Jennifer Wilson
@jenniferwilson.bsky.social
Staff Writer, The New Yorker
Pinned
Katie Kitamura Knows We’re Faking It
The novelist discusses her new book, “Audition,” the role of performance in everyday life, and the trick of crafting a narrative that functions as a “Rorschach blot.”
www.newyorker.com
Katie Kitamura's new novel “Audition” is one we desperately need right now: a close study of the characters that gender compels us to play and the terrifying thrill of going off-script. We discussed this, the fiction that is "agency," and Czech Cubism: www.newyorker.com/culture/the-...
Reposted by Jennifer Wilson
Hey everyone, thank you so much for the outpouring of support.
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I need to pay rent, and I launched a GoFundMe spot.fund/LahutRentFund
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spot.fund
November 7, 2025 at 3:10 PM
Hey everyone, thank you so much for the outpouring of support.
I need to pay rent, and I launched a GoFundMe spot.fund/LahutRentFund
I need to pay rent, and I launched a GoFundMe spot.fund/LahutRentFund
Reposted by Jennifer Wilson
Mental imagery is associated with a bewildering variety of human traits and capacities: a propensity to hold grudges; a vulnerability to trauma; emotional awareness; ways of making art; memory of one’s life. What happens if you can’t see it? https://newyorkermag.visitlink.me/HgpLlB
October 30, 2025 at 1:00 AM
Mental imagery is associated with a bewildering variety of human traits and capacities: a propensity to hold grudges; a vulnerability to trauma; emotional awareness; ways of making art; memory of one’s life. What happens if you can’t see it? https://newyorkermag.visitlink.me/HgpLlB
Reposted by Jennifer Wilson
My profile of the delightful Keri Russell, the darkly funny, surprisingly introverted former New Mickey Mouse Club member who—even after Felicity, The Americans and The Diplomat!—has never fully embraced the idea of herself as an actress: www.newyorker.com/magazine/202...
Keri Russell’s Emotional Transparency Has Anchored Three Decades of TV
But, offscreen, she’s not even sure that she wants to be an actress.
www.newyorker.com
October 7, 2025 at 3:00 PM
My profile of the delightful Keri Russell, the darkly funny, surprisingly introverted former New Mickey Mouse Club member who—even after Felicity, The Americans and The Diplomat!—has never fully embraced the idea of herself as an actress: www.newyorker.com/magazine/202...
Reposted by Jennifer Wilson
Sanna Marin, the 30-something Prime Minister of Finland, became the subject of intense media scrutiny when videos of her clubbing went viral. The Finnish press were “smelling blood,” she said. Her new memoir is an effort to set the record straight.
The Prime Minister Who Tried to Have a Life Outside the Office
As the thirtysomething leader of Finland, Sanna Marin pursued an ambitious policy agenda. The press focussed on her nights out and how she paid for breakfast.
www.newyorker.com
October 7, 2025 at 5:07 PM
Sanna Marin, the 30-something Prime Minister of Finland, became the subject of intense media scrutiny when videos of her clubbing went viral. The Finnish press were “smelling blood,” she said. Her new memoir is an effort to set the record straight.
Can world leaders have work-life balance? I traveled to Helsinki over the summer to find out. For this week's issue, I profiled Sanna Marin, the former "party girl" prime minister of Finland.
www.newyorker.com/magazine/202...
www.newyorker.com/magazine/202...
The Prime Minister Who Tried to Have a Life Outside the Office
As the thirtysomething leader of Finland, Sanna Marin pursued an ambitious policy agenda. The press focussed on her nights out and how she paid for breakfast.
www.newyorker.com
October 6, 2025 at 12:33 PM
Can world leaders have work-life balance? I traveled to Helsinki over the summer to find out. For this week's issue, I profiled Sanna Marin, the former "party girl" prime minister of Finland.
www.newyorker.com/magazine/202...
www.newyorker.com/magazine/202...
Reposted by Jennifer Wilson
I profiled Sir Tim, the mild-mannered Pandora who invented the Web, and asked about his plans to save us from Big Tech. (They involve a trustworthy chatbot named “Charlie.”) Read to find out what went wrong between dot-com utopianism and “MechaHitler”
www.newyorker.com/magazine/202...
www.newyorker.com/magazine/202...
Tim Berners-Lee Invented the World Wide Web. Now He Wants to Save It
In 1989, Sir Tim revolutionized the online world. Today, in the era of misinformation, addictive algorithms, and extractive monopolies, he thinks he can do it again.
www.newyorker.com
September 29, 2025 at 3:21 PM
I profiled Sir Tim, the mild-mannered Pandora who invented the Web, and asked about his plans to save us from Big Tech. (They involve a trustworthy chatbot named “Charlie.”) Read to find out what went wrong between dot-com utopianism and “MechaHitler”
www.newyorker.com/magazine/202...
www.newyorker.com/magazine/202...
Reposted by Jennifer Wilson
In the 2010s, “I Love Dick,” Chris Kraus’s memoir of erotic obsession, became a viral phenomenon after it was discovered by writers like Tavi Gevinson, Lena Dunham, and Sheila Heti. Now the author has returned with another genre-defying book.
Chris Kraus Reinvents the True-Crime Novel
Her début, “I Love Dick,” was an epistolary memoir of erotic obsession that redefined the form. In “The Four Spent the Day Together,” she turns another genre on its head.
www.newyorker.com
September 28, 2025 at 5:16 PM
In the 2010s, “I Love Dick,” Chris Kraus’s memoir of erotic obsession, became a viral phenomenon after it was discovered by writers like Tavi Gevinson, Lena Dunham, and Sheila Heti. Now the author has returned with another genre-defying book.
Reposted by Jennifer Wilson
Susan Orlean’s profile of an orchid poacher, published in this magazine in 1995, inspired Charlie Kaufman’s movie “Adaptation.” Jennifer Wilson reflects on Orlean’s stormy, sensual prose. #NewYorker100
Jennifer Wilson on Susan Orlean’s “Orchid Fever”
The writer worried that the story was “too niche, too odd,” the crime of flower theft “too minor.” To think, I had loved it for precisely those qualities.
www.newyorker.com
September 14, 2025 at 5:19 PM
Susan Orlean’s profile of an orchid poacher, published in this magazine in 1995, inspired Charlie Kaufman’s movie “Adaptation.” Jennifer Wilson reflects on Orlean’s stormy, sensual prose. #NewYorker100
Reposted by Jennifer Wilson
Statement from Post Guild Leadership: The Washington Post Guild condemns the unjust firing of columnist Karen Attiah
September 15, 2025 at 6:55 PM
Statement from Post Guild Leadership: The Washington Post Guild condemns the unjust firing of columnist Karen Attiah
Reposted by Jennifer Wilson
❤️ @jenniferwilson.bsky.social "someone had waded through swamps, deciphered Latin, and gained the trust of egomaniacal horticulturalists, all for my passing delight" www.newyorker.com/magazine/tak...
Jennifer Wilson on Susan Orlean’s “Orchid Fever”
The writer worried that the story was “too niche, too odd,” the crime of flower theft “too minor.” To think, I had loved it for precisely those qualities.
www.newyorker.com
September 15, 2025 at 5:59 PM
❤️ @jenniferwilson.bsky.social "someone had waded through swamps, deciphered Latin, and gained the trust of egomaniacal horticulturalists, all for my passing delight" www.newyorker.com/magazine/tak...
Reposted by Jennifer Wilson
Jennifer Wilson, a staff writer at The New Yorker, joins host Krys Boyd to discuss what happens when home DNA kits produce unexpected results and why some call for paternity testing at birth.
Surprise! Your dad is not your father - Think
Jennifer Wilson, a staff writer at The New Yorker, joins host Krys Boyd to discuss what happens when home DNA kits produce unexpected results and why some call for paternity testing at birth.
think.kera.org
September 10, 2025 at 10:30 PM
Jennifer Wilson, a staff writer at The New Yorker, joins host Krys Boyd to discuss what happens when home DNA kits produce unexpected results and why some call for paternity testing at birth.
Reposted by Jennifer Wilson
Through Friday, we’ll be sharing the National Book Awards longlists for Translated Literature, Poetry, Fiction, and Nonfiction. Stay tuned for more announcements of this year’s honorees.
The 2025 National Book Awards Longlist
Through Friday, The New Yorker presents the longlists for Young People’s Literature, Translated Literature, Poetry, Fiction, and Nonfiction.
www.newyorker.com
September 9, 2025 at 12:24 PM
Through Friday, we’ll be sharing the National Book Awards longlists for Translated Literature, Poetry, Fiction, and Nonfiction. Stay tuned for more announcements of this year’s honorees.
Reposted by Jennifer Wilson
Do reviews draw readers? Boost subscriptions? Sell ads? And if the answer is ‘no,’ what then? Charlotte Klein explores the precarious state of cultural criticism.
Do Media Organizations Even Want Cultural Criticism?
Do reviews draw readers? Boost subscriptions? Sell ads? And if the answer is ‘no,’ what then? Charlotte Klein explores the precarious state of cultural criticism.
nymag.com
September 8, 2025 at 9:10 AM
Do reviews draw readers? Boost subscriptions? Sell ads? And if the answer is ‘no,’ what then? Charlotte Klein explores the precarious state of cultural criticism.
Reposted by Jennifer Wilson
when the world broke open: katrina and its afterlives
august 27— september 21 at MoMA.
co-curated by maya s. cade and k. austin collins
www.moma.org/calendar/fil...
august 27— september 21 at MoMA.
co-curated by maya s. cade and k. austin collins
www.moma.org/calendar/fil...
something you may not know about me is that i am a hurricane katrina survivor.
this year is the 20th anniversary of the hurricane and i am honored to be co-curating a film program at MoMA that takes a look at new orleans before, during, & after the storm. learn more: www.moma.org/calendar/fil...
this year is the 20th anniversary of the hurricane and i am honored to be co-curating a film program at MoMA that takes a look at new orleans before, during, & after the storm. learn more: www.moma.org/calendar/fil...
August 18, 2025 at 7:32 PM
when the world broke open: katrina and its afterlives
august 27— september 21 at MoMA.
co-curated by maya s. cade and k. austin collins
www.moma.org/calendar/fil...
august 27— september 21 at MoMA.
co-curated by maya s. cade and k. austin collins
www.moma.org/calendar/fil...
Reposted by Jennifer Wilson
"Evil is not eternal, and truth will surely win." On dissidence, despair, and defiant hope in Julia Loktev's extraordinary five-part documentary, MY UNDESIRABLE FRIENDS: PART I — LAST AIR IN MOSCOW. www.newyorker.com/culture/the-...
“My Undesirable Friends: Part I” Is a Staggering Portrait of Russian Journalists in Dissent
In Julia Loktev’s epic documentary, filmed before, during, and after Russia’s 2022 invasion of Ukraine, several courageous Moscow reporters see their worst fears realized.
www.newyorker.com
August 14, 2025 at 4:12 PM
"Evil is not eternal, and truth will surely win." On dissidence, despair, and defiant hope in Julia Loktev's extraordinary five-part documentary, MY UNDESIRABLE FRIENDS: PART I — LAST AIR IN MOSCOW. www.newyorker.com/culture/the-...
Reposted by Jennifer Wilson
The city that gave the world Siskel & Ebert no longer has a full-time print film critic.
Chicago Tribune film critic Michael Phillips announces he has taken a buyout and the Trib is eliminating his post. Unless I am missing someone I believe this leaves the nation's third-largest city without a single full-time film writing gig.
August 19, 2025 at 2:28 PM
The city that gave the world Siskel & Ebert no longer has a full-time print film critic.
Reposted by Jennifer Wilson
Millions of Americans use commercial DNA tests. What happens when you find out that your parents aren't who you thought?
The Family Fallout of DNA Surprises
Through genetic testing, millions of Americans are estimated to have discovered that their parents aren’t who they thought. The news has upended relationships and created a community looking for answe...
www.newyorker.com
August 18, 2025 at 4:15 PM
Millions of Americans use commercial DNA tests. What happens when you find out that your parents aren't who you thought?
Reposted by Jennifer Wilson
It's profoundly saddening to read that AP will no longer be assigning or running book reviews because readers don't engage with them enough and they take too much effort to plan and assign. People complain about critics as gatekeepers; wait until all that's left is marketing.
August 10, 2025 at 9:50 PM
It's profoundly saddening to read that AP will no longer be assigning or running book reviews because readers don't engage with them enough and they take too much effort to plan and assign. People complain about critics as gatekeepers; wait until all that's left is marketing.
Reposted by Jennifer Wilson
At a comedy show, Mahmoud Khalil told Zohran Mamdani, “I am excited about the possibility of raising my son in a city where you are mayor.” It was a stunning moment, Hanif Abdurraqib writes.
Zohran Mamdani and Mahmoud Khalil Are In on the Joke
What it feels like to laugh when the world expects you to disappear.
www.newyorker.com
July 13, 2025 at 4:11 PM
At a comedy show, Mahmoud Khalil told Zohran Mamdani, “I am excited about the possibility of raising my son in a city where you are mayor.” It was a stunning moment, Hanif Abdurraqib writes.
Reposted by Jennifer Wilson
Deborah Treisman, the fiction editor at The New Yorker since 2003, will be doing an AMA on Reddit on r/writing at 2 P.M. E.T. today. Submit your question and tune in here: nyer.cm/jLD45iz
July 10, 2025 at 3:09 PM
Deborah Treisman, the fiction editor at The New Yorker since 2003, will be doing an AMA on Reddit on r/writing at 2 P.M. E.T. today. Submit your question and tune in here: nyer.cm/jLD45iz
Thank you @slate.com and @maryharris.bsky.social for having me on to discuss my @newyorker.com story on intimacy coordinators, what I learned training to become one, and why I will be keeping my day job. slate.com/podcasts/wha...
Stage Managing Sex in Hollywood
Violence in movies has coordinators—why not sex on TV?
slate.com
July 10, 2025 at 3:50 PM
Thank you @slate.com and @maryharris.bsky.social for having me on to discuss my @newyorker.com story on intimacy coordinators, what I learned training to become one, and why I will be keeping my day job. slate.com/podcasts/wha...
Reposted by Jennifer Wilson
I was deported by the U.S. for reporting on the Columbia University student protests.
www.newyorker.com/news/the-led...
www.newyorker.com/news/the-led...
How My Reporting on the Columbia Protests Led to My Deportation
As an Australian who wrote about the demonstrations while on campus, I gave my phone a superficial clean before flying to the U.S. I underestimated what I was up against.
www.newyorker.com
June 19, 2025 at 10:43 AM
I was deported by the U.S. for reporting on the Columbia University student protests.
www.newyorker.com/news/the-led...
www.newyorker.com/news/the-led...
Earlier this year, The New Yorker sent me to Los Angeles to train to become an intimacy coordinator, the new shepherds of the sex scene in a post #MeToo Hollywood. Was this job legit, or a cynical HR move? I investigated...
www.newyorker.com/magazine/202...
www.newyorker.com/magazine/202...
How I Learned to Become an Intimacy Coördinator
At a sex-choreography workshop, a writer learned about Instant Chemistry exercises, penis pouches, and nudity riders to train for Hollywood’s most controversial job.
www.newyorker.com
June 9, 2025 at 3:11 PM
Earlier this year, The New Yorker sent me to Los Angeles to train to become an intimacy coordinator, the new shepherds of the sex scene in a post #MeToo Hollywood. Was this job legit, or a cynical HR move? I investigated...
www.newyorker.com/magazine/202...
www.newyorker.com/magazine/202...
Reposted by Jennifer Wilson
We all know that @newyorker.com only did a big story on the lives on Hollywood intimacy coordinators so they could blow past their annual dieresis quota early in the year
(62 ö’s in there!)
www.newyorker.com/magazine/202...
(62 ö’s in there!)
www.newyorker.com/magazine/202...
June 9, 2025 at 12:33 PM
We all know that @newyorker.com only did a big story on the lives on Hollywood intimacy coordinators so they could blow past their annual dieresis quota early in the year
(62 ö’s in there!)
www.newyorker.com/magazine/202...
(62 ö’s in there!)
www.newyorker.com/magazine/202...