Thomas Caldwell
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cinemaautopsy.bsky.social
Thomas Caldwell
@cinemaautopsy.bsky.social
writer | broadcaster | film critic | artistic director of Children’s International Film Festival | day job at @stmartinsyac.bsky.social | Twin Peaks & Doctor Who fan | loves physical media | posts about things I like | https://linktr.ee/cinemaautopsy
Reposted by Thomas Caldwell
simple really 💅
November 26, 2025 at 2:03 AM
Happy Birthday DOCTOR WHO! 62-years-old and still ever present on my screen, in my ears and on my shelves.

#DoctorWho
November 23, 2025 at 2:20 AM
Video calls between director Sepideh Farsi, an exiled Iranian filmmaker, and Fatma Hassona, a young Palestinian woman living in Gaza, provides a deeply personal account of genocide. PUT YOUR SOUL ON YOUR HAND AND WALK is released in Australia tomorrow. More thoughts: letterboxd.com/cinemaautops...
November 18, 2025 at 10:40 PM
TWO PROSECUTORS is released in Australia tomorrow. Set at the height of Stalin's Great Purge it's a chilling study of the Kafkaesque strategies used by impenetrable bureaucracies to obfuscate and frustrate; depicting the more insidious techniques authoritarian regimes use to crush the human spirit.
November 12, 2025 at 8:18 AM
Listening to the @ifbookspod.bsky.social hosts mercilessly mock Sky News Australia for their embarrassing attempt to weigh in on Zohran Mamdani was absolutely glorious. I love it when terrible things from Australia go international.
This month's bonus episode is about Zohran Derangement Syndrome, the dangerous malady infecting newsrooms across the globe.
Zohran Derangement Syndrome | If Books Could Kill
Get more from If Books Could Kill on Patreon
www.patreon.com
November 12, 2025 at 7:25 AM
I saw and loved DIE MY LOVE last night. Probably Jennifer Lawrence's best performance to date. Some thoughts on how fraught it is portraying mental illness and why this film is an exception: letterboxd.com/cinemaautops...
November 12, 2025 at 2:13 AM
I first saw FONG SAI YUK in the mid '90s and it was one of the key films that made me fall in love with Hong Kong action cinema. I finally rewatched it again last night, wonderfully presented in 4K by @88films.bsky.social, and shared my reaction on @letterboxd.social: letterboxd.com/cinemaautops...
November 9, 2025 at 12:19 AM
The last time I saw Pulp live was over 20 years ago at a rubbish venue and I had a terrible seat. But I'm now going to right that wrong as I just managed to secure tickets to see them next year. I'm going back to bed as there's nothing more I need to achieve today.
November 4, 2025 at 10:14 PM
Of all the bits of American culture that have been absorbed into Australia, their version of Halloween is one of the best. Last night my son wore his homemade costume, hung out with his friends and visited the neighbours. There are other aspects of Americanisation far more worthy of condemnation.
November 1, 2025 at 1:50 AM
Another film released in Australia today that I really loved is HAPPYEND, a Japanese coming-of-age film set in the not too distant future when everything is getting just that little bit more authoritarian and repressive. Further thoughts at: letterboxd.com/cinemaautops...
October 30, 2025 at 2:13 AM
I liked BUGONIA a lot and attempted to briefly explain why it is more a film about human behaviour rather than politics, without giving too much away, on my @letterboxd.social account: letterboxd.com/cinemaautops...
October 29, 2025 at 11:53 PM
I can't stop thinking about Guillermo Del Toro's FRANKENSTEIN. It'll be on @netflix.com soon but catch it on the big screen if you possibly can. Further thoughts over at @letterboxd.social: letterboxd.com/cinemaautops...
October 29, 2025 at 1:35 AM
Rewatched PHANTOM THREAD over the weekend and knowing what happens gives it a whole different layer of enjoyment and appreciation. But nothing will beat the experience of seeing this for the first time in a packed cinema of people laughing in shocked delight at the audacity of where it goes.
October 27, 2025 at 1:11 AM
Took a while to get through ALIEN: EARTH as after its incredible first episode it never quite lived up to its promise. But there are elements of the series that are among the best of what the franchise has done recently. Some reservations but I’ll absolutely watch the next season if it happens.
October 26, 2025 at 11:04 AM
A HOUSE OF DYNAMITE is a nerve-racking reminder of how close the world is to nuclear war. Rebecca Ferguson stands out as one of the high ranking people struggling to remain professional in a situation of high anxiety. It's now odd to see a film about the US government where people are competent.
October 23, 2025 at 11:18 PM
I don't think I've seen a film about living with dementia as tender as FAMILIAR TOUCH. It portrays the experiences of protagonist Ruth and her carers with so much dignity and compassion, while staying honest about the hardship and grief involved. There's a lot of comfort in this film's humanity.
October 23, 2025 at 10:35 AM
If you were thinking of making a donation to the arts then today - #AusArtDay - is a great day to do it. There are loads of amazing arts organisation worth helping out but it would be wonderful if you could include St Martins Youth Arts Centre in your generosity and support. And please share!
It’s #AusArtDay — a chance to celebrate the artists and organisations that make Australia’s creative life so rich.
Show your love with a donation, and enjoy this short video we’ve prepared for you!
youtu.be/OwckFjjRf7I
St Martins All IN
YouTube video by St Martins Youth Arts Centre
youtu.be
October 23, 2025 at 1:39 AM
The assemblage of police body camera footage to create such a compelling narrative in THE PERFECT NEIGHBOR (@netflix.com) is so impressive. It is a devastating and heartbreaking story that also works as a profound microcosm of contemporary America's damaged psyche and propensity towards violence.
October 22, 2025 at 10:30 PM
Kelly Reichardt’s latest, THE MASTERMIND with Josh O'Connor as a likeable yet inept art thief, starts as an endearing and amusing low fi heist film but unfolds into an insightful examination of a man who's so disengaged, self-centred & self pitying that he's oblivious to the harm he does to others.
October 22, 2025 at 4:21 AM
I've listened to WTF with @marcmaron.bsky.social since 2013 and I'm going to miss it. But I'm so impressed it went out in style on Maron and his producer's terms. A solo heartfelt 2nd last episode and then one final interview with one of the greatest previous guests: @barackobama.bsky.social. Bravo!
Today is the final episode of the show! wtfpod.com
October 14, 2025 at 12:14 AM
Not sure when I got the German blu-ray of THE NEVERENDING STORY but I've now seen both versions of one of my beloved childhood films. Nostalgia means I'll never be able to be truly critical of it but it does feel timeless; if it were to be remade now you could easily depict the Nothing as AI slop.
October 12, 2025 at 9:24 AM
Diane Keaton could move seamlessly between comedy and drama, and is one of the reasons so many iconic 1970s (and beyond) films are so amazing, influential and memorable. She was one of the greats.
October 11, 2025 at 9:34 PM
It wasn't my intention to wait until now to see ONE BATTLE AFTER ANOTHER but it meant I saw it on 70mm at the Astor Theatre along with a really fun and savvy pre-show. Anyway, pretty great, right? Probably will become the defining film of 2025. A couple more thoughts: letterboxd.com/cinemaautops...
October 6, 2025 at 11:58 AM
I finally watched my DVD of RIFIFI last night, addressing a very long overdue #filmblindspot. It is easily one of the all-time great heist films, and arguably the one that set the standard and template that all others should be measured by. More fragmented thoughts at
letterboxd.com/cinemaautops...
October 5, 2025 at 2:49 AM