New York City, 1980s
New York City, 1980s
New York City, 1988
Credit: Janette Beckman
New York City, 1988
Credit: Janette Beckman
Brooklyn, New York City, 1982
Credit: Jamel Shabazz
Brooklyn, New York City, 1982
Credit: Jamel Shabazz
Credit: Gary Spector
Credit: Gary Spector
Staten Island, 1985
Credit: Henry Chalfant
Staten Island, 1985
Credit: Henry Chalfant
Tragic Magic. OTB crew car.
New York City, 1980s
Tragic Magic. OTB crew car.
New York City, 1980s
New York City, 1994
Credit: Danny Hastings
New York City, 1994
Credit: Danny Hastings
Manhattan's 3 Yard, 1982
Credit: Martha Cooper
Manhattan's 3 Yard, 1982
Credit: Martha Cooper
With who you may call enemies
But I see nothing funny about makin' money"
Snoop won't be dictated to by Suge or 2Pac on who he makes records with. Even if the former consider them an 'enemy.' Snoop had previously talked about doing a song with Puff and Big
With who you may call enemies
But I see nothing funny about makin' money"
Snoop won't be dictated to by Suge or 2Pac on who he makes records with. Even if the former consider them an 'enemy.' Snoop had previously talked about doing a song with Puff and Big
Actin' tough with this east-west coast stuff
See me, I'm all about my money, mane"
Snoop doubling down on his Angie Martinez radio appearance distancing himself from the Coastal war, which infuriated 2Pac. By his death they weren't even on speaking terms.
Actin' tough with this east-west coast stuff
See me, I'm all about my money, mane"
Snoop doubling down on his Angie Martinez radio appearance distancing himself from the Coastal war, which infuriated 2Pac. By his death they weren't even on speaking terms.
But ever since I was a puppy 'til I was full grown
I never had no other dog pullin' on my bone"
This is directly about 2Pac joining the label and becoming its lead star, and Suge's homie. Snoop is ready for the competition.
But ever since I was a puppy 'til I was full grown
I never had no other dog pullin' on my bone"
This is directly about 2Pac joining the label and becoming its lead star, and Suge's homie. Snoop is ready for the competition.
And he got more stories than the Highway Patrol
Tellin' me about the money Suge Knight stole"
Dre telling Snoop that Suge is stealing from him, which he was. It's interesting Aftermath never made a play for Snoop, but I guess Dre wanted nothing more with Suge.
And he got more stories than the Highway Patrol
Tellin' me about the money Suge Knight stole"
Dre telling Snoop that Suge is stealing from him, which he was. It's interesting Aftermath never made a play for Snoop, but I guess Dre wanted nothing more with Suge.
Some inmates escape, some won't."
Referring to Death Row artists leaving the label, specifically Dre, who likely advised Snoop to get out too.
Some inmates escape, some won't."
Referring to Death Row artists leaving the label, specifically Dre, who likely advised Snoop to get out too.
"So If you plan on comin' out, nigga, hold up
This a stick up, Dick up
They got yo' shit on the shelf, oh, mine is too
And guess who they gon' pick up?"
referring to he and Dre's next albums releasing within 2 weeks of each other in November '96.
"So If you plan on comin' out, nigga, hold up
This a stick up, Dick up
They got yo' shit on the shelf, oh, mine is too
And guess who they gon' pick up?"
referring to he and Dre's next albums releasing within 2 weeks of each other in November '96.
Snoop taps into his Gap Band bag for Doggfather's lead single, released just one day after the death of labelmate 2Pac. Ironic as the song is Snoop's riposte to tensions and rumors surrounding their relationship.
Snoop taps into his Gap Band bag for Doggfather's lead single, released just one day after the death of labelmate 2Pac. Ironic as the song is Snoop's riposte to tensions and rumors surrounding their relationship.
Brooklyn, 1994
Credit: Manuel Acevedo
Brooklyn, 1994
Credit: Manuel Acevedo
New York City, 1980s
New York City, 1980s
New York City, 1992
Credit: Al Pereira
New York City, 1992
Credit: Al Pereira
Credit: Sue Kwon
Credit: Sue Kwon
New York City, 1980s
Credit: Henry Chalfant
New York City, 1980s
Credit: Henry Chalfant
New York City, 1988
Credit: Jamel Shabazz
New York City, 1988
Credit: Jamel Shabazz
Credit: Sue Kwon
Credit: Sue Kwon