mathoverflow.net/a/496785/1946
mathoverflow.net/a/496785/1946
Brahms: Piano Quintet in F Minor, Op. 34
Recording: 1966
Rubinstein and the Guarneri Quartet seem intent on softening Brahms’s sharp edges. The gloom and conflict don’t vanish, but under the piano’s clarity, settle into a kind of pervasive dampness.
Brahms: Piano Quintet in F Minor, Op. 34
Recording: 1966
Rubinstein and the Guarneri Quartet seem intent on softening Brahms’s sharp edges. The gloom and conflict don’t vanish, but under the piano’s clarity, settle into a kind of pervasive dampness.
www.youtube.com/watch?v=ZeHN...
#music #classicalmusic
www.youtube.com/watch?v=ZeHN...
#music #classicalmusic
Release: 2012
Is this what they call the "Real Chopin"? Did Chopin really leave behind a pattern of “genuine interpretation” in a roundabout way? Who knows! But one thing's for sure: Koczalski's playing is in a league of its own.
Release: 2012
Is this what they call the "Real Chopin"? Did Chopin really leave behind a pattern of “genuine interpretation” in a roundabout way? Who knows! But one thing's for sure: Koczalski's playing is in a league of its own.
Recording: 1996 | Release: 2011
Schubert’s Impromptus take on a quiet grandeur in Wolpe’s hands, her "limpid tone, natural rhythm, and clear phrasing" offering a nuanced interpretation. "Epic impromptus," described by a friend.
Recording: 1996 | Release: 2011
Schubert’s Impromptus take on a quiet grandeur in Wolpe’s hands, her "limpid tone, natural rhythm, and clear phrasing" offering a nuanced interpretation. "Epic impromptus," described by a friend.
Live recordings released for the first time (Lucerne, 1984 and 1988). Treasure rediscovered.
Live recordings released for the first time (Lucerne, 1984 and 1988). Treasure rediscovered.