Hugh Hart
hughhart.bsky.social
Hugh Hart
@hughhart.bsky.social
Los Angeles Times freelance writer [bylines include The Credits, Wired, Fast Company] and Chicago-bred singer-songwriter. Also, owner of an Afghan hound who insists on being walked four times a day in North Hollywood.
#TrainDreams looks fantastic. I talk to the DP about Washington State and his thoughtful cinematography. www.motionpictures.org/2025/11/trai...
"Train Dreams": Behind the Majestic Visuals of Joel Edgerton's Pacific Northwest Epic
"Train Dreams" cinematographer Adolpho Veloso breaks down the film's stunning Pacific Northwest visuals.
www.motionpictures.org
November 17, 2025 at 8:06 PM
I talk to the Roofman DP about shooting with real film on handheld cameras. www.motionpictures.org/2025/10/roof...
"Roofman" DP Andrij Parekh on Shooting Super 35, Filming in North Carolina, and Channing Tatum's Surprising Vulnerability
"Roofman" cinematographer Andrij Parekh on filming Channing Tatum's daring true crime drama on Super 35 film.
www.motionpictures.org
October 29, 2025 at 11:04 PM
I chat with the production deesigner behind Guillermo del Toro's gorgeous new "Frankenstein." www.motionpictures.org/2025/10/prod...
Production Designer Tamara Deverell on Building the Gothic Grandeur of Guillermo del Toro's "Frankenstein"
u build it, he will shoot it," says "Frankenstein" production designer Tamara Deverell about Guillermo del Toro.
www.motionpictures.org
October 23, 2025 at 8:45 PM
For The Credits, I interview the production designer for Nia DaCosta's gorgeous Ibsen adaptation "Hedda." www.motionpictures.org/2025/10/hedd...
"Hedda" Production Designer Cara Brower on Transforming a Stunning Estate for Tessa Thompson's Rogue Heroine
Production designer Cara Brower scouted 200 English country estates before finding Flintham Hall—the perfect setting for Nia DaCosta's film.
www.motionpictures.org
October 22, 2025 at 12:38 AM
For IndieWire I interviewed the Iranian man who risked imprisonment to edit the excellent "It Was Just an Accident." www.indiewire.com/features/int...
‘It Was Just an Accident’ Editor Amir Etminan on Cutting the Film in Secret, in a Safe House, and Off Hidden Hard Drives
'It Was Just an Accident' editor Amir Etminan talks cutting Jafar Panahi's movie in secret, in a makeshift apartment serving as a safe house.
www.indiewire.com
October 17, 2025 at 7:40 PM
I talk to the great DP Matthew Libatique about shooting in New York for Highest 2 Lowest AND Caught Stealing www.motionpictures.org/2025/08/cine...
Cinematographer Matthew Libatique on Shooting Back-to-Back NYC Thrillers for Spike Lee & Darren Aronofsky
Cinematographer Matthew Libatique shot two thrilling New York City-set films for Spike Lee and Darren Aronofsky...back-to-back.
www.motionpictures.org
August 27, 2025 at 7:32 PM
My 90s rock Chicago band Wedge, ladies and gentlemen: "Next Impossible" soundcloud.com/hughhart/nex...
Next Impossible
guitar, bass, drums and melody.
soundcloud.com
August 25, 2025 at 3:16 AM
time is tickin' in a three-piece suit
two-bit criminals dividing the loot
they just keep coming on
yeah they're coming on…
CLICK LINK TO HEAR SONG
soundcloud.com/hughhart/the...
August 7, 2025 at 7:22 PM
Ladies and Gentlemen... Come Out Swinging www.youtube.com/watch?v=KY9R...
Come Out Swinging
YouTube video by Hugh Hart
www.youtube.com
July 25, 2025 at 10:12 PM
@28yearslater sound designer talks to me about making scary soundscape... www.motionpictures.org/2025/07/deat...
Death Metal Vocals & Brutalized Cabbages: How Sound Designer Johnnie Burn Crafted "28 Years Later" Sonic Terror
The Oscar-winner reveals the secrets behind the film's feral soundscape.
www.motionpictures.org
July 25, 2025 at 7:53 PM
#Sinners My interview with the brilliant Sinners DP www.youtube.com/shorts/0R82Y...
Jesse Garcia on his Joyous Reunion with Eva Longoria
YouTube video by The Credits - MPA
www.youtube.com
June 2, 2025 at 3:58 AM
Reposted by Hugh Hart
👇 this👇
April 3, 2025 at 6:42 PM
I interview #Adolescence director about filming the always-intense Stephen Graham and the equally astonishing 13-year old kid who's never acted before in one single un-broken take per episode. 100 percent #Emmy contender. www.motionpictures.org/2025/03/no-c...
No Cuts, Pure Tension: "Adolescence" Director Philip Barantini on Crafting Netflix Thriller in Unbroken Single Takes
"Adolescence" director Philip Barantini filmed each episode as a single unbroken take, coaxing taut performances from veteran actors.
www.motionpictures.org
March 18, 2025 at 7:11 PM
#Severance DP talks to me about filming the show's cool palette and evoking isolation through camera moves and blocking. Plus, that time he met Prince. www.motionpictures.org/2025/03/how-...
How “Severance” Cinematographer David Lanzenberg Captured a Chilling Corporate Nightmare
"Severance" cinematographer David Lanzenberg on how he helped frame and light one of TV's most compelling, inventive series.
www.motionpictures.org
March 18, 2025 at 6:50 PM
Might be a big Oscar night for #WildRobot. I intervew the very clever writer-director www.motionpictures.org/2024/10/the-...
“The Wild Robot” Writer/Director Chris Sanders on Kindness as a Survival Skill
"The level of devotion and love poured into 'The Wild Robot' is, I think, evident on screen," says writer/director Chris Sanders.
www.motionpictures.org
March 2, 2025 at 9:53 PM
Sean Baker talked to me early in his career. People on the margins, his specialty even then. www.fastcompany.com/3047903/thro...
Through The Lens Of An iPhone, And Transgender Prostitutes, "Tangerine" Tells A Fresh L.A. Story
Director Sean Baker shot his latest film on an iPhone, but the story and characters he found on the blinding streets of L.A. are what's earned the film huge buzz.
www.fastcompany.com
March 2, 2025 at 6:03 PM