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blakes7bot.torpidity.net
Blakes7Bot
@blakes7bot.torpidity.net
500 followers 170 following 7K posts
Dialogue, with pics, and sometimes videos automatically posted from Blakes 7. Script search: http://blake.torpidity.net/s. Twitter and Threads: @blakes7bot. Mastodon: @blakes7bot@mas.torpidity.net
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blakes7bot.torpidity.net
Series C, Episode 13 - Terminal

ZEN: The continuing malfunction of hull sensors is limiting data for analysis. Operational systems indicate that the damage is widespread but superficial.
DAYNA: The nature of the damage. What's causing it?

https://blake.torpidity.net/m/313/255
Claude Haiku 4.5 describes the image as: "# Image Description This image shows a scene set in a futuristic spacecraft interior, characterized by metallic walls and clinical lighting typical of science fiction settings. The person in the frame is positioned in profile, wearing a burgundy/maroon colored top paired with a distinctive metallic pendant necklace featuring geometric patterns. The styling, including the short hair and wardrobe choices, reflects the aesthetic of 1990s science fiction television production design. The setting appears to be a command center or corridor of a starship, with visible control panels and technological elements blurred in the background. The lighting is cool and institutional, contributing to the sci-fi atmosphere" Blakes7Bot, version 4.0.40. Claude Haiku 4.5 AWS Lambda version: 1.24.
February 15, 2026 at 4:42 PM
blakes7bot.torpidity.net
D06 - Headhunter

ORAC: Requisite action must be carried out first. It is imperative! [Tarrant hands an explosives case he's carrying to Dayna, who opens it. Tarrant heads over to where Avon is lying.]
TARRANT: Vila, take his feet. Soolin, bring Orac.

https://blake.torpidity.net/m/406/617
Claude Haiku 4.5 describes the image as: "# Image Description This image shows a transparent plastic enclosure or containment box being held open by someone's hands. The box reveals complex mechanical and electronic components inside, including what appears to be copper coils, wiring, metal framework, and various electronic parts. Several red indicators or lights are visible on the components. The setting appears to be outdoors, with grass and green vegetation visible in the background. The transparent construction of the box allows clear visibility of the internal machinery. The hands visible at the top of the frame belong to someone examining or demonstrating the device's contents. The components suggest this may be some kind of scientific apparatus, experimental device, or educational demonstration tool" Blakes7Bot, version 4.0.40. Claude Haiku 4.5 AWS Lambda version: 1.24.
February 15, 2026 at 1:39 PM
blakes7bot.torpidity.net
Series D, Episode 04 - Stardrive

SOOLIN: Thirty seconds to impact.
PLAXTON: [V.O.] One more connection to- [Her voice is cut off as Avon pushes some buttons.]
TARRANT: [To Avon] What are you doing?
AVON: Programing in the main circuit drive.

https://blake.torpidity.net/m/404/444
Claude Sonnet 3.7 describes the image as: "The image shows a person with blonde hair styled in a pulled-back fashion, wearing what appears to be a gray or silver outfit with some detailing at the collar. They have earrings that appear to be star-shaped. The background is dark and slightly blurred, suggesting this is from a professional production, likely a television show or film from what seems to be the 1980s based on the styling and image quality. The person has makeup including pink lips and defined eyes, and their expression appears somewhat serious or intent. The lighting creates a dramatic effect that highlights their features against the darker background. The composition suggests this is a close-up shot from a dramatic scene in a production, capturing a moment of emotion or reaction." Blakes7Bot, version 4.0.40. Claude Sonnet 3.7 AWS Lambda version: 1.24.
February 15, 2026 at 10:37 AM
blakes7bot.torpidity.net
#Blakes7 Series B, Episode 12 - The Keeper

GOLA: While I decide how you will die. Get him out of here!
FOOL: I did nothing! I did nothing! [carried off protesting just like Vila]
GOLA: Are you all right, my love?

https://blake.torpidity.net/m/212/411
February 15, 2026 at 7:17 AM
blakes7bot.torpidity.net
Series C, Episode 01 - Aftermath

DAYNA: Not too young for you?
SERVALAN: Oh, I don't think so, do you? I find unsophisticated clothes quite amusing, like unsophisticated people. Obvious, but amusing. [Dayna laughs]

https://blake.torpidity.net/m/301/211
Claude Sonnet 3.7 describes the image as: "This image shows a scene that appears to be from a period drama or film. The person in the foreground is wearing an elegant outfit with a white top that has detailed embroidery or lace at the collar, paired with what looks like a lavender or light purple fabric draped over the shoulders. The background suggests an interior setting with warm-toned walls, possibly in a historical building or set designed to evoke a certain era. The composition of the shot is focused on the subject's expression, which appears contemplative or serious. The lighting creates a soft contrast between the subject and the slightly blurred background. The styling, including the short hair and period-appropriate costume, contributes to the dramatic feel of the scene, suggesting this is from a theatrical production or film adaptation." Blakes7Bot, version 4.0.40. Claude Sonnet 3.7 AWS Lambda version: 1.24.
February 14, 2026 at 8:11 PM
blakes7bot.torpidity.net
C09 - Sarcophagus

TARRANT: [Approaches Avon and hands him the calculator.] Here, take a look at this. That asteroid's less than thirty- two hours away, but we'll still be cutting it fine.
AVON: Let's get going then. There's nothing keeping us here.

https://blake.torpidity.net/m/309/22
Claude Haiku 4.5 describes the image as: "# Scene from Blake's 7 This image shows a scene from the science fiction television series "Blake's 7," set aboard a spacecraft interior with futuristic design elements. The setting features distinctive 1970s sci-fi aesthetics with curved panels, illuminated skylights, and control room furnishings typical of the show's production design. Three characters are gathered around what appears to be a tactical or gaming table with a geometric pattern displayed on its surface. The character on the left wears an ornate black and silver studded uniform, while the two others are dressed in grey and red flight suits characteristic of the crew's standard uniforms. The scene captures a moment of interaction and discussion between the characters, with their body language suggesting an important conversation or briefing" Blakes7Bot, version 4.0.40. Claude Haiku 4.5 AWS Lambda version: 1.24.
February 14, 2026 at 5:08 PM
blakes7bot.torpidity.net
Series A, Episode 09 - Project Avalon

JENNA: It's all right, relax, I'll go and get it for you.
CALLY: You just rest for a while. Perhaps we could talk later. I've admired your work for the resistance for a long time. [Chevner looks strangely at… (1/2)
February 14, 2026 at 1:48 PM
blakes7bot.torpidity.net
Happy Valentine's Day to those that celebrate.
February 14, 2026 at 12:23 PM
blakes7bot.torpidity.net
Series A, Episode 08 - Duel

BLAKE: Deactivate.
AVON: Bank five is finished. Drawing on six.
BLAKE: Zen: power reserves?
ZEN: At the present level of discharge, reserves will be exhausted in two point three hours.

https://blake.torpidity.net/m/108/142
Claude Haiku 4.5 describes the image as: "# Image Description This is a profile shot of a man shown in what appears to be a scene from a television production, likely from the 1970s based on the image quality and styling. The man is captured in a side profile view, facing toward the right of the frame. He has dark brown hair styled in a typical 1970s fashion with slight waves and length at the sides. His facial features are sharp and defined, with a distinctive nose and angular jawline. He's wearing what appears to be a gray or muted-colored shirt or top with a decorative collar featuring a pattern. The background is blurred and neutral, suggesting an indoor setting, possibly a spacecraft interior or similar sci-fi environment typical of television production design from that era. The lighting is natural and even, illuminating his face clearly in profile" Blakes7Bot, version 4.0.40. Claude Haiku 4.5 AWS Lambda version: 1.24.
February 14, 2026 at 10:44 AM
blakes7bot.torpidity.net
#Blakes7 Series A, Episode 04 - Time Squad

JENNA: Stabilize and trim back to stationary.
BLAKE: Check.
JENNA: [To Avon] Negative anti-gravs. [Avon presses buttons] Compensate for orbital drift and hold. [points to button] Hold.
BLAKE: All confirmed.

https://blake.torpidity.net/m/104/6
February 14, 2026 at 7:23 AM
blakes7bot.torpidity.net
Series C, Episode 12 - Death-Watch

TARRANT: Thank you, Zen.
DARVID: [On screen] And so everything is ready. The formalities are complete. The Champions are prepared. The Arbiters have activated the combat computer which will control the conditions of battle. Only the computer knows… (1/2)
Claude Sonnet 4.5 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7" (1978-1981). The setting appears to be aboard the Liberator spaceship, recognizable by its distinctive multi-colored curved panels and geometric architecture in the background, featuring orange, yellow, and blue hues. Two characters are positioned on different levels of the set's angular stairway design. On the left, Steven Pacey portrays Del Tarrant, wearing a black and white costume with distinctive striping across the chest. On the right, Paul Darrow plays Kerr Avon, dressed in black leather with studded shoulder details, seated in a relaxed pose on the stepped platform. The composition emphasizes the show's theatrical set design with its bold geometric shapes and dramatic lighting. The stepped platforms and railings create dynamic diagonal lines throughout the frame" Blakes7Bot, version 4.0.40. Claude Sonnet 4.5 AWS Lambda version: 1.24.
February 13, 2026 at 7:57 PM
blakes7bot.torpidity.net
Series B, Episode 11 - Gambit

DOCHOLLI: Servalan. She represents some people I once worked for. Augk. [Drinks] I knew they'd get me in the end.
CHENIE: You've got to get out of Freedom City. Away from this planet. You can't stay here now!

https://blake.torpidity.net/m/211/305
February 13, 2026 at 4:37 PM
blakes7bot.torpidity.net
Series C, Episode 02 - Powerplay

KLEGG: You were supposed to have searched the ship. These two should have been found. Where were you hiding?
DAYNA: We weren't hiding. We've...

https://blake.torpidity.net/m/302/5
Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The scene takes place in what looks like a spacecraft interior, characterized by stark white walls with geometric angular paneling typical of the show's distinctive set design. Several characters are gathered in this confined space, wearing dark leather or vinyl uniforms that were characteristic of the series' costume design. The uniforms have a militaristic appearance with high collars and practical detailing. The group appears to be engaged in some kind of tense discussion or confrontation, with characters positioned in a semi-circle formation. Paul Darrow, Michael Sheard, and Steven Pacey are among the actors present in this scene. The lighting is bright and clinical, emphasizing the utilitarian nature of the spacecraft setting" Blakes7Bot, version 4.0.40. Claude Sonnet 4.5 AWS Lambda version: 1.24.
February 13, 2026 at 1:33 PM
blakes7bot.torpidity.net
Series A, Episode 10 - Breakdown

VOICE: [V.O.]Right.
FARREN: Send the commander straight up. Make sure he's not armed.
VOICE: [V.O.] Understood. [Blake teleports in]
BLAKE: Don't worry, I'm not armed.
FARREN: How did you do that?

https://blake.torpidity.net/m/110/363
Claude Haiku 4.5 describes the image as: "# Scene Description This image captures a scene from what appears to be a science fiction production, likely from the 1970s or 1980s based on the aesthetic and video quality. The setting is a sparse, futuristic interior with minimalist design elements, characterized by geometric wall panels and a neutral color palette of whites and grays. Two men are positioned in this clinical-looking space. The man on the left wears a distinctive burgundy and black uniform with decorative shoulder insignia, suggesting a military or commanding rank. He stands in profile, appearing contemplative or concerned. The man on the right is dressed more simply in a light-colored tunic with a dark sleeveless vest, holding what appears to be a data tablet or document. His posture suggests he may be in a subordinate role or serving an informational function" Blakes7Bot, version 4.0.40. Claude Haiku 4.5 AWS Lambda version: 1.24.
February 13, 2026 at 10:31 AM
blakes7bot.torpidity.net
#Blakes7 Series B, Episode 08 - Hostage

BLAKE: I see, yes of course.
TRAVIS: It is the fastest, the most powerful ship in existence.
BLAKE: Not a chance, Travis.
TRAVIS: We'll see.
[Exbar. Avon running, like a sleek silver colussus]

https://blake.torpidity.net/m/208/468
Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s. The setting is clearly a futuristic spacecraft interior with characteristic metallic walls and technical details typical of the show's production design. In the scene, we see characters in what appears to be a tense confrontation aboard a spaceship. One figure is wearing the distinctive white and silver uniform characteristic of the series' Federation forces, while another character is dressed in dark civilian clothing. Behind them stands what appears to be one of the show's iconic android characters, recognizable by the metallic costume design with pink/red lighting elements. The scene has the typical dramatic lighting and set design that "Blake's 7" was known for, with its blend of practical effects and distinctive costume design" Blakes7Bot, version 4.0.40. Claude Sonnet 4 AWS Lambda version: 1.24.
February 13, 2026 at 7:29 AM
blakes7bot.torpidity.net
Series A, Episode 06 - Seek-Locate-Destroy

SERVALAN: It was patched up by a field medic.
TRAVIS: Man saved my life.
SERVALAN: But why did you never let the surgeons finish the job?

https://blake.torpidity.net/m/106/313
February 12, 2026 at 8:06 PM
blakes7bot.torpidity.net
Series A, Episode 01 - The Way Back

ARBITER: Is the accused satisfied that his defence has been fully and fairly prepared?
BLAKE: The charges against me are totally false. I am not guilty, therefore I offer no defence.

https://blake.torpidity.net/m/101/211
February 12, 2026 at 4:45 PM
blakes7bot.torpidity.net
Series B, Episode 05 - Pressure Point

SERVALAN: Do as I order!
TRAVIS: What's the matter with you, Servalan? [Jenna and Veron emerge into sight behind her in the doorway. Both are armed.]
JENNA: She's nervous.
BLAKE: Jenna!

https://blake.torpidity.net/m/205/515
February 12, 2026 at 1:24 PM
blakes7bot.torpidity.net
Series C, Episode 08 - Rumours of Death

CHESKU: You keep talking like that, you'll get us both killed. [Two troopers show up.] Yes? What do you men want?
SULA: I'm afraid they want your security pass and your clothes. The rabble aren't quite as crushed as your speech suggests. [She… (1/2)
Claude Sonnet 4.5 describes the image as: "This image appears to be from a vintage science fiction production, likely from the 1970s based on the film quality and styling. The scene is set outdoors on a rural path with grass and trees in the background, creating an isolated, somewhat ominous atmosphere. In the foreground, a blonde woman (Lorna Heilbron) is shown from behind, holding what appears to be a weapon. She's wearing a gray uniform with distinctive striping. Facing her is a man (Peter Clay) in a matching gray military-style uniform with a cape or cloak draped over his shoulders. His expression appears concerned or tense. Behind them stand two figures in black protective suits and helmets, their faces completely obscured, adding to the scene's mysterious and threatening quality. Their dark, imposing presence contrasts sharply with the natural outdoor setting" Blakes7Bot, version 4.0.40. Claude Sonnet 4.5 AWS Lambda version: 1.24.
February 12, 2026 at 10:20 AM
blakes7bot.torpidity.net
#Blakes7 Series D, Episode 12 - Warlord

DAYNA: [V.O.] Happy landings. Out.
AVON: He's going to get here and discover that his daughter is nowhere to be found before we've even finished loading.
SOOLIN: Unless we get a move on.

https://blake.torpidity.net/m/412/236
February 12, 2026 at 7:18 AM
blakes7bot.torpidity.net
Series C, Episode 11 - Moloch

TARRANT: Yes, Vila. I take the point. You're obviously far cleverer than I.
VILA: Right.
TARRANT: [Examining a map] So - this is where we're going.
VILA: What? - Where are we going?
TARRANT: To destroy a computer.

https://blake.torpidity.net/m/311/468
Claude Sonnet 3.7 describes the image as: "The image shows two individuals in a scene from what appears to be a science fiction television production. They are wearing identical black uniforms with distinctive circular emblems featuring a red and blue design on the chest. One person has straight hair while the other has curly hair. They appear to be having a conversation in an outdoor setting with dried vegetation or reeds in the background, suggesting a wilderness or remote location. The style and uniforms are characteristic of classic science fiction television, with the military or organizational-style matching outfits and distinctive insignia. The scene has the visual quality of television production from several decades ago, with a somewhat muted color palette typical of that era's filming techniques." Blakes7Bot, version 4.0.40. Claude Sonnet 3.7 AWS Lambda version: 1.24.
February 11, 2026 at 7:53 PM
blakes7bot.torpidity.net
Series D, Episode 03 - Traitor

AVON: But not in this case. Helotrix is one of the oldest colonies and the first to gain independence from the empire.
TARRANT: Until the Federation grabbed it back. Come on Dayna.
DAYNA: Right. [They exit]

https://blake.torpidity.net/m/403/100
Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be the science fiction series "Blake's 7." The setting is a futuristic spacecraft control room or flight deck, featuring distinctive curved white seating areas with transparent panels. Several performers are seated at what seems to be a control console in the center of the room. The control area has a hexagonal shape with a green display panel visible. The interior has a typical 1970s/80s sci-fi aesthetic with a gray and white color scheme. In the foreground, there are characters reclining in curved chairs, with one wearing what looks like a dark costume with studs or decorative elements. The set design features steps in the background leading to another level of the spacecraft. The lighting and production quality are characteristic of BBC science fiction productions from that era." Blakes7Bot, version 4.0.40. Claude Sonnet 3.7 AWS Lambda version: 1.24.
February 11, 2026 at 4:50 PM
blakes7bot.torpidity.net
Series D, Episode 03 - Traitor

DAYNA: D'you think I'll pass for a Helot?
AVON: No problem. When Helotrix was first settled, the old Stock Equalization Act was still in force. Every earth race had to be represented.

https://blake.torpidity.net/m/403/94
Claude Sonnet 3.7 describes the image as: "The image shows a person with short dark hair wearing colorful eye makeup and lipstick. They appear to be seated in a chair with a patterned gray upholstery. The person is wearing what looks like a uniform or costume with a black body and white collar detail. The setting appears to be from a television or film production, with the individual positioned in what seems to be an interior set. The lighting and film quality suggest this is from a production that may have been filmed some years ago. The person has a thoughtful or concerned expression and appears to be looking slightly downward. The composition focuses primarily on their face and upper body against the textured background of the chair." Blakes7Bot, version 4.0.40. Claude Sonnet 3.7 AWS Lambda version: 1.24.
February 11, 2026 at 1:48 PM
blakes7bot.torpidity.net
Series A, Episode 01 - The Way Back

OPERATOR: Alpha three-three-seven five. C-six-one-two: Leesal, Renor. [It appears.]
OPERATOR: Three-four-one-seven: Deca, Carl. [It appears.]
OPERATOR: Three-five-one-two: Fen, Payter. [It appears.]

https://blake.torpidity.net/m/101/271
Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be a TV show or film with a professional office setting. There are three people in the frame. On the left, a person in glasses wearing a suit is seated with their feet propped up on what looks like a desk, holding what might be papers or a magazine. Standing in the middle and on the right are two other individuals in dark reddish-brown attire, appearing to be in conversation or a meeting situation. The lighting is warm and somewhat dim, giving the scene a dramatic, possibly late-evening office atmosphere. The setting appears to be some kind of workplace with minimal decor visible. The mood suggests a professional interaction, possibly during a tense or casual moment in a storyline. The color palette is dominated by browns and muted tones, characteristic of certain era productions." Blakes7Bot, version 4.0.40. Claude Sonnet 3.7 AWS Lambda version: 1.24.
February 11, 2026 at 10:46 AM
blakes7bot.torpidity.net
#Blakes7 Series A, Episode 01 - The Way Back

BLAKE: It's illegal to have contact with anyone who lives outside the city.
RICHIE: Right, but then this whole meeting is illegal.

https://blake.torpidity.net/m/101/56
February 11, 2026 at 7:26 AM