Karl just has top energy idk idk also hiiii it has been a hot minute since i've talked to you asdkfjasldjf thank u for reactivating my triumvirate shipper sleeper cell programming

i'm an expert with years of research (read: reading) under my belt, and i would like to posit that one of the few times AOS Bones has been a truly hand-to-god believable bottom was in TheGuyFromUncle's masterpiece "Knocking Boots", so you're onto something forreal forreal

but i think our modern audience and the people writing for that audience have vastly misunderstood the point of hopeful sci-fi for the most part. do we love the drama? yes. do we deserve a better quality of sociopolitical commentary in our narratives? yes!!!

holy shit also pls do not take me for a weirdo conservative, i am placing all my hope in Starfleet Academy ok like i know we need this shift back into progressive storytelling and what better way than through an educational narrative

My question is: how do we bully paramount into NOT DOING WHAT IT CONTINUES TO DO. We're sick of garbage.

I'm not actually struggling to understand, I'm paying attention to the credits.

And I don't even *like* TOS! ...but it was the blueprint... tbh my Trek Ethos was nurtured and cultivated by DS9 and Lower Decks and Disco, so maybe I'm just built different (????), but I'm truly struggling to understand why they are having such a hard time making something meaningful.

Episode 9 was *close* to a return to form, but this show has no idea what it is or what it should be. Bring back the Disco team, they understood the assignment even if they were clunky about it at times! Connection! Compassion! Collaboration!!!

Today I finally learned where tf Sausalito is. Thank 😂

how dare they imply that Starfleet (ONE WORD NOT TWO) has its headquarters in San Francisco because in the 21st century it was the capital of AI

Starfleet has its headquarters in San Francisco because space is gay

everybody knows that

Patton was delightful tho