brian droitcour
bdroit.bsky.social
brian droitcour
@bdroit.bsky.social
art critic
while reading the checklist at a gallery group show i saw (b. 2000) and had to sit down
March 7, 2025 at 10:18 PM
laura owens makes work at the intersection of isabella stewart gardner museum and photoshop
March 4, 2025 at 1:55 PM
do i really have to post about the same thing i wrote on instagram, twitter, AND bluesky ?
January 10, 2025 at 1:51 PM
when museum guards tell me to wear my backpack on the front, i want to tell them i can safely keep it on my back because as a gay person i have enhanced spatial awareness
December 30, 2024 at 7:15 PM
of all the exhibitions about art and technology i've seen, "The Living End: Painting and Other Technologies, 1970-2020" is my favorite. I reviewed it for my newsletter: www.patreon.com/posts/heres-...
December 30, 2024 at 4:41 PM
as part of Frieze's year-in-review coverage I wrote about how museums presented the relationship between art and AI in 2024: www.frieze.com/article/year...
The Year in Review: Museums Are Leaving AI Hype Behind
This year, arts institutions jettisoned dead-end questions about art made with artificial intelligence – and instead asked viewers to learn how it works
www.frieze.com
December 13, 2024 at 1:54 PM
Reposted by brian droitcour
My piece highlighting Gen AI “myths” in terms of how we talk about the technology, and what purpose those myths serve, is my self-serving contribution (looking to post a bunch from other folks today too). www.techpolicy.press/challenging-...
Challenging The Myths of Generative AI | TechPolicy.Press
Eryk Salvaggio says we must dispense with myths if we are to think more clearly about what AI actually is and does.
www.techpolicy.press
December 4, 2024 at 12:26 PM
it’s a bummer that the art world won’t engage in any conversations that aren’t about “identity.” the backlash to dean kissick’s essay just proves his point
December 4, 2024 at 6:04 PM
yesterday I sent out a newsletter with the third edition of my recommendations of art to look at and things to read. the first two were for subscribers only but i liked how this came out, so i decided to make it public: tinyurl.com/a7hksm95
December 4, 2024 at 1:41 AM
i’m organizing a reading group to discuss Anna Kornbluh’s Immediacy, meeting both in New York and online. get in touch if you want to join! www.patreon.com/posts/rough-...
November 27, 2024 at 4:46 PM
Reposted by brian droitcour
"For people with the ability and willingness to work on network problems, the real choice isn't between staying on the wasteland surfaces of the internet and going underground, but between making safer and better places for human sociability and not doing that."
against the dark forest
The complex of ideas I’m going to call the Dark Internet Forest emerges from mostly insidery tech thinking, but from multiple directions.
www.wrecka.ge
November 23, 2024 at 3:52 AM
Reposted by brian droitcour
This isn’t an echo chamber for me. I disagree with you all in some way.
November 22, 2024 at 9:44 PM
last week i went on a press trip to China to see Beeple’s first museum show. i wrote about it for my newsletter tinyurl.com/4whxtm2c
November 22, 2024 at 6:16 PM
Reposted by brian droitcour
I thought this was really interesting and at certain moments parallels some of the tensions in Dean's Harper's essay and its reception: www.newyorker.com/culture/open...
Why Do We Talk This Way?
Technology is dramatically changing political speech, rewarding quantity and variety over the neat messages of the past.
www.newyorker.com
November 21, 2024 at 8:52 AM
i should probably use a normal profile pic instead of the twitter egg, which i thought was hilarious in june 2023. i still think it’s kinda funny though
November 21, 2024 at 4:04 AM
using Selfie to summon followers
November 21, 2024 at 3:18 AM
last month for my newsletter i wrote a review of the gwangju biennale that praised its orientation toward the future, which makes it stand out among biennials that rummage through the past. www.patreon.com/posts/what-i...
November 20, 2024 at 2:09 AM
i read dean kissick’s harper piece.. i feel like the way the magazine frames it overemphasizes his critique of identity art (which is tired) and undersells his critique of the institutional mainstream’s obsession with historical work (which is something that needs to be critiqued)
November 19, 2024 at 7:13 AM
i need to travel less
November 19, 2024 at 7:04 AM
maybe trump’s victory and the subsequent crypto bull market will mean my expertise in NFT art will be valuable and I can make money again
November 19, 2024 at 4:49 AM
not sure i want to know what “pork floss” is but i like eating it
November 18, 2024 at 2:38 AM
hello new followers, i look forward to disappointing you
November 16, 2024 at 2:17 AM