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susanrojas.bsky.social
susan rojas
@susanrojas.bsky.social
740 followers 710 following 110 posts
Independent scholar exploring affective ecologies and transitional thresholds in early modern drama (she/her)

MA English / FGCU • Co-editor / Kritikon Litterarum • Certificate in Editing / University of Chicago
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Reposted by susan rojas
zugenia.bsky.social
My point is that a refusal to reconsider or apologize when people make a compelling case that you erred isn’t a feature of a culture of free speech.

It’s a feature of authoritarianism—a culture that expects people to stay silent and compliant even when they know they’re being lied to.
June 20, 2025 at 6:47 PM
Reposted by susan rojas
astrokatie.com
Chatbots — LLMs — do not know facts and are not designed to be able to accurately answer factual questions. They are designed to find and mimic patterns of words, probabilistically. When they’re “right” it’s because correct things are often written down, so those patterns are frequent. That’s all.
June 19, 2025 at 11:21 AM
Reposted by susan rojas
naominar.bsky.social
I’m co-organising a medieval conference next year in Oxford! Please take a look at the CfP and consider submitting an abstract, by the 15th of September, to bordersboundariesbarriers@gmail.com. We hope to be able to provide funding to help cover expenses of attendance.
#medievalsky #skystorians
Borders, Boundaries, and Barriers have become increasingly prominent themes in historical scholarship. There is, therefore, a pressing need to examine how these constructs have shaped the lived experiences of historically marginalised groups, as well as how they were perceived, defined, and engaged with by those groups. This conference seeks to reorient discussions around borders, boundaries, and barriers by foregrounding the experiences and perspectives of marginalised groups and considering how these divisions were perceived from the peripheries of societies. Rather than treating these concepts as abstract or solely geopolitical, we will explore the ways in which they have operated — both historically and historiographically — as tools of exclusion and differentiation. Organised by Natasha Jenman (University of Oxford), Naomi Reiter (QMUL), and Dean A. Irwin (University of Lincoln/OCHJS), the conference will focus on individuals, religious groups, social groups, societal constructions, and natural phenomena. Participants are invited to explore the role played by evolving borders, boundaries, and barriers in the medieval world as part of group identities; and how groups used them to their advantage. Likewise, it will consider the extent to which borders, boundaries and barriers have been imposed upon the medieval world by modern scholars. Possible topics for consideration include: • Legal jurisdictions • The natural and the supernatural worlds • Socio-economic strata • Ritual and religion • Space, time, and the environment • Gender and sexuality • Disability • Transgression, delinquency, and the grey middle space This conference adopts a broad chronological and geographical approach with submissions from all historically-related disciplines being welcome. The conference will take place on 20 and 21 April 2026 in Oxford. To submit, please send a title, abstract (c. 250 words), and a bio (c. 100 words) to: bordersboundariesbarriers@gmail.com.
June 20, 2025 at 1:49 AM
Reposted by susan rojas
greenleejw.bsky.social
It's Friday! What a great day to remind you that I draw maps for a living. It's the thing that supports all the eel facts! I mostly draw maps for books, but I can do all sorts. Here's a few examples.

If you need a map, you can check out my website for costs, reviews, etc.
surprisedeelmaps.com
Colored map of the Kingdom of Kongo and surrounding kingdoms c. 1550. The map shows the Atlantic coast of Africa, and a series of rivers. The biggest river is the Congo. The map centers around Kongo, which is done in yellow. South of Kongo are colors suggesting political units labeled Dembos, Matamba, Ndongo, Kisama, and Benguela. To the north, across the Congo River, Ngayo, Kakongo, Vungu, Loango, and Makoko. The borders are somewhat fuzzy to indicated that they are not fixed in the way we tend to think of political borders. A grayscale map of the US southwest, centered on the Four Corers region. The map shows the local river networks feeding in the San Juan and Colorado rivers, and shows the pueblo communities of the area. Sand Canyon Pueblo, Mesa Verde, and Chaco Canyon are labeled, but there are a number of dots scattered across the map indicating other pueblo dwellings. A key notes the markings for "great houses and cliff dwellings", "causway" and "modern state borders." An inset map shows a fake 3-d perpective of closeup of Chaco Canyon, indicating the settlements within the canyon. A colored map of England, broken up by early modern judicial borders. The label at the top of the map reads: "Number of S.21 Orders Granted in Each Circuit in 1881 as a Percentage of Wives Recorded as ‘Married with Spouse Absent’ in the 1881 Census" and has a set of 8 boxed below it with with different colors to indicate different percentages. The judicial regions on the map are colored to match the boxes. A grayscale of of the part of Urubamba river in the area around Machu Pichu. The main part of the map shows a stretch of river that runs south to north up the page, going past several villages, indigenous sites, and other locations, including the Machu Pichu Power Generating Station. In the upper left is a small map of Peru with a box around the area where the river flows. And arrow points from there to a full map of of the river's course, which is still small. There is a box around the section of river shown in the main main, and an arrow points from that towards the main map. On the lower left side of the map is an inset map showing the elevation change of the part of the river shown on the map.
June 20, 2025 at 7:16 PM
Reposted by susan rojas
medrenliza.bsky.social
If you like seeing someone get salty about textual editors actively erasing asexual and aromantic possibility from early modern texts (I have receipts), have I got the video for you!

#asexuality #aromanticism #alloediting
nvshakespeare.bsky.social New Variorum Shakespeare @nvshakespeare.bsky.social · Mar 6
You can now watch the recording of our first New Variorum Shakespeare Seminar of the semester, given by Prof. Liza Blake (Toronto) @medrenliza.bsky.social under the title ‘Queer(er) Editing’, here:

newvariorumshakespeare.org/news/
March 6, 2025 at 4:11 PM
Reposted by susan rojas
gettymuseum.bsky.social
“My recipe for life is not being afraid of myself, afraid of what I think or of my opinions.”—Eartha Kitt

For #WomensHistoryMonth, we celebrate Eartha Kitt, an international star, dancer, singer, actress, performer, cabaret artist, and published author.
A black-and-white square photograph. Eartha Kitt is center of frame with a fluffy dark colored puppy on her left shoulder. The dog looks directly into the camera with big puppy eyes. Eartha holds up both hands up to cradle the dog on her chest. She wears a light colored elbow length shirt. She is looking down and to the left towards the dog; her eyeliner and lipstick-lined mouth, slightly parted to show teeth, are visible. Her hair is worn short and styled neatly with volume. A black-and-white photograph of Eartha Kitt sitting on a diving board above a pool.She holds a copy of the book “Pagan Spain” by Richard Wright. On the board below her is a keychain with a single key. She wears a solid colored long sleeve shirt and short swim bottoms with her legs and feet showing.
March 23, 2025 at 7:54 PM
Reposted by susan rojas
drewdaniel.bsky.social
So glad I decided to go hard and attend the first day of the Early Modern Trans Studies conference today *after* the RSA / SAA twofer! It was a joy to see so many terrific papers and hang w the (rapidly expanding) premodern trans studies crew - and to taste the @badinfinity2.bsky.social book cake 🎂
March 23, 2025 at 9:33 PM
Reposted by susan rojas
kathrynvsantos.bsky.social
I don’t have many photos from #Shax2025, but this one of us walking through the mall where we all lived and learned for several days on sums it up quite nicely. Thanks, as ever, to my friends and colleagues for being in community and sharing knowledge this weekend. 1/2
A group of five people walking through the corridor of a shopping mall.
March 23, 2025 at 6:35 PM
Reposted by susan rojas
drpastonsrus.bsky.social
Boston: City of Knowledge? As if #RSA2025, #shax2025 and #MAA2025 hadn’t been enough, we now have the PrEmoTrans symposium. Great to see such a huge turnout and many familiar faces from the RSA, etc.
March 23, 2025 at 4:44 PM
Reposted by susan rojas
dannied.bsky.social
April Fools Day is canceled indefinitely because there’s nothing more foolish than our current reality.
March 23, 2025 at 4:14 PM
Reposted by susan rojas
albumism.com
Happy Birthday Chaka Khan! Explore her musical legacy (including audio & video highlights) here:
Happy Birthday to Chaka Khan, Born March 23, 1953
Please join the Albumism team in celebrating Chaka Khan’s musical legacy and share your personal memories of her with us.
album.ink
March 23, 2025 at 11:30 AM
susanrojas.bsky.social
Popping in to share the excellent books I gathered at SAA/RSA. On order is Trans Historical: Gender Plurality Before the Modern (Greta LaFleur, Masha Raskolnikov and Anna Klosowska, eds)
March 22, 2025 at 3:24 PM
Reposted by susan rojas
royalstudies.bsky.social
There’s just one month until the deadline for this Call for Papers! Submit your abstract for "Reconsidering Courtly Environments, c.1200-1800" by March 15. Further information is available in the attached document 📝

@courtstudies.bsky.social
February 15, 2025 at 7:00 PM
Reposted by susan rojas
claireturner.bsky.social
A very long shot, but does anyone know of any historians working on or who have worked on the history of cancer? It's a very small field but there must be some people out there!
February 14, 2025 at 11:18 AM
Reposted by susan rojas
theatreweekly.com
London Theatre Company have today released production photos of Richard II, starring Jonathan Bailey and directed by Nicholas Hytner, this fresh take on Shakespeare’s subtle, caustic and powerful play is currently playing the Bridge Theatre
First Look: Richard II at Bridge Theatre
London Theatre Company have today released production photos of Richard II, starring Jonathan Bailey and directed by Nicholas Hytner, this fresh take on Shakespeare’s subtle, caustic and powerful play is currently playing the Bridge Theatre
theatreweekly.com
February 14, 2025 at 1:00 PM
Reposted by susan rojas
csmc-hamburg.bsky.social
This April: ‘Shifting Scripts’, a multifaceted event with panel discussions and workshops we organise together with @mkghamburg.bsky.social explores the intersections of Arabic and Persian graphic design with cultural, political and artistic narratives.
More info/registration: uhh.de/csmc-shiftin...
February 14, 2025 at 12:08 PM
Reposted by susan rojas
sassymetischick.bsky.social
The Indigenous People of North America have decided to go back to calling the Gulf of Mexico, “Chalchiuhtlicueyecatl”. It is what the Nahuatl People originally called it as it is the domain of the goddess Chalchiuhtlicue, who is assoc w/water bodies, including the Gulf of Mexico.
February 14, 2025 at 7:07 AM
Reposted by susan rojas
aerialembroidery.bsky.social
A landscape commission I completed March 2024... this remains one of my proudest aerial embroideries to date! It was challenging and took its time and that pop of spring yellow in the south-west corner was a perfect choice from the commissioner 💛 I hope you also all love it! #fiberarts #embroidery
A hand holding a large embroidery hoop up in front of a lawn. The hoop contains a sewn aerial landscape depicting a country manor estate - winding streams through green knots at the top, green crop fields at the bottom, yellow oilseed fields in the bottom left and the manor itself in the centre.
February 13, 2025 at 4:17 PM
Reposted by susan rojas
durhamhistory.bsky.social
We're recruiting for the role of Assistant Professor in Early Modern History, and seek to appoint a historian working on any aspect of the early modern world, excluding the Anglophone world (deadline 17 March 2025): durham.taleo.net/careersectio...
This image shows an aerial view of Durham Cathedral
February 13, 2025 at 4:33 PM
Reposted by susan rojas
brentgwarner.com
I built a free URL shortener for teachers bc we don't need ads when we're just trying to help each other out

Edushare.ing

No redirecting to ads, no stealing your traffic, no registration or log-in, no charge

I hope you find it useful. Please share with teachers freely

#TeachersHelpingTeachers
Edushare.ing - a free URL shortener for educators
Edushare.ing is a free url shortener made by a teacher, for teachers. No ads, no BS, just a way to share.
Edushare.ing
February 11, 2025 at 4:48 PM
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bkadams.bsky.social
Happy UK publication day to the first of many amazing New Oxford Shakespeare plays! Here’s Julius Caesar (with my intro) pictured @shakespearesglobe.bsky.social! Thanks to @oldfortunatus.bsky.social for her brilliant work as general editor and to Sarah Neville for her precise editing of the text.
photo of paperback of Julius Caesar sitting on wood stage floor. The book odd read with the image of a lion, the spqr crest, the Roman Capitol and six hands with bloody knives.
February 13, 2025 at 2:33 PM
Reposted by susan rojas
tomgauld.bsky.social
Download a printable version of this card here: www.tomgauld.com/valentine
tomgauld.bsky.social Tom Gauld @tomgauld.bsky.social · Feb 8
A personalized Valentine’s Card for Bibliophiles. My cartoon for this week’s @theguardian.com books.
Title: A personalised Valentine's card for bibliophiles Image: A cartoon heart with arms, legs and a smiling face. With an empty speech bubble above. Five options for text to cut out and put in the bubble: I love you more than my books! I love you as much as my books! I love you almost as much as my books! I love you! No more questions! I love books!
February 13, 2025 at 1:33 PM
Reposted by susan rojas
calthalas.bsky.social
Current mood in face of all that is happening is Fuller Brooch
A crop of the image of the Fuller Brooch, a late ninth century brooch from England. The figures represent five senses (taste, smell, touch, hearing and, in the central field, sight). However the central figure has an extremely worried look on their face - well, as we all do!
February 13, 2025 at 11:42 AM
Reposted by susan rojas
nichecanada.bsky.social
Call for Papers – Refugees and Borders: Life, Law, and Limits

@chase-dtp.bsky.social Refugee Justice Network for a Borderless World
Abstract Deadline – 22 February 2025
Seminar Date – 19 March 2025 at SOAS, London

niche-canada.org/2025/02/10/c...

#envstudies #migration #refugees
Call for Papers - Refugees and Borders: Life, Law, and Limits
Borders proliferate and refugeehood expands at the present time. Borders follow us everywhere, they are not just physical; they are as much digital, institutional, social, imaginative.
niche-canada.org
February 10, 2025 at 4:02 PM
Reposted by susan rojas
drfrancisyoung.bsky.social
Antipopes should always have the opposite name to the reigning pope at the time; so
Urban/Rural
Clement/Inclement
Paul/Peter
Innocent/Guilty
Pius/Impius
Benedict/Maledict
Francis/Dominic
... and so on
February 12, 2025 at 6:25 PM