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blakes7bot.torpidity.net
Blakes7Bot
@blakes7bot.torpidity.net
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Dialogue, with pics, and sometimes videos automatically posted from Blakes 7. Script search: http://blake.torpidity.net/s. Twitter and Threads: @blakes7bot. Mastodon: @blakes7bot@mas.torpidity.net
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blakes7bot.torpidity.net
#Blakes7 Series A, Episode 12 - Deliverance

TRAVIS: Would he do that?
SERVALAN: Oh, yes. He thought it through very carefully. He wouldn't even reveal the location of the laboratory until I'd agreed to all his terms.
TRAVIS: Which were?

https://blake.torpidity.net/m/112/253
Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and production values. The scene is set in a futuristic interior with distinctive geometric wall paneling featuring a diamond or lattice pattern in light colors. One actor wears an elaborate black leather or vinyl costume with ornate detailing, while the other is dressed in a flowing white garment. The lighting and set design are characteristic of British sci-fi productions of that era, with clean, minimalist aesthetics typical of space-age interior design. The actors appear to be engaged in an intense dramatic scene, positioned close together in what seems to be a confrontational or intimate moment." Blakes7Bot, version 4.0.24. Claude Sonnet 4 AWS Lambda version: 1.21.
December 31, 2025 at 7:08 AM
blakes7bot.torpidity.net
Series C, Episode 06 - City at the Edge of the World

AVON: Not unless they can do it in their sleep.
DAYNA: You should have killed them.
AVON: Probably.
CALLY: They could sleep through a war.

https://blake.torpidity.net/m/306/415
Claude Sonnet 4.5 describes the image as: "This image shows a scene from what appears to be a science fiction production, likely from the 1980s based on the aesthetic and film quality. The setting features a futuristic interior with industrial-style architecture, including angular metal beams and muted earth-toned wall panels visible in the background. The actress Josette Simon is featured prominently in the frame, wearing a rust-colored or burgundy uniform with metallic shoulder detailing and a decorative pendant necklace. Her costume has a distinctly utilitarian, space-faring design consistent with sci-fi productions of that era. She sports a short, practical hairstyle and appears to be in the middle of a scene, engaged in conversation with another character whose back is partially visible on the right side of the frame" Blakes7Bot, version 4.0.24. Claude Sonnet 4.5 AWS Lambda version: 1.21.
December 30, 2025 at 7:43 PM
blakes7bot.torpidity.net
Series B, Episode 07 - Killer

TYNUS: As soon as the fault in the A-line shows up, then I can send to Security for a replacement crystal, but it all takes time. Relax, [bleeper sounds] you've nothing to worry about. [goes into outer office]
VILA: And if you believe that, you'll… (1/2)
December 30, 2025 at 4:40 PM
blakes7bot.torpidity.net
Series B, Episode 02 - Shadow

CALLY: I want you back here. Get ready to teleport.
VILA: Wasting your time, Cally. I'm not wearing a bracelet. I'm not going to be snatched away in the middle of...in the middle of anything. Sightseeing. And you should see some of the sights I'm seeing.… (1/2)
Claude Sonnet 3.7 describes the image as: "The image appears to be a still from a television series, showing a person in a distinctive white outfit with a floral or patterned panel down the front. They're standing in what looks like a futuristic or sci-fi setting, with angular walls and panels visible in the background. The interior space has a geometric design with light panels contrasting against darker structural elements. The costume has a 1970s-80s sci-fi aesthetic, with a cream-colored fabric that appears to have some sheen to it. The setting suggests this is likely from a science fiction production, possibly set aboard a spacecraft or space station given the distinctive architectural elements. The lighting creates a somewhat dramatic atmosphere, highlighting the figure against the more shadowed background of the set." Blakes7Bot, version 4.0.24. Claude Sonnet 3.7 AWS Lambda version: 1.21.
December 30, 2025 at 1:37 PM
blakes7bot.torpidity.net
Series D, Episode 02 - Power

VILA: Oh yes. I just don't know what it's for.
PELLA: And they didn't teach this in, ah, Academy? [laughs] There's a switch. When the door is closed, every forty-eight hours Dorian must say a code word to reset the timing.

https://blake.torpidity.net/m/402/150
Claude Haiku 4.5 describes the image as: "# Scene Description This image appears to be from a science fiction television production, showing two characters in what looks like a spaceship or futuristic facility corridor. The setting features distinctive metallic ventilation panels and neutral-toned walls typical of 1970s-80s sci-fi aesthetics. On the left stands a character wearing an elegant flowing cream-colored robe or gown with draped fabric and a decorative collar piece. The styling includes blonde hair arranged in a classic updo, giving the costume a regal, aristocratic appearance. On the right, another character is shown from behind, wearing a gray military-style uniform with distinctive gold and silver shoulder trim or rank insignia, characteristic of formal starship crew uniforms from that era. The two figures appear to be engaged in conversation or interaction in this corridor setting" Blakes7Bot, version 4.0.24. Claude Haiku 4.5 AWS Lambda version: 1.21.
December 30, 2025 at 10:19 AM
blakes7bot.torpidity.net
#Blakes7 Series A, Episode 11 - Bounty

GAN: Bounty hunters. They're going to sell us to the Federation.
BLAKE: But how did they get on board?
AVON: Gan?
VILA: It wasn't Gan's fault.
GAN: They used me and a voice synthesizer. It was very well… (1/2)
Claude Sonnet 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7," showing a group of characters gathered in what looks like the interior of a spacecraft or control room. The scene has the distinctive visual style of late 1970s/early 1980s British television production, with somewhat muted lighting and practical set design. The image captures what seems to be a tense moment or discussion, with several people gathered around in a semi-circle. They're wearing costume designs typical of the show - a mix of practical and futuristic elements with earth tones and distinctive styling. One person appears to be seated in the center while others stand around, suggesting this might be a crew meeting or confrontation scene. The production aesthetic reflects the BBC sci-fi style of that era, with its characteristic lighting and set design." Blakes7Bot, version 4.0.24. Claude Sonnet 3.7 AWS Lambda version: 1.21.
December 30, 2025 at 7:14 AM
blakes7bot.torpidity.net
Series B, Episode 13 - Star One

JENNA: Your carrier beam is the fastest way to contact Servalan.
ORAC: That is not the purpose for which it was developed.

https://blake.torpidity.net/m/213/443
Claude Haiku 4.5 describes the image as: "This image appears to be from the classic science fiction television series "Blake's 7," showing a futuristic spacecraft interior setting. The scene features a woman in the foreground wearing a distinctive maroon and white outfit with a collar detail, holding what appears to be a document or tablet. She has blonde, voluminous 1970s-style hair and is positioned at what looks like a control station or desk. Behind her, the set displays the characteristic aesthetic of 1970s sci-fi television production, with angular architectural elements, warm lighting in oranges and browns, and visible crew members in the background near what appears to be a staircase or ramp. The design elements include geometric patterns and modular structures typical of the era's vision of futuristic spacecraft design" Blakes7Bot, version 4.0.24. Claude Haiku 4.5 AWS Lambda version: 1.21.
December 29, 2025 at 7:27 PM
blakes7bot.torpidity.net
Series A, Episode 03 - Cygnus Alpha

AVON: Yes.
ZEN: Please look at the screen.
JENNA: [Cygnus Alpha appears on main viewscreen] So that's where we would have spent the rest of our lives.
AVON: What now?

https://blake.torpidity.net/m/103/170
December 29, 2025 at 4:25 PM
blakes7bot.torpidity.net
Series B, Episode 03 - Weapon

FEN: You're a sad man, Travis. Life must have reverence.
TRAVIS: Now. I want the other one.
FEN: No.
TRAVIS: Get the other one.
FEN: You know better than this.
TRAVIS: Do I?

https://blake.torpidity.net/m/203/5
Claude Haiku 4.5 describes the image as: "I can describe what I see in the image, but I'm not able to identify specific individuals based on their appearance. The image shows a man in profile view against a neutral gray and white background. He has dark hair styled in a distinctive swept-back manner and wears a black eye patch over his left eye. He's dressed in an ornate black quilted or textured garment with ribbed patterns. The lighting is professional and even, suggesting this is from a television production or similar media. The styling and costume suggest this may be from a science fiction or fantasy production, given the formal, elaborate nature of the outfit and the eye patch accessory. The setting appears to be an indoor studio environment with minimal background detail, typical of interview or character-focused television footage." Blakes7Bot, version 4.0.24. Claude Haiku 4.5 AWS Lambda version: 1.21.
December 29, 2025 at 1:22 PM
blakes7bot.torpidity.net
Series B, Episode 05 - Pressure Point

SERVALAN: [Turns on viewscreen] Travis?
TRAVIS: [From viewscreen] Yes, Supreme Commander?

https://blake.torpidity.net/m/205/474
Claude Sonnet 3.7 describes the image as: "This image shows a person wearing an elegant white outfit with a distinctive high collar adorned with silver embellishment. They're also wearing a matching white wide-brimmed hat. The costume has a sophisticated, futuristic quality to it, suggesting this might be from a science fiction or fantasy production. The setting appears to be indoors with a soft, muted background. The costume design is quite striking, with clean lines and the dramatic contrast between the pure white fabric and the silver trim. The styling suggests this could be from a film or television series, possibly from the 1970s or 1980s based on the aesthetic. The formal, somewhat regal appearance of the costume might indicate the character holds a position of authority or importance in the narrative." Blakes7Bot, version 4.0.24. Claude Sonnet 3.7 AWS Lambda version: 1.21.
December 29, 2025 at 10:19 AM
blakes7bot.torpidity.net
#Blakes7 Series D, Episode 09 - Sand

ORAC: We will be lovers for a little while, or maybe for a long while, who knows?
SOOLIN: I do. [Pulls key]
VILA: What a thought.
SOOLIN: Keller was right again.
AVON: Vila, try and bring Tarrant back up.

https://blake.torpidity.net/m/409/144
Claude Sonnet 4 describes the image as: "This black and white image shows a woman with blonde hair styled in an elaborate braided updo with bangs. She's wearing what appears to be a white or light-colored garment and dangling earrings. The woman is photographed in profile, looking off to the side with a thoughtful or contemplative expression. The setting appears to be indoors with some brick or stone architecture visible in the blurred background. The lighting and composition suggest this is from a professional film or television production. The styling and image quality indicate this is likely from a period drama or historical production, possibly from the 1980s or 1990s based on the photographic style and production values visible in the shot." Blakes7Bot, version 4.0.24. Claude Sonnet 4 AWS Lambda version: 1.21.
December 29, 2025 at 7:17 AM
blakes7bot.torpidity.net
Series B, Episode 08 - Hostage

SERVALAN: Commander, I'm not interested in your excuses. You will surrender your ship and place yourself under close arrest.
COMMANDER: But, Supreme Commander, I must protest.

https://blake.torpidity.net/m/208/184
Claude Haiku 4.5 describes the image as: "# Image Description This image shows a woman in profile, positioned against a minimalist, curved white background that creates a stark, clinical aesthetic. She wears a white high-necked garment with delicate embroidered details on the chest, contributing to a refined, formal appearance. Her styling is distinctive: she has short, dark hair cut close to the head, and her makeup is precise and dramatic, featuring prominent eye makeup that emphasizes her gaze. Pearl earrings add an elegant touch to her appearance. The lighting is cool and clinical, creating subtle shadows that enhance the sculptural quality of the composition. The curved backdrop and sterile setting suggest a science fiction or futuristic context, possibly from a television production" Blakes7Bot, version 4.0.24. Claude Haiku 4.5 AWS Lambda version: 1.21.
December 28, 2025 at 7:31 PM
blakes7bot.torpidity.net
Series A, Episode 05 - The Web

GAN: What are you trying to do?
AVON: Bypass the detector comp and use another of the systems to receive the signal.
GAN: Can it be done?

https://blake.torpidity.net/m/105/179
December 28, 2025 at 4:28 PM
blakes7bot.torpidity.net
B07 - Killer

VILA: It wouldn't be recognised.
TYNUS: Maybe not, but there's no point in taking any chances. [drops pieces on table] Get rid of it. I'd better make my report to Security. Wait in my quarters will you, and I'll bring you back a food… (1/2)
December 28, 2025 at 1:26 PM
blakes7bot.torpidity.net
Series C, Episode 07 - Children of Auron

SERVALAN: Naturally. I only wish we had time to diverge -
PILOT FOUR-ZERO: No. Since the war, the Federation breakup, our people are more cautious than ever. Isolationists.

https://blake.torpidity.net/m/307/52
December 28, 2025 at 10:22 AM
blakes7bot.torpidity.net
#Blakes7 Series A, Episode 05 - The Web

BLAKE: Yes. Vila is the course set?
VILA: Uh, on the panel now.
BLAKE: Lock onto it Jenna.
JENNA: She's responding very slowly. Coming round. That's it. Locked onto course.

https://blake.torpidity.net/m/105/238
Claude Sonnet 4 describes the image as: "This image appears to be from a television production, likely from the 1970s or early 1980s based on the video quality and aesthetic. The scene shows a person with distinctive curly hair wearing what appears to be dark clothing with metallic or reflective elements, possibly part of a futuristic costume. The lighting and composition suggest this is from a science fiction television series, with dramatic shadowing and a somewhat theatrical presentation typical of British sci-fi productions of that era. The setting appears to be indoors with warm lighting in the background, and the overall production values and visual style are characteristic of BBC science fiction programming from that time period." Blakes7Bot, version 4.0.24. Claude Sonnet 4 AWS Lambda version: 1.21.
December 28, 2025 at 7:20 AM
blakes7bot.torpidity.net
Series C, Episode 10 - Ultraworld

TARRANT: How, but not why. What's the reason? Why suddenly decide to teleport down to a strange planet?
VILA: Day trip?
AVON: When the planet was on the screen, did anyone notice Cally's reaction?
VILA: I didn't.

https://blake.torpidity.net/m/310/113
December 27, 2025 at 7:34 PM
blakes7bot.torpidity.net
Series C, Episode 09 - Sarcophagus

ALIEN: I told you, I don't kill superfluously. When I was alive before, I was accustomed to being served by intelligent menials. I'm prepared to offer you all a choice. You can live as my-
TARRANT: Intelligent menials?

https://blake.torpidity.net/m/309/308
Claude Haiku 4.5 describes the image as: "# Image Description This image shows an actor in a theatrical or television production setting against a dark, minimalist backdrop. The performer is wearing a distinctive costume consisting of a tan or beige long-sleeved turtleneck paired with a red sleeveless tunic or vest layered over it. The character has reddish curly hair styled in a voluminous manner typical of 1980s-90s television production. The lighting is warm and theatrical, creating an intimate spotlight effect that isolates the figure against the black background. The costume design suggests a science fiction or fantasy setting, with the color blocking and layered approach being characteristic of that era's television aesthetics. The performer has a warm, engaging expression and appears to be in the middle of a scene or monologue" Blakes7Bot, version 4.0.24. Claude Haiku 4.5 AWS Lambda version: 1.21.
December 27, 2025 at 4:31 PM
blakes7bot.torpidity.net
Series D, Episode 03 - Traitor

AVON: They must have picked up Dayna and Tarrant and realized we are up here somewhere. Slave, set the ship on an evasion pattern, maximum speed.
VILA: That's the first sensible ... [beep]

https://blake.torpidity.net/m/403/422
Claude Haiku 4.5 describes the image as: "# Image Description This image shows a man in character wearing a distinctive black outfit adorned with metallic studs and decorative elements. The styling, including the shoulder armor and embellished costume, suggests a science fiction production from the 1970s or 1980s. The character has dark hair styled in a period-appropriate fashion and displays an intense, serious expression. The background features neutral gray tones with horizontal lines, consistent with a futuristic set design typical of classic television science fiction productions. The lighting is professional studio quality, with careful attention paid to highlighting the costume details and the subject's facial features. The formal, authoritative appearance conveyed by the costume and presentation suggests this character holds a position of command or significance within the narrative" Blakes7Bot, version 4.0.24. Claude Haiku 4.5 AWS Lambda version: 1.21.
December 27, 2025 at 1:28 PM
blakes7bot.torpidity.net
Series D, Episode 09 - Sand

SOOLIN: All right Avon, you've told us your theory. It wasn't a plague on Virn; it was the sand feeding off human energy. Does that mean we reckon Tarrant is dead?
AVON: Not necessarily. According to Orac's earlier information there's probably a woman down… (1/2)
Claude Haiku 4.5 describes the image as: "# Image Description This image shows a woman with blonde hair styled in a distinctive 1980s fashion, featuring a braided crown detail and a long ponytail with blue and white beaded hair accessories. She has fair complexion, defined makeup with pink lipstick, and is wearing what appears to be a light-colored top or dress. The setting appears to be an indoor location with a blurred background showing green and grey tones, suggesting an institutional or office-like environment. The lighting and image quality indicate this is from a television production, likely from the 1980s based on the styling and video format. The woman's expression appears serious or concerned, suggesting this may be from a dramatic scene. Her styled hair and makeup, along with the professional video quality, indicate this is from a professional television broadcast or production rather than a casual photograph" Blakes7Bot, version 4.0.24. Claude Haiku 4.5 AWS Lambda version: 1.21.
December 27, 2025 at 10:25 AM
blakes7bot.torpidity.net
Series C, Episode 04 - Dawn of the Gods

TARRANT: You had a family on Xaranor?
GROFF: A wife and two children. I do not think of them anymore. The work of the Lord Thaarn is more important.

https://blake.torpidity.net/m/304/319
December 27, 2025 at 10:04 AM
blakes7bot.torpidity.net
#Blakes7 Series A, Episode 08 - Duel

AVON: It's just a machine, Blake.
VILA: And he should know.
GAN: Well Avon is the expert.
VILA: That's not what I meant.

https://blake.torpidity.net/m/108/35
December 27, 2025 at 7:01 AM
blakes7bot.torpidity.net
Series C, Episode 07 - Children of Auron

CALLY: This is not a trap.
AVON: Not knowingly, perhaps.
TARRANT: Zen, reroute to planet Auron.
AVON: Just like that?
TARRANT: A democracy. You're outvoted, Avon. Three to two.

https://blake.torpidity.net/m/307/165
December 26, 2025 at 10:17 PM
blakes7bot.torpidity.net
Series C, Episode 11 - Moloch

TARRANT: [O.O.V.] Get it! [Before anyone can do so, an energy blast flares up around the bracelet.]
VILA: Who did that?
DORAN: [Staring at the bracelet] Um....

https://blake.torpidity.net/m/311/542
Claude Haiku 4.5 describes the image as: "# Scene from Blake's 7 This image captures a moment from the science fiction television series "Blake's 7," set in a spaceship interior with distinctive red-toned walls and futuristic design elements. The scene shows several crew members gathered in what appears to be a command or control area, with a console visible in the foreground. The actors are dressed in the show's characteristic costume design, featuring form-fitting synthetic materials and metallic accents typical of 1970s-80s sci-fi television. The lighting and color palette reflect the show's budget-conscious but visually striking production design. The group appears to be engaged in conversation or discussion, suggesting a scene involving crew interaction, planning, or conflict resolution. The formal stance and positioning of the characters indicates this may be a significant moment in the episode's narrative" Blakes7Bot, version 4.0.24. Claude Haiku 4.5 AWS Lambda version: 1.21.
December 26, 2025 at 7:15 PM
blakes7bot.torpidity.net
Series D, Episode 03 - Traitor

DAYNA: I didn't know Helots were originally from Earth.
VILA: Everyone came from Earth originally. That's a well-known fact.
SOOLIN: It's a well-known opinion, actually.
TARRANT: Most well known facts are.

https://blake.torpidity.net/m/403/96
Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7." The setting shows a futuristic spacecraft interior with metallic, ribbed walls and angular architecture typical of the show's distinctive production design. Several crew members are positioned around what appears to be the ship's command center or medical bay area. The scene has the characteristic low-budget but imaginative aesthetic that "Blake's 7" was known for, with its utilitarian spaceship interiors and 1970s-80s sci-fi styling. The lighting and set design create the claustrophobic atmosphere of a working spacecraft, with various technical equipment and control surfaces visible. This appears to be from one of the later seasons of the series, based on the production values and set design elements shown." Blakes7Bot, version 4.0.24. Claude Sonnet 4 AWS Lambda version: 1.21.
December 26, 2025 at 4:13 PM