Cate McQuaid
@catemcquaid.bsky.social
Being called to be yourself, being called to transfigure what has hardened or been wounded within you, is also the heart of creativity – John O'Donohue
https://catemcquaid.substack.com/
https://catemcquaid.substack.com/
Marty Epp-Carter started dating, connected with someone – and was ghosted. They turned to the studio. Marty wrote about "A Fail-Safe Way to Navigate Dating Apps in 2025," the first piece in their dating series, for today's Work in Progress. catemcquaid.substack.com/p/what-to-do...
What to do when you're ghosted
Burned on a dating app, Marty Epp-Carter took to the studio
catemcquaid.substack.com
November 4, 2025 at 5:05 PM
Marty Epp-Carter started dating, connected with someone – and was ghosted. They turned to the studio. Marty wrote about "A Fail-Safe Way to Navigate Dating Apps in 2025," the first piece in their dating series, for today's Work in Progress. catemcquaid.substack.com/p/what-to-do...
Mothers have been trapped in an ideal. They’re asexual, selfless founts of nurture. When we turn a person into a sentimental icon, there’s something we fear in her. Why are we afraid of mothers? Motherhood as Muse at Concord Art offers up some suggestions. catemcquaid.substack.com/p/the-opposi...
The opposite of the male gaze
"Motherhood as Muse" at Concord Art turns a loving eye on what patriarchy fears
catemcquaid.substack.com
November 2, 2025 at 5:29 PM
Mothers have been trapped in an ideal. They’re asexual, selfless founts of nurture. When we turn a person into a sentimental icon, there’s something we fear in her. Why are we afraid of mothers? Motherhood as Muse at Concord Art offers up some suggestions. catemcquaid.substack.com/p/the-opposi...
Collage artist Jane Maxwell's show "In Your Face" at Lanoue Gallery examines the push-pull between the feminine ideal and a messier internal reality. Now she's upping the ante with sculptural pieces made of Botox vials. She calls the show "a no judgment zone." www.bostonglobe.com/2025/10/14/a...
Pressure for the feminine ideal shapes the work of this collage artist - The Boston Globe
"In Your Face," her latest show, has work made of Botox vials and old billboard paper.
www.bostonglobe.com
October 16, 2025 at 2:43 PM
Collage artist Jane Maxwell's show "In Your Face" at Lanoue Gallery examines the push-pull between the feminine ideal and a messier internal reality. Now she's upping the ante with sculptural pieces made of Botox vials. She calls the show "a no judgment zone." www.bostonglobe.com/2025/10/14/a...
How did your parents meet? It's an origin story that can be sweet or sour. Sometimes it's both. The story can seem written in stone when we're young. Has your perspective on your parents, and how they came together to make you, changed? Mine has. catemcquaid.substack.com/p/pray-pay-a...
October 12, 2025 at 5:53 PM
How did your parents meet? It's an origin story that can be sweet or sour. Sometimes it's both. The story can seem written in stone when we're young. Has your perspective on your parents, and how they came together to make you, changed? Mine has. catemcquaid.substack.com/p/pray-pay-a...
As cultural spaces dwindle in Boston, artists get creative, founding galleries in a V-nosed trailer in a suburban parking lot, in a spiffed-up shed, in a dining room, in a studio, on a fridge.
www.bostonglobe.com/2025/10/01/a...
www.bostonglobe.com/2025/10/01/a...
With galleries dwindling, artists turn to alt spaces — be they trailers, or dining rooms, or gussied up sheds - The Boston Globe
Artist-run galleries, typically small and decidedly unconventional, are having a moment in the Boston area.
www.bostonglobe.com
October 1, 2025 at 8:28 PM
As cultural spaces dwindle in Boston, artists get creative, founding galleries in a V-nosed trailer in a suburban parking lot, in a spiffed-up shed, in a dining room, in a studio, on a fridge.
www.bostonglobe.com/2025/10/01/a...
www.bostonglobe.com/2025/10/01/a...
Painter William Collin aims to show the tension between what is seen and what is felt. "I See Myself in You," at Grimshaw-Gudewicz Art Gallery at Bristol Community College in Fall River (through Oct. 16), features his paintings of Black young men and boys. catemcquaid.substack.com/p/standing-i...
Standing in the middle
William Collin on painting "BY-Product" and locating his figures within lineages of history, family, and identity
catemcquaid.substack.com
October 1, 2025 at 7:41 PM
Painter William Collin aims to show the tension between what is seen and what is felt. "I See Myself in You," at Grimshaw-Gudewicz Art Gallery at Bristol Community College in Fall River (through Oct. 16), features his paintings of Black young men and boys. catemcquaid.substack.com/p/standing-i...
Here's your periodic "what the hell is going on?" update on the federal government and the arts. But also! Putting Disney in its place, how hubris leads to downfall, the force that bridges divides, and how societal upheaval parallels studio practice. catemcquaid.substack.com/p/cracking-o...
Cracking open
A periodic “what the hell is going on?” update on the federal government and the arts
catemcquaid.substack.com
September 28, 2025 at 3:33 PM
Here's your periodic "what the hell is going on?" update on the federal government and the arts. But also! Putting Disney in its place, how hubris leads to downfall, the force that bridges divides, and how societal upheaval parallels studio practice. catemcquaid.substack.com/p/cracking-o...
Meet illusionist Jeanette Andrews, visiting artist at MIT Center for Art, Science, & Technology interested in metacognition. Her October show at MIT, "The Attestation: A Performance of Illusions” uses magic to examine how polarized beliefs work. www.bostonglobe.com/2025/09/22/a...
An illusionist makes magic to probe our minds’ susceptibility to disinformation - The Boston Globe
Jeanette Andrews's show, “Attestation,” showcases "the really deep-rooted mechanisms at play" in human perception.
www.bostonglobe.com
September 23, 2025 at 9:54 PM
Meet illusionist Jeanette Andrews, visiting artist at MIT Center for Art, Science, & Technology interested in metacognition. Her October show at MIT, "The Attestation: A Performance of Illusions” uses magic to examine how polarized beliefs work. www.bostonglobe.com/2025/09/22/a...
Susan Jane Belton has spent her career avoiding the figure. Until now. For her show at Anderson Yezerski "Familiar Strangers" she painted people she found in snapshots. "In the spirit of 'if not now, when?' I decided to make a radical change," she writes. catemcquaid.substack.com/p/susan-jane...
Susan Jane Belton wades in
The artist, whose show "Familiar Strangers" is at Anderson Yezerski, on her move into figure painting
catemcquaid.substack.com
September 23, 2025 at 9:15 PM
Susan Jane Belton has spent her career avoiding the figure. Until now. For her show at Anderson Yezerski "Familiar Strangers" she painted people she found in snapshots. "In the spirit of 'if not now, when?' I decided to make a radical change," she writes. catemcquaid.substack.com/p/susan-jane...
I have house shame. I don’t invite people over. I bought my house 20 years ago, and mostly I’ve treated it like a burden. Recently, I sat with those feelings. Now, my iceberg of house shame is thawing – which is good, right? But it sure stings. catemcquaid.substack.com/p/the-iceber...
The iceberg of shame
When it thaws, it hurts. And then possibilities rush in.
catemcquaid.substack.com
September 21, 2025 at 3:53 PM
I have house shame. I don’t invite people over. I bought my house 20 years ago, and mostly I’ve treated it like a burden. Recently, I sat with those feelings. Now, my iceberg of house shame is thawing – which is good, right? But it sure stings. catemcquaid.substack.com/p/the-iceber...
Alaina Mahoney fell in love with metal at MassArt. Now she's a blacksmith at AM Design and Fabrication, doing ornamental iron work and fabrication for artists. Alaina has a painting studio right next to the metal shop. www.bostonglobe.com/2025/09/08/a...
The art and the tool are the same for a blacksmith exploring a dying craft - The Boston Globe
Alaina Mahoney is a blacksmith who also paints.
www.bostonglobe.com
September 19, 2025 at 3:54 PM
Alaina Mahoney fell in love with metal at MassArt. Now she's a blacksmith at AM Design and Fabrication, doing ornamental iron work and fabrication for artists. Alaina has a painting studio right next to the metal shop. www.bostonglobe.com/2025/09/08/a...
Conny Goelz-Schmitt resurrects vintage books into collages. The stories are gone. The bones remain, and they rise and dance. This may be a new language, but in it old books speak – if you’ll permit a pun – volumes. How she does it in today's Ocean in a Drop. catemcquaid.substack.com/p/patience-b...
Patience, but no hesitation
How Conny Goelz-Schmitt makes art from vintage books
catemcquaid.substack.com
September 16, 2025 at 6:42 PM
Conny Goelz-Schmitt resurrects vintage books into collages. The stories are gone. The bones remain, and they rise and dance. This may be a new language, but in it old books speak – if you’ll permit a pun – volumes. How she does it in today's Ocean in a Drop. catemcquaid.substack.com/p/patience-b...
On Friday night on Boston City Hall Plaza, artist Adela Goldbard returned us to a first encounter between Europeans and Indigenous people, usin pyrotechnics to burn a quarter-scale replica of a Colonial-era ship. More in Ocean in a Drop. catemcquaid.substack.com/p/whose-home...
Whose homeland is this?
At Boston City Hall Plaza, Adela Goldbard sets fire to old colonialist notions of power
catemcquaid.substack.com
September 14, 2025 at 4:33 PM
On Friday night on Boston City Hall Plaza, artist Adela Goldbard returned us to a first encounter between Europeans and Indigenous people, usin pyrotechnics to burn a quarter-scale replica of a Colonial-era ship. More in Ocean in a Drop. catemcquaid.substack.com/p/whose-home...
Reposted by Cate McQuaid
Part of the statement from the @transjournalists.org on reporting details of the the Charlie Kirk shooting investigation.
Full statement here:
www.transjournalists.org/tja-urges-ca...
Full statement here:
www.transjournalists.org/tja-urges-ca...
September 11, 2025 at 7:48 PM
Part of the statement from the @transjournalists.org on reporting details of the the Charlie Kirk shooting investigation.
Full statement here:
www.transjournalists.org/tja-urges-ca...
Full statement here:
www.transjournalists.org/tja-urges-ca...
Sophia Ainslie's process for her "Woven" exhibition at Gallery NAGA entails dancing between stream of consciousness mark-making and appraising with a keen eye to complicate the image. Right brain, left brain, right brain, left brain. catemcquaid.substack.com/p/but-what-h...
'But what happens if I get lost?'
Sophia Ainslie on crafting "Woven 12" and "Woven 13" at Gallery NAGA
catemcquaid.substack.com
September 10, 2025 at 3:28 PM
Sophia Ainslie's process for her "Woven" exhibition at Gallery NAGA entails dancing between stream of consciousness mark-making and appraising with a keen eye to complicate the image. Right brain, left brain, right brain, left brain. catemcquaid.substack.com/p/but-what-h...
Fear causes tunnel vision. Painter Andrae Green's "Paradise/Mash-up" at Boston Center for the Arts widens the lens. Green is from Jamaica, but it's not his immigration story that refutes the Trumpian world view. It’s the breadth of his imagination. catemcquaid.substack.com/p/the-best-d...
The best defense against dystopia
Fear causes tunnel vision. Painter Andrae Green's "Paradise/Mash-up" at the Boston Center for the Arts widens the lens.
catemcquaid.substack.com
September 10, 2025 at 3:20 PM
Fear causes tunnel vision. Painter Andrae Green's "Paradise/Mash-up" at Boston Center for the Arts widens the lens. Green is from Jamaica, but it's not his immigration story that refutes the Trumpian world view. It’s the breadth of his imagination. catemcquaid.substack.com/p/the-best-d...
Mélieajade Tremblay-Bouchard went to circus camp when she was five, and a teacher there told her she had the body of a contortionist. Today, at 28, she's in the Montreal circus collective 7 Fingers, performing "Passengers" at American Repertory Theater. www.bostonglobe.com/2025/09/02/a...
Putting a new spin on hula hoops - The Boston Globe
Méliejade Tremblay-Bouchard performs with the circus troupe 7 Fingers at the ART.
www.bostonglobe.com
September 5, 2025 at 7:47 PM
Mélieajade Tremblay-Bouchard went to circus camp when she was five, and a teacher there told her she had the body of a contortionist. Today, at 28, she's in the Montreal circus collective 7 Fingers, performing "Passengers" at American Repertory Theater. www.bostonglobe.com/2025/09/02/a...
Iwalani Kaluhiokalani's multidisciplinary installation The Radiance Chasers at Emerscon Contemporary explores light as creator and destroyer. She writes about making it – with painting, paper cut-outs, video mapping, sound, and AI – in Ocean in a Drop. catemcquaid.substack.com/p/renewal-in...
Renewal in the ruins
Iwalani Kaluhiokalani on the making of "The Radiance Chasers" at Emerson Contemporary
catemcquaid.substack.com
September 2, 2025 at 4:15 PM
Iwalani Kaluhiokalani's multidisciplinary installation The Radiance Chasers at Emerscon Contemporary explores light as creator and destroyer. She writes about making it – with painting, paper cut-outs, video mapping, sound, and AI – in Ocean in a Drop. catemcquaid.substack.com/p/renewal-in...
“I call myself a wiggler,” popper Alanna Logan said. “My movement is a bit awkward, I have a hip-hop pocket. I’m more bounce oriented.” She took second place at Red Bull Dance Your Style East USA. She'll be in @bostonarts.org Arts HellaBlack Vol. 7 on Oct. 3. www.bostonglobe.com/2025/08/25/a...
For this dancer, popping draws on a lifetime of experience - The Boston Globe
Alanna Logan was recently named to the Boston Center for the Performing Arts' “#HellaBlack Vol. 7: Shift,” roster of acts.
www.bostonglobe.com
August 29, 2025 at 3:39 PM
“I call myself a wiggler,” popper Alanna Logan said. “My movement is a bit awkward, I have a hip-hop pocket. I’m more bounce oriented.” She took second place at Red Bull Dance Your Style East USA. She'll be in @bostonarts.org Arts HellaBlack Vol. 7 on Oct. 3. www.bostonglobe.com/2025/08/25/a...
Last week I introduced "This is not my story" in Ocean in a Drop – a memoir with video commentary reflecting on the limitations of childhood keep falling away. Here's Chapter 1: Midnight Mass, in which my father receives Holy Communion from my mother's lover. catemcquaid.substack.com/p/midnight-m...
Midnight Mass
This is not my story: Chapter 1
catemcquaid.substack.com
August 24, 2025 at 6:03 PM
Last week I introduced "This is not my story" in Ocean in a Drop – a memoir with video commentary reflecting on the limitations of childhood keep falling away. Here's Chapter 1: Midnight Mass, in which my father receives Holy Communion from my mother's lover. catemcquaid.substack.com/p/midnight-m...
In Andromeda Lisle's art, animal forms cascade with patterns referencing cellular structure and Indigenous mythology. She designed a mural of a humpback whale and calf at the new Tobin Montessori and Darby Vassall Upper Schools and Community Complex in Cambridge. www.bostonglobe.com/2025/08/18/a...
An artist’s life: Building a house, brick by brick - The Boston Globe
Andromeda Lisle, who has experienced homelessness and works through debilitating migraines, has a message for artists: Don't give up.
www.bostonglobe.com
August 22, 2025 at 2:48 PM
In Andromeda Lisle's art, animal forms cascade with patterns referencing cellular structure and Indigenous mythology. She designed a mural of a humpback whale and calf at the new Tobin Montessori and Darby Vassall Upper Schools and Community Complex in Cambridge. www.bostonglobe.com/2025/08/18/a...
I wrote a memoir, "Communion: A Memoir of Family, Secrets, and Love." I resisted posting on Substack; I am fueled by writing about what’s happening today. Now I see I can tie it to today with video. There's no paywall. Come take a look. catemcquaid.substack.com/p/this-is-no...
This is not my story
But it was. And I needed to let it be in order to let it go.
catemcquaid.substack.com
August 17, 2025 at 8:02 PM
I wrote a memoir, "Communion: A Memoir of Family, Secrets, and Love." I resisted posting on Substack; I am fueled by writing about what’s happening today. Now I see I can tie it to today with video. There's no paywall. Come take a look. catemcquaid.substack.com/p/this-is-no...
Jerome Greene's art taps Ptown's wellspring of beauty, community, and music. He's a plein-air painter and he sketches musicians as they perform around town. Provincetown Public Art Foundation invited Jerome to paint a trap shed mural on MacMillan Pier.
catemcquaid.substack.com/p/the-lifes-...
catemcquaid.substack.com/p/the-lifes-...
The life's blood of Provincetown
Plein-air artist Jerome Greene on creating his "Musicians, Murals and Mentors" mural
catemcquaid.substack.com
August 13, 2025 at 2:12 PM
Jerome Greene's art taps Ptown's wellspring of beauty, community, and music. He's a plein-air painter and he sketches musicians as they perform around town. Provincetown Public Art Foundation invited Jerome to paint a trap shed mural on MacMillan Pier.
catemcquaid.substack.com/p/the-lifes-...
catemcquaid.substack.com/p/the-lifes-...
At the White House, the Rose Garden has been paved over with concrete and the Oval Office has been adorned with Rococo gold gilding. Then there's the more insidious rebranding we can track by watching federally funded institutions. catemcquaid.substack.com/p/state-of-t...
State of the arts (authoritarian edition)
They paved paradise and put up a parking lot
catemcquaid.substack.com
August 10, 2025 at 3:45 PM
At the White House, the Rose Garden has been paved over with concrete and the Oval Office has been adorned with Rococo gold gilding. Then there's the more insidious rebranding we can track by watching federally funded institutions. catemcquaid.substack.com/p/state-of-t...
At a 2021 residency, Carly Glovinski came upon the foundation of Wild Knoll, the house writer May Sarton's described in "The House By the Sea" back in 1977. She resurrected the garden. She still tends it. Her career is flourishing, too.
www.bostonglobe.com/2025/08/04/a...
www.bostonglobe.com/2025/08/04/a...
Inspired by a writer’s long-gone home, an artist made gardens in its remains - The Boston Globe
All that was left of writer May Sarton's house by the sea was a slab, but it was "a slab with feeling," says artist Carly Glovinski, who made it a living art project.
www.bostonglobe.com
August 8, 2025 at 3:17 PM
At a 2021 residency, Carly Glovinski came upon the foundation of Wild Knoll, the house writer May Sarton's described in "The House By the Sea" back in 1977. She resurrected the garden. She still tends it. Her career is flourishing, too.
www.bostonglobe.com/2025/08/04/a...
www.bostonglobe.com/2025/08/04/a...