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intima.bsky.social
igor · intima.org
@intima.bsky.social
1.3K followers 150 following 390 posts
http://intima.info/stromajer „le Pavarotti du HTML“ · Homo ex Machina · low-tech post-electric non-artist · artworks in the Centre Pompidou & Museo Reina Sofía collections · a=tF² · https://intima.org · intimate tactical guerrilla + low-tech net strategies
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intima.bsky.social
This Friday in Berlin: ✚ plus 💥 live post pseudo meta proto punk concert · @intima.bsky.social · part of #Vorspiel [transmediale & CTM] 2026
vorspiel.berlin/events/plusp...

📍 @pankegallery.bsky.social, FRI, 16 JAN, 20:30

panke.gallery/event/pluspunk
Are you ready for a revolution?
intima.org/plus
A performer in a silver, reflective suit plays electronic music at a table with a laptop and synthesizer. Their face is covered by a futuristic mask with glowing blue lenses, antennas, and visible wires. A small audience stands close behind, watching the live performance in a gallery space. Close-up of the performer wearing a cyberpunk-style mask with illuminated blue eyes and a metal mesh mouth. They are playing an electric guitar, fingers pressing the strings, with cables and small red LED lights attached to their suit and instrument. The performer stands over a compact keyboard synthesizer while holding an electric guitar. Both hands are active, one adjusting knobs, the other playing keys. The silver suit, exposed cables, and glowing elements emphasize a hybrid of music, technology, and performance art, with painted figures visible on the gallery wall behind. Stylized graphic illustration of a punk guitarist wearing a black gas mask with large round goggles glowing turquoise. Bright cables and connectors float around the figure. The person plays a futuristic electric guitar, and the word “+punk” appears prominently in bold turquoise text against a neon blue background.
January 12, 2026 at 9:31 AM
intima.bsky.social
Art repeats itself, first as tragedy, second as Post-Internet.
January 11, 2026 at 9:45 AM
intima.bsky.social
I know it looks like I am, but I'm not.
January 10, 2026 at 10:19 AM
intima.bsky.social
A screenshot of a social media post interface in dark mode. At the top is a user profile name reading “igor · intima.org,” with a small robot-style avatar icon. A notice states that one label has been placed on the content. Below, a location pin icon appears next to the text “Palermo, Sicily.” An information banner reads “Adult Content” with a “Show” button. Beneath it is a line stating “Labeled by @moderation.bsky.app,” followed by a “Learn more” link. At the bottom of the screen are standard social media icons for commenting, reposting, liking, bookmarking, sharing, and a menu.
January 8, 2026 at 3:25 PM
intima.bsky.social
📍 Palermo, Sicily
A close-up of a damaged Renaissance-style painting of the Virgin Mary holding the infant Jesus. Mary wears a deep red cloak and bends her head gently toward the sleeping child, who rests against her bare chest with eyes closed and relaxed hands. Large sections of paint are missing from Mary’s face and hair, revealing rough brown wooden panel beneath, with cracks and peeling clearly visible. The child’s skin appears smooth and intact, sharply contrasting with the deterioration of Mary’s face. At the bottom, on a wooden surface, lie a small apple and a red berry, symbols of Christian theology. The background is dark, emphasizing both the figures and the visible damage to the painting. A close-up of a heavily worn Renaissance-style painting depicting the Virgin Mary and the infant Jesus. Mary is shown seated, wearing a red dress with a dark belt, her head gently tilted downward as she looks toward the child. The infant Jesus sits nude beside her, turning his head upward to meet her gaze. The painted surface is extensively damaged, with flaking paint, cracks, abrasions, and exposed underlayers visible across the entire image. The background is a muted green, mottled by age and loss, giving the scene a rough, fragmented texture that contrasts with the soft expressions of Mary and the child. A close-up of a worn medieval or early Renaissance painting showing the Virgin Mary breastfeeding the infant Jesus. Both figures have golden halos. Mary tilts her head gently toward the child, her face calm and pale, framed by a light veil with traces of gold. The infant Jesus looks up at her while nursing and holds a small bird in one hand. Mary’s arms support the child across her lap, and both figures wear garments in muted red, blue, and gold tones. The painted surface is heavily aged, with dense crackling, flaking paint, and areas of loss throughout, revealing the rough texture of the underlying panel. The background is plain and weathered, emphasizing the intimacy of the scene and the painting’s fragile condition. A square street-art poster pasted on a rough beige wall with blue graffiti marks. It shows a stylized woman from the chest up, raising her right fist in a gesture of resistance or protest. Her face and arm are rendered in bold, graphic blocks of blue, green, and beige, with dark outlines. She wears a red garment, and behind her head is a red circular halo surrounded by black rays with yellow accents, resembling a revolutionary or icon-like sunburst. The overall style mixes political poster art and religious iconography, with weathering and water stains visible on the surface.
January 8, 2026 at 3:18 PM
intima.bsky.social
I make love, not art. Results may vary.
January 7, 2026 at 8:21 PM
Reposted by igor · intima.org
pankegallery.bsky.social
✚ plus electro post pseudo meta proto punk by !gor #352; @intima.bsky.social, part of Vorspiel 2026
vorspiel.berlin/events/plusp...

📍 panke.gallery, FRI, 16 JAN 2026, 20:30, Gerichtstr. 23, Hof 5, 13347 Berlin
panke.gallery/event/pluspunk

Are you ready for a revolution?
intima.info/2026/01/01/v...
A stylized, neon-lit illustration of a person playing an electric guitar, wearing a black gas mask with glowing turquoise lenses and chrome details. The figure has bright turquoise hair, a shiny black jacket, and holds a futuristic guitar with a pink control panel. Various audio and power cables float around them against a blue, tech-inspired background. The word “+punk” appears in bold turquoise text.
January 4, 2026 at 7:42 PM
intima.bsky.social
[2/2]

read about my work in, or even give an interview to, mentioned me at all.

– I can't recall the third major failure at the moment, but it definitely exists.

So 2025 was yet another successfully failed year, exactly as one would expect of a non-artist.

Cheers! 🥛🍼🍶
January 1, 2026 at 6:21 PM
intima.bsky.social
Instead of listing my successes in 2025, such as exhibitions, presentations, talks, books, and other events, I proudly present my three greatest failures from last year:

– I didn't receive a single award or grant.

– None of the newspapers, magazines, or online platforms I'd actually want to

[1/2]
January 1, 2026 at 6:21 PM
intima.bsky.social
Δ S ≥ 0
December 31, 2025 at 11:28 PM
intima.bsky.social
I only get naked when I'm serious.
A softer, more peaceful 2026!

└⦿✚⦿┘
An adult person stands facing the camera against a plain white wall. They are shirtless, wearing light-colored shorts, black gloves, and black lace-up combat boots. Their hands are clasped in front of their lower abdomen. The person wears a black helmet with two short antenna-like rods on top, reflective turquoise goggles, and a black gas mask covering the entire lower face. The posture is upright and symmetrical, with legs slightly apart, creating a stark, stylized, and somewhat dystopian appearance. An adult person stands facing the camera against a plain white wall. They wear a reflective silver protective suit with black straps and zippers, black gloves, and black lace-up combat boots. Their hands are clasped in front of their lower body. The head is covered by a black helmet with two short antenna-like rods on top, reflective turquoise goggles, and a black gas mask covering the face. A square device with a stylized gas-mask icon and turquoise circular details is strapped to the chest. The posture is upright and symmetrical, giving a controlled, industrial, and dystopian impression.
December 30, 2025 at 5:24 PM
intima.bsky.social
Not quite there yet, but I'll let you know when I get really close.

[the title of my next show] #dedigitalization
A beige, old-style CRT computer monitor shown at a slight angle against a solid black background. The bulky casing and curved glass screen emphasize its vintage design. On the screen, bright orange text reads: It's now safe to turn off your computer. Several physical control buttons are visible below the screen, reinforcing the retro technology aesthetic.
December 27, 2025 at 8:28 AM
intima.bsky.social
⁂ ⁂ ⁂
A winter mountain landscape seen through low-hanging evergreen branches heavy with fresh snow. The foreground is a smooth, white snowfield with a few thin twigs poking through. Frosted conifer branches frame the top and sides like a natural arch. In the distance, beyond the trees, a wide valley stretches out with rolling hills, forests, and pale patches of fields under a cloudy winter sky. A dense network of tree branches completely coated in thick white frost and snow fills most of the frame. The branches hang downward in long, lace-like shapes. In the background, partially obscured by the frozen branches, are ski-lift structures, including tall dark poles and a red chairlift cabin suspended on a cable. The ground below is covered in deep, untouched snow, creating a quiet, cold alpine scene.
December 26, 2025 at 3:34 PM
intima.bsky.social
You don't become an artist, they make you one.
December 23, 2025 at 3:16 PM
intima.bsky.social
🛣️🏠4🎄
Nighttime highway scene photographed with long exposure. In the foreground, a multilane road curves slightly to the right, with continuous red and yellow light trails from passing cars. White roadside posts with black tops line the right side of the road, receding into the distance. Above the road, several large blue German autobahn direction signs are mounted on metal gantries. The signs are repeated multiple times, layered and slightly offset, creating a visual echo effect. The main readable text, split across multiple signs, reads: "Die Philosophen haben die Welt nur verschieden interpretiert es kommt aber darauf an sie zu verändern." The sentence is broken across panels, with the words appearing on different signs. White upward-pointing arrows indicate straight-ahead directions. The overall color palette is dominated by blue signs and vivid red and yellow light trails on the road. The image has a surreal, layered look due to the repeated signage and motion blur.
December 20, 2025 at 4:08 PM
intima.bsky.social
Unicode Word of the Year 2025: ï¬fÖY+*tŕ۵°

intima.org/101
Black background with bright cyan, neon-like characters arranged horizontally near the bottom of the image. The characters look like a mix of letters, symbols, and diacritics, including umlauts and accents, forming an abstract, almost code-like sequence rather than readable words: ï¬fÖY+*tŕ۵°. Under parts of the cyan text are red, wavy underline marks, similar to spellcheck warnings in a text editor. On the far right, a thin vertical cyan cursor line suggests active text input or editing.
December 18, 2025 at 4:31 PM
intima.bsky.social
Memory is a scam.

intima.org/expunction
A tight close-up of the LCD screen and surrounding electronics. The words “memory is a scam” appear in glowing green letters on a black screen. Part of a green circuit board and a flat ribbon cable are visible along the edges, highlighting the hardware behind the display. A close-up, stylized view of an opened hard disk drive on a white surface. A small toy astronaut stands on the shiny metal platter. The image has a bluish tone and visible horizontal scan lines, giving it a retro, screen-like appearance. An open plastic box filled with exposed electronic components. In the foreground, a green circuit board with chips, buttons, and a USB stick is connected to a small LCD screen displaying bright green text on black that reads “memory is a scam.” To the left, an opened hard disk drive shows its reflective platter, with a small toy astronaut standing on it. Batteries, screws, and tools are neatly arranged in compartments in the background. A wider view of the electronic setup inside a box. A green circuit board with multiple chips, buttons, and indicator lights is connected to a small LCD screen showing the text “memory is a scam” in green letters on a black background. An opened hard disk drive with a golden platter sits nearby, with the toy astronaut positioned at its edge.
December 17, 2025 at 10:24 AM
intima.bsky.social
Berlin: 𝗘𝗮𝘀𝘁𝗨𝗻𝗕𝗹𝗼𝗰 · group exhibition – Reclaiming Experimental and Subversive Media Practices
monoskop.org/EastUnBloc

Neue Gesellschaft für Bildende Kunst (New Society for Visual Arts), nGbK am Alex, 29 Nov 2025 – 15 Feb 2026
ngbk.de/en/programm/...

Igor Š.: 𝟭𝟬𝟭.𝟳𝟮 𝗠𝗕
intima.info/2025/11/01/n...
A bright red upholstered sofa sits against a white wall beneath a large framed screen. The screen shows a graphic reading “EAST UN BLOC” in blocky, pixel-like letters, alongside color bars and grid patterns resembling a digital test image. The floor is dark and textured, and the scene feels like a gallery lounge area. A small humanoid robot made of exposed electronic parts stands on a white pedestal. Behind it, several white shadow-box frames hang on a gray wall, each containing neatly arranged electronic components such as circuit boards, lenses, and floppy disks. Focused spotlights create strong shadows, emphasizing the objects as artworks. A gray gallery wall displays multiple white-framed shadow boxes arranged in an irregular grid. Inside each frame are disassembled electronic devices, including circuit boards, phone components, floppy disks, and small mechanical parts, carefully spaced on white backgrounds under gallery lighting. A close-up of a wall label mounted on a textured white wall. The label reads: “Igor Štromajer, 101.72 MB, SI 1996–2007, 2024. Sieben gerahmte elektrische Maschinen, ein Roboter / seven framed electric machines, one robot.”
December 13, 2025 at 11:14 PM
Reposted by igor · intima.org
zfn.bsky.social
Artist Talk and Data Entry Session on the occasion of the Zentrum für Netzkunst's acquisition of deleted net art works by Igor Štromajer @intima.bsky.social.

intima.info/2025/12/01/z...

📍 /rosa – Zentrum für Netzkunst
Heidelberger Str. 28, 12059 Berlin

🗓️ SAT, 13 DEC, 3 PM
intima.org/ex
💾 Welcome!
A minimalist web interface titled “cgi-bin/search.pl” showing a list of emotional categories with checkboxes, an input field for entering a personal experience, and a button labeled “em-search.” The design is simple, with gray text on a white background. A retro-style digital interface with a bright cyan background showing two rotating 3D cubes textured with a world map. Vertical dashed lines divide the screen into frames, and a text menu appears in the upper left corner. A collage of zoomed-in and cropped image panels arranged on a gray background. Some panels show blurred surfaces, while one clearly reveals part of a woman's face, including her closed eye and cheek, viewed through pixelation. A close-up of a hand holding a Siemens SL55 mobile phone with its sliding keypad extended. The screen shows a simple graphic and the text “sHe Gel Zurück,” and the keypad is lit from below.
December 12, 2025 at 11:21 AM
intima.bsky.social
Thanks to everyone who came to yesterday's EastUnBloc: Net Art – Gallery Surfing Session at nGbK Berlin.

intima.info/2025/12/01/g...

The atmosphere was fantastic and the conversation flowed easily. Sakrowski and I had a great time, and it was clear the audience wasn't suffering too much either (ツ)
Two men stand at a small table in front of a green screen. One of them wears a white headpiece with antennas and large round blue-lensed goggles while working on a laptop covered with cables and small devices. The other man, wearing a gray beanie and glasses, watches him. Microphones, tripods, and a camera surround them. An audience sits facing two men on a small stage in front of a green screen. One man wears a headpiece with antennas and blue-lensed goggles while speaking at a laptop. The other man stands beside him. Several audience members are filming or taking photos. Cables, monitors, and cameras fill the foreground. A person lies on green cushions near the front. A man wearing a white headpiece with antennas and blue-lensed goggles stands in front of a projected website page showing a photo of small robots. He stands with his arms slightly out, as if presenting. The room has a green screen backdrop and cables on the floor. Two men stand at a small table in front of a green screen. The man on the left, wearing a headpiece with antennas and blue-lensed goggles, gestures with his hands while speaking. The man on the right, wearing a gray beanie and glasses, looks at him. A laptop, microphones, cables, cameras, and bottles of water are visible around them.
December 12, 2025 at 9:10 AM
intima.bsky.social
Dear friends and enemies, on THU, 11 DEC at 7 PM, I'll join @pankegallery.bsky.social curator Sakrowski for a conversation about my non-art:
panke.gallery/event/homo-e...

📍 nGbK am Alex, Karl-Liebknecht-Str. 11/13, Berlin

+ live stream: panke.gallery/streaming

EastUnBloc: ngbk.de/en/programm/...
A screenshot of an old Netscape 2.0 browser window. The page is gray and displays a large black title that reads "404 File Not Found". Below it, an italic message says, "The requested file could not be found on this server. It has been moved to another location and/or deleted". A small blue "back" link appears in the lower left. The browser frame shows retro buttons, menus, and a URL bar with the address "http://www.intima.org/".
December 9, 2025 at 10:35 AM
Reposted by igor · intima.org
zfn.bsky.social
Artist Talk & Data Entry Session on the occasion of the Zentrum für Netzkunst's acquisition of deleted net art works by Igor Štromajer @intima.bsky.social.

➠ intima.info/2025/12/01/z...

📍 /rosa – Zentrum für Netzkunst
Heidelberger Str. 28, Berlin

🗓️ SAT, 13 DEC at 3 PM

💾 intima.org/ex

Join us!
A bright red screen designed to look like an old computer virus interface. Lines of fake command-prompt code fill the left side, while the right side shows a box labeled 'loading virus...' with a red progress bar stuck at 25 percent. The word 'activated' appears in red below the progress bar. A red-tinted graphic showing a hand pressing a button labeled IT HURTS on a retro control panel. To the right are white input fields labeled 'life', 'death', 'sensitiveness', 'anxiety', and 'fear', each with a small 'control me' button next to it. A grid of gray sliders and scrollbars arranged in two rows on a gray background. Each block shows different positions of sliding controls, resembling a technical interface or UI elements without any text. Two black Sony Ericsson feature phones side by side. Both display text messages on small color screens. The left phone shows rows of bracket-like symbols that look random. The right phone shows a message filled with symbols such as plus signs, asterisks, and number signs.
December 8, 2025 at 8:09 AM
intima.bsky.social
#Unicode Word of the Year 2025:
ï¬fÖY+*tŕ۵°

· intima.org/101
3¦×Fń–Qé3=Mià+
unicode poems by Igor Štromajer & his computers
intima.org
December 7, 2025 at 2:32 PM
intima.bsky.social
2️⃣ Artist Talk on the occasion of Zentrum für Netzkunst's acquisition of deleted net art works by Igor Štromajer @intima.bsky.social.

𝗦𝗔𝗧, 𝟭𝟯 𝗗𝗘𝗖, 𝟯 𝗣𝗠
intima.info/2025/12/01/z...

📍 /rosa – Zentrum für Netzkunst @zfn.bsky.social
Heidelberger Str. 28, 12059 Berlin

⎚ intima.org/ex

Welcome!

[2/2]
Zentrum für Netzkunst · Berlin
Igor Štromajer: How to Do Things with Works that Should Not Exist? /rosa – Zentrum für Netzkunst, Berlin (Heidelberger Str. 28, 12059 Berlin) Saturday, 13 December 2025 at 15:00 Artist Talk and Dat…
intima.info
December 4, 2025 at 11:24 AM