
This delicately composed still life transforms ordinary objects into contemplative arrangements, balancing realism with quiet surrealism.
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This delicately composed still life transforms ordinary objects into contemplative arrangements, balancing realism with quiet surrealism.
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© the estate of Stanley Spencer. All rights reserved / Bridgeman Images & © the copyright holder
© the estate of Stanley Spencer. All rights reserved / Bridgeman Images & © the copyright holder
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Copyright Sarah Ball. Image courtesy of the artist and Stephen Friedman Gallery London and New York. Photo by Todd White Art Photography
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Copyright Sarah Ball. Image courtesy of the artist and Stephen Friedman Gallery London and New York. Photo by Todd White Art Photography
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Image featuring Winter Landscape, 1955 by William Gear (1915–1997). © the artist's estate / Bridgeman Images. Image credit: Jerwood Collection
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Image featuring Winter Landscape, 1955 by William Gear (1915–1997). © the artist's estate / Bridgeman Images. Image credit: Jerwood Collection
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For organisations with a focus on making art available for public benefit and working with the Jerwood Collection.
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"I am thrilled to be a trustee of the Jerwood Foundation and as an art historian I am inspired not only by its remarkable expanding collection of Modern and Contemporary British art but by its very vision and purpose."
"I am thrilled to be a trustee of the Jerwood Foundation and as an art historian I am inspired not only by its remarkable expanding collection of Modern and Contemporary British art but by its very vision and purpose."
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The Flatiron Building, New York, c.1919. Alfred Aaron Wolmark (1877–1961). © Estate of Alfred Aaron Wolmark. All rights reserved, DACS 2025
The Flatiron Building, New York, c.1919. Alfred Aaron Wolmark (1877–1961). © Estate of Alfred Aaron Wolmark. All rights reserved, DACS 2025
Weight often populated his work with ghostly presences and in 'I Cheer a Dead Man’s Sweetheart' featured here, the solitary man on the right appears as a ghost, watching the couple on the left, walking hand in hand.
Weight often populated his work with ghostly presences and in 'I Cheer a Dead Man’s Sweetheart' featured here, the solitary man on the right appears as a ghost, watching the couple on the left, walking hand in hand.