she/her, it/its if we're friends
almost entirely devoid of a plot, we are left to consider themes of identity, community, tradition and emigration, in addition to having much to think about, the film is also pretty and well shot
almost entirely devoid of a plot, we are left to consider themes of identity, community, tradition and emigration, in addition to having much to think about, the film is also pretty and well shot
these always taste great
these always taste great
cultic, amid evil, blood: fresh supply, hrot, ultrakill, dusk, wrath aeon of ruin (technically only the first half of this, i'm like 250 kills in and fucking exhausted, i want the level to end already)
cultic, amid evil, blood: fresh supply, hrot, ultrakill, dusk, wrath aeon of ruin (technically only the first half of this, i'm like 250 kills in and fucking exhausted, i want the level to end already)
some strong character work, some good emotional payout, but ultimately its walking the same path knives out did, and the 'mystery' such as it is, is not compelling
very interesting use of covid though, rarely see a film where it plays such an important role
some strong character work, some good emotional payout, but ultimately its walking the same path knives out did, and the 'mystery' such as it is, is not compelling
very interesting use of covid though, rarely see a film where it plays such an important role
damn, first genuine dud i've watched in a while, a real shame cos the direction is great but the story its attached to is so fucking bad lmao
damn, first genuine dud i've watched in a while, a real shame cos the direction is great but the story its attached to is so fucking bad lmao
i kind of forget what the average film is like
and my rating distribution ends up looking like this
i kind of forget what the average film is like
and my rating distribution ends up looking like this
which kind of blots out the sun
i just want to see stuff they've reviewed or commented,
which kind of blots out the sun
i just want to see stuff they've reviewed or commented,
which kind of blots out the sun
i just want to see stuff they've reviewed or commented,
spoilers naturally, but this is the first review i've written where i didn't even care to hide them as it really doesn't matter
spoilers naturally, but this is the first review i've written where i didn't even care to hide them as it really doesn't matter
les vampires (1915)
i hated this film, for the last 3 of its 8 hours i was begging for it to be over
yet, i will rate it 9/10
les vampires (1915)
i hated this film, for the last 3 of its 8 hours i was begging for it to be over
yet, i will rate it 9/10
may also have to be on friday too, as i'll be busy on saturday
may also have to be on friday too, as i'll be busy on saturday
les vampires (1915)
i hated this film, for the last 3 of its 8 hours i was begging for it to be over
yet, i will rate it 9/10
les vampires (1915)
i hated this film, for the last 3 of its 8 hours i was begging for it to be over
yet, i will rate it 9/10
the conventions we are used to today hadn't crystallised yet, so you just get a lot of out there shit
like, 10 hour movies, 40 minute movies, funky editing etc.
the conventions we are used to today hadn't crystallised yet, so you just get a lot of out there shit
like, 10 hour movies, 40 minute movies, funky editing etc.
where's the rest of the footage laz...
where's the rest of the footage laz...
why in gods name are so many blueticks dying on the hill of defending someone who isn't even the democratic candidate yet, and wouldn't be for another year from now even if he wasn't fash and won the dem primary?
why in gods name are so many blueticks dying on the hill of defending someone who isn't even the democratic candidate yet, and wouldn't be for another year from now even if he wasn't fash and won the dem primary?
letterboxd has these 'nanogenres'
and of the films i've watched since i returned to cinema this year,
four of my top six genres are 'emotion, storytelling, despair' 'powerful, sadness, despair' 'drama, profound, bleak' and 'touching, profound, suffering'
letterboxd has these 'nanogenres'
and of the films i've watched since i returned to cinema this year,
four of my top six genres are 'emotion, storytelling, despair' 'powerful, sadness, despair' 'drama, profound, bleak' and 'touching, profound, suffering'