also here:
https://www.linkedin.com/in/danielwosnitzka/
https://www.instagram.com/dwosi/
Zeige Deine Wunde
> www.lenbachhaus.de/entdecken/sa...
Vor dem Aufbruch aus Lager I
> www.lenbachhaus.de/entdecken/sa...
Zeige Deine Wunde
> www.lenbachhaus.de/entdecken/sa...
Vor dem Aufbruch aus Lager I
> www.lenbachhaus.de/entdecken/sa...
The exhibition sets his oeuvre in the context of the Franco-German art relations in the 1950s and 1960s. Around 60 works convey a vivid sense of the contemporary beholders’ experience.
www.lenbachhaus.de/en/visit/exh...
The exhibition sets his oeuvre in the context of the Franco-German art relations in the 1950s and 1960s. Around 60 works convey a vivid sense of the contemporary beholders’ experience.
www.lenbachhaus.de/en/visit/exh...
"No, I'm not fooling anyone
And least of all myself
I still believe that you will come
And take me back again."
"No, I'm not fooling anyone
And least of all myself
I still believe that you will come
And take me back again."
Anton Stankowski (Farbwechsel, 1970)
Eberhard Havekost (Stadt I, 1996)
as seen at GRISEBACH auction house previews in Berlin
> www.grisebach.com/en/buy/aucti...
Anton Stankowski (Farbwechsel, 1970)
Eberhard Havekost (Stadt I, 1996)
as seen at GRISEBACH auction house previews in Berlin
> www.grisebach.com/en/buy/aucti...
Jean-Michel Basquiat (Sex Crimee, 1982) &
Bridget Riley (Green and Magenta Diagonal, 1968)
as seen at the "Museum of Contemporary Art (MOCA)" in Los Angeles three weeks ago.
Jean-Michel Basquiat (Sex Crimee, 1982) &
Bridget Riley (Green and Magenta Diagonal, 1968)
as seen at the "Museum of Contemporary Art (MOCA)" in Los Angeles three weeks ago.
www.kunstmuseum-bonn.de/de/ausstellu...
Nächsten Freitag dann auf nach München ins Lenbachaus:
www.lenbachhaus.de/entdecken/au...
www.kunstmuseum-bonn.de/de/ausstellu...
Nächsten Freitag dann auf nach München ins Lenbachaus:
www.lenbachhaus.de/entdecken/au...