Trinkermedia
@trinkermedia.bsky.social
Web Scientist focused on decolonisation in cultural heritage.
Senior Researcher for Towards a National Collection (AHRC).
💬 Views and perspectives are my own
Senior Researcher for Towards a National Collection (AHRC).
💬 Views and perspectives are my own
Today we are working from Dundee.
May 14, 2025 at 3:49 PM
Today we are working from Dundee.
We are plowing through our consultation phase in London for this week.
Going through secret passages and ebbing the sun.
Going through secret passages and ebbing the sun.
April 29, 2025 at 9:24 AM
We are plowing through our consultation phase in London for this week.
Going through secret passages and ebbing the sun.
Going through secret passages and ebbing the sun.
Patricia Diaz is pushing for novel regulations for the remuneration of authors, producers and artists in digital platforms.
Mandatory remuneration should be on top of new regulations so they don't get trumped by them.
#TaNC #TowardsANationalCollection #Copyright
Mandatory remuneration should be on top of new regulations so they don't get trumped by them.
#TaNC #TowardsANationalCollection #Copyright
March 26, 2025 at 4:25 PM
Patricia Diaz is pushing for novel regulations for the remuneration of authors, producers and artists in digital platforms.
Mandatory remuneration should be on top of new regulations so they don't get trumped by them.
#TaNC #TowardsANationalCollection #Copyright
Mandatory remuneration should be on top of new regulations so they don't get trumped by them.
#TaNC #TowardsANationalCollection #Copyright
Patricia Diaz showcases that many of the copyright & IP discussions have been happening for over 30 years, and these cascade to digital practices. Many of these risks can cause projects to fail before they even start, especially for AI.
#TowardsANationalColleciton #ContextosDelSur #DatySoc #AI
#TowardsANationalColleciton #ContextosDelSur #DatySoc #AI
March 26, 2025 at 4:17 PM
Patricia Diaz showcases that many of the copyright & IP discussions have been happening for over 30 years, and these cascade to digital practices. Many of these risks can cause projects to fail before they even start, especially for AI.
#TowardsANationalColleciton #ContextosDelSur #DatySoc #AI
#TowardsANationalColleciton #ContextosDelSur #DatySoc #AI
Patricia Diaz presented a map of diverse licensing and regulations for datasets:
flexibilidades.datysoc.org/mapa
#ContextosDelSur #TowardsANationalCollection #GLAM #Copyright #Libraries
flexibilidades.datysoc.org/mapa
#ContextosDelSur #TowardsANationalCollection #GLAM #Copyright #Libraries
March 26, 2025 at 4:13 PM
Patricia Diaz presented a map of diverse licensing and regulations for datasets:
flexibilidades.datysoc.org/mapa
#ContextosDelSur #TowardsANationalCollection #GLAM #Copyright #Libraries
flexibilidades.datysoc.org/mapa
#ContextosDelSur #TowardsANationalCollection #GLAM #Copyright #Libraries
Patricia Diaz, explains the complexity of legality and licensing of specific media types in digital collections across the diverse countries in Latin America. They break down individual copyright laws, and help evaluate the monetary investments of evaluation and digitisation behind repos.
March 26, 2025 at 4:08 PM
Patricia Diaz, explains the complexity of legality and licensing of specific media types in digital collections across the diverse countries in Latin America. They break down individual copyright laws, and help evaluate the monetary investments of evaluation and digitisation behind repos.
International GLAMLabs shares a checklist to identify how to generate #CollectionsAsData.
March 26, 2025 at 3:57 PM
International GLAMLabs shares a checklist to identify how to generate #CollectionsAsData.
Gustavo candela indcates that for Collections as Data, FAIR and CARE principles are at the core of its principles and it applies for a wide range of multimodal items in digital collecitons.
#TowardsANationalColleciton #GLAMLabs #CollectionsAsData
#TowardsANationalColleciton #GLAMLabs #CollectionsAsData
March 26, 2025 at 3:56 PM
Gustavo candela indcates that for Collections as Data, FAIR and CARE principles are at the core of its principles and it applies for a wide range of multimodal items in digital collecitons.
#TowardsANationalColleciton #GLAMLabs #CollectionsAsData
#TowardsANationalColleciton #GLAMLabs #CollectionsAsData
Gustavo Candela, is now sharing with us the diverse ways of interacting with GLAMLabs either online or physically. It showed us the role of thes labs in deployment of the diverse workflows for the sector.
#TowardsANationalColleciton #ContextosDelSur #GLAMLabs
#TowardsANationalColleciton #ContextosDelSur #GLAMLabs
March 26, 2025 at 3:50 PM
Gustavo Candela, is now sharing with us the diverse ways of interacting with GLAMLabs either online or physically. It showed us the role of thes labs in deployment of the diverse workflows for the sector.
#TowardsANationalColleciton #ContextosDelSur #GLAMLabs
#TowardsANationalColleciton #ContextosDelSur #GLAMLabs
Alberto Pacheco from Mexicana Repositorio showcased how their approaches have enabled the production of 11 repositories from diverse institutions, totalling almost 300,000 new records.
#ContextosDelSur #TaNC #TowardsANationalCollection #Mexico #DigitalCollections
#ContextosDelSur #TaNC #TowardsANationalCollection #Mexico #DigitalCollections
March 26, 2025 at 3:43 PM
Alberto Pacheco from Mexicana Repositorio showcased how their approaches have enabled the production of 11 repositories from diverse institutions, totalling almost 300,000 new records.
#ContextosDelSur #TaNC #TowardsANationalCollection #Mexico #DigitalCollections
#ContextosDelSur #TaNC #TowardsANationalCollection #Mexico #DigitalCollections
Alberto Pacheco from the Mexican Secretary of Culture, shares with us that all catalogues and data from government digital collections are by default Open Data.
We will share this webinar in english later in the TaNC Youtube Channel.
#Mexico #DigitalCollections
We will share this webinar in english later in the TaNC Youtube Channel.
#Mexico #DigitalCollections
March 26, 2025 at 3:33 PM
Alberto Pacheco from the Mexican Secretary of Culture, shares with us that all catalogues and data from government digital collections are by default Open Data.
We will share this webinar in english later in the TaNC Youtube Channel.
#Mexico #DigitalCollections
We will share this webinar in english later in the TaNC Youtube Channel.
#Mexico #DigitalCollections
Los invitamos a un webinar para conversar sobre infraestructuras de patrimonio cultural y soberania digita.
*Contextos del Sur* un Webinar de Towards a National Collection.
Miercoles 26 de Marzo, 3:00PM UK, 9:00 AM Mx
Registrate aqui:
www.eventbrite.co.uk/e/towards-a-...
*Contextos del Sur* un Webinar de Towards a National Collection.
Miercoles 26 de Marzo, 3:00PM UK, 9:00 AM Mx
Registrate aqui:
www.eventbrite.co.uk/e/towards-a-...
March 17, 2025 at 6:37 PM
Los invitamos a un webinar para conversar sobre infraestructuras de patrimonio cultural y soberania digita.
*Contextos del Sur* un Webinar de Towards a National Collection.
Miercoles 26 de Marzo, 3:00PM UK, 9:00 AM Mx
Registrate aqui:
www.eventbrite.co.uk/e/towards-a-...
*Contextos del Sur* un Webinar de Towards a National Collection.
Miercoles 26 de Marzo, 3:00PM UK, 9:00 AM Mx
Registrate aqui:
www.eventbrite.co.uk/e/towards-a-...
🚀 Online Cultural Heritage as a Social Machine
How do digital infrastructures shape cultural heritage? Our latest article explores how online cultural heritage functions as a dynamic ecosystem, shaped by technology, institutions, and human decisions.
#DigitalHeritage #SocialMachines
How do digital infrastructures shape cultural heritage? Our latest article explores how online cultural heritage functions as a dynamic ecosystem, shaped by technology, institutions, and human decisions.
#DigitalHeritage #SocialMachines
March 14, 2025 at 3:41 PM
🚀 Online Cultural Heritage as a Social Machine
How do digital infrastructures shape cultural heritage? Our latest article explores how online cultural heritage functions as a dynamic ecosystem, shaped by technology, institutions, and human decisions.
#DigitalHeritage #SocialMachines
How do digital infrastructures shape cultural heritage? Our latest article explores how online cultural heritage functions as a dynamic ecosystem, shaped by technology, institutions, and human decisions.
#DigitalHeritage #SocialMachines
Did some experiments using #Arduino potentiometer through #Socket.io to manipulate #Sketchfab models on the Web.
#NodeJS
#NodeJS
March 7, 2025 at 8:38 PM
Did some experiments using #Arduino potentiometer through #Socket.io to manipulate #Sketchfab models on the Web.
#NodeJS
#NodeJS
My non-Historic house.
March 2, 2025 at 7:04 AM
My non-Historic house.
We just begun the BIAZA Online Symposium.
@nicolakoyama.bsky.social Nicola Koyama, opening the space with an introduction of Knowledge Production and systemic structures in the Humanities, and the Sciences.
@ljmuimpact.bsky.social
@nicolakoyama.bsky.social Nicola Koyama, opening the space with an introduction of Knowledge Production and systemic structures in the Humanities, and the Sciences.
@ljmuimpact.bsky.social
February 28, 2025 at 10:09 AM
We just begun the BIAZA Online Symposium.
@nicolakoyama.bsky.social Nicola Koyama, opening the space with an introduction of Knowledge Production and systemic structures in the Humanities, and the Sciences.
@ljmuimpact.bsky.social
@nicolakoyama.bsky.social Nicola Koyama, opening the space with an introduction of Knowledge Production and systemic structures in the Humanities, and the Sciences.
@ljmuimpact.bsky.social
NEXT PROJECT: Visitor/ User experience for guide dogs!
Tangible interfaces will be key for this!
#AnimalUserInterfaces
‐-----------------
Art is for all people! #DidYouDidThat the #Munal inclusion program offers guided tours and workshops that seek to bring art closer to people with disabilities.
Tangible interfaces will be key for this!
#AnimalUserInterfaces
‐-----------------
Art is for all people! #DidYouDidThat the #Munal inclusion program offers guided tours and workshops that seek to bring art closer to people with disabilities.
February 27, 2025 at 8:53 AM
NEXT PROJECT: Visitor/ User experience for guide dogs!
Tangible interfaces will be key for this!
#AnimalUserInterfaces
‐-----------------
Art is for all people! #DidYouDidThat the #Munal inclusion program offers guided tours and workshops that seek to bring art closer to people with disabilities.
Tangible interfaces will be key for this!
#AnimalUserInterfaces
‐-----------------
Art is for all people! #DidYouDidThat the #Munal inclusion program offers guided tours and workshops that seek to bring art closer to people with disabilities.
My android is ready for London!
February 26, 2025 at 9:11 AM
My android is ready for London!
Troy Quarry, Lancs.
February 24, 2025 at 2:45 AM
Troy Quarry, Lancs.
Back when I was teaching Research Methods for second-year students, I embedded #Wikidata Query Service in #CanvasVLE module. This helped contextualise the knowledge behind #Wikipedia and #Wikimedia and demystify Wikidata, as well as its role in academic research.
February 20, 2025 at 12:15 PM
Back when I was teaching Research Methods for second-year students, I embedded #Wikidata Query Service in #CanvasVLE module. This helped contextualise the knowledge behind #Wikipedia and #Wikimedia and demystify Wikidata, as well as its role in academic research.
If #digitisation doesn't take place, knowledge remains invisible.
[3] Who's investing in preserving the #culture of what they hold? Who is leading, and who is falling behind?
Corona, L., 2022. Digitization for the visibility of collections. Collection and Curation, 42(3), pp.73-80.
[3] Who's investing in preserving the #culture of what they hold? Who is leading, and who is falling behind?
Corona, L., 2022. Digitization for the visibility of collections. Collection and Curation, 42(3), pp.73-80.
February 17, 2025 at 10:08 AM
If #digitisation doesn't take place, knowledge remains invisible.
[3] Who's investing in preserving the #culture of what they hold? Who is leading, and who is falling behind?
Corona, L., 2022. Digitization for the visibility of collections. Collection and Curation, 42(3), pp.73-80.
[3] Who's investing in preserving the #culture of what they hold? Who is leading, and who is falling behind?
Corona, L., 2022. Digitization for the visibility of collections. Collection and Curation, 42(3), pp.73-80.
[2] Europeana is not far behind, where the vast majority of institutions (97%) share less than 100,00 records.
[As in 14 February, 2025]
[As in 14 February, 2025]
February 17, 2025 at 10:08 AM
[2] Europeana is not far behind, where the vast majority of institutions (97%) share less than 100,00 records.
[As in 14 February, 2025]
[As in 14 February, 2025]
Here is a small set of visualisation images showcasing the digital state of collections.
[1] In the UK, over 50% of #digitalCollections accessible on the Web belong only to six institutions.
Gosling, K., McKenna, G., & Cooper, A. (2022). Digital Collections Audit. Zenodo. doi.org/10.5281/zeno...
[1] In the UK, over 50% of #digitalCollections accessible on the Web belong only to six institutions.
Gosling, K., McKenna, G., & Cooper, A. (2022). Digital Collections Audit. Zenodo. doi.org/10.5281/zeno...
February 17, 2025 at 10:08 AM
Here is a small set of visualisation images showcasing the digital state of collections.
[1] In the UK, over 50% of #digitalCollections accessible on the Web belong only to six institutions.
Gosling, K., McKenna, G., & Cooper, A. (2022). Digital Collections Audit. Zenodo. doi.org/10.5281/zeno...
[1] In the UK, over 50% of #digitalCollections accessible on the Web belong only to six institutions.
Gosling, K., McKenna, G., & Cooper, A. (2022). Digital Collections Audit. Zenodo. doi.org/10.5281/zeno...
