Sight and Sound magazine
@sightsoundmag.bsky.social
Established in 1932. Published by the British Film Institute. Home of the once-a-decade Greatest Films of All Time poll.
https://www.bfi.org.uk/sight-and-sound
https://www.bfi.org.uk/sight-and-sound
November 4, 2025 at 12:29 PM
CRITICAL THINKING: THE LAURA MULVEY INTERVIEW
Over half a century and around the globe, Laura Mulvey’s influence on thinking about film has been unparalleled. As she receives a BFI Fellowship, she talks to Sight and Sound about her career and her influences. By Isabel Stevens.
Over half a century and around the globe, Laura Mulvey’s influence on thinking about film has been unparalleled. As she receives a BFI Fellowship, she talks to Sight and Sound about her career and her influences. By Isabel Stevens.
November 4, 2025 at 12:29 PM
CRITICAL THINKING: THE LAURA MULVEY INTERVIEW
Over half a century and around the globe, Laura Mulvey’s influence on thinking about film has been unparalleled. As she receives a BFI Fellowship, she talks to Sight and Sound about her career and her influences. By Isabel Stevens.
Over half a century and around the globe, Laura Mulvey’s influence on thinking about film has been unparalleled. As she receives a BFI Fellowship, she talks to Sight and Sound about her career and her influences. By Isabel Stevens.
ONCE UPON A CRIME
Zodiac Killer Project director Charlie Shackleton and Predators director David Osit talk to Nick Bradshaw about their efforts to test the parameters of true-crime documentaries by interrogating the dangerous allure of the form itself
Zodiac Killer Project director Charlie Shackleton and Predators director David Osit talk to Nick Bradshaw about their efforts to test the parameters of true-crime documentaries by interrogating the dangerous allure of the form itself
November 4, 2025 at 12:29 PM
ONCE UPON A CRIME
Zodiac Killer Project director Charlie Shackleton and Predators director David Osit talk to Nick Bradshaw about their efforts to test the parameters of true-crime documentaries by interrogating the dangerous allure of the form itself
Zodiac Killer Project director Charlie Shackleton and Predators director David Osit talk to Nick Bradshaw about their efforts to test the parameters of true-crime documentaries by interrogating the dangerous allure of the form itself
PINCH ME!
Harry Lighton’s electrifying feature debut Pillion explores the brutality and tenderness of a BDSM love affair. He talks about his conversion to cinephilia, steering clear of classic biker movies and the thrill of the film’s triumphant reception. By Jane Giles.
Harry Lighton’s electrifying feature debut Pillion explores the brutality and tenderness of a BDSM love affair. He talks about his conversion to cinephilia, steering clear of classic biker movies and the thrill of the film’s triumphant reception. By Jane Giles.
November 4, 2025 at 12:29 PM
PINCH ME!
Harry Lighton’s electrifying feature debut Pillion explores the brutality and tenderness of a BDSM love affair. He talks about his conversion to cinephilia, steering clear of classic biker movies and the thrill of the film’s triumphant reception. By Jane Giles.
Harry Lighton’s electrifying feature debut Pillion explores the brutality and tenderness of a BDSM love affair. He talks about his conversion to cinephilia, steering clear of classic biker movies and the thrill of the film’s triumphant reception. By Jane Giles.
ENEMY OF THE STATE
Jafar Panahi’s Palme d’Or-winning It Was Just an Accident feels like the dissident filmmaker’s most direct attack on the regime to date. He discusses underground filmmaking, his refusal to submit to oppression and the social movement transforming his country. By Jonathan Romney
Jafar Panahi’s Palme d’Or-winning It Was Just an Accident feels like the dissident filmmaker’s most direct attack on the regime to date. He discusses underground filmmaking, his refusal to submit to oppression and the social movement transforming his country. By Jonathan Romney
November 4, 2025 at 12:29 PM
ENEMY OF THE STATE
Jafar Panahi’s Palme d’Or-winning It Was Just an Accident feels like the dissident filmmaker’s most direct attack on the regime to date. He discusses underground filmmaking, his refusal to submit to oppression and the social movement transforming his country. By Jonathan Romney
Jafar Panahi’s Palme d’Or-winning It Was Just an Accident feels like the dissident filmmaker’s most direct attack on the regime to date. He discusses underground filmmaking, his refusal to submit to oppression and the social movement transforming his country. By Jonathan Romney
SHOOT TO THRILL
Kathryn Bigelow’s A House of Dynamite, a tense political thriller hinging on the threat of nuclear annihilation, is the most compelling film of her career. She discusses her commitment to authenticity and her mid-career switch to journalistic realism. By Henry K. Miller
Kathryn Bigelow’s A House of Dynamite, a tense political thriller hinging on the threat of nuclear annihilation, is the most compelling film of her career. She discusses her commitment to authenticity and her mid-career switch to journalistic realism. By Henry K. Miller
November 4, 2025 at 12:29 PM
SHOOT TO THRILL
Kathryn Bigelow’s A House of Dynamite, a tense political thriller hinging on the threat of nuclear annihilation, is the most compelling film of her career. She discusses her commitment to authenticity and her mid-career switch to journalistic realism. By Henry K. Miller
Kathryn Bigelow’s A House of Dynamite, a tense political thriller hinging on the threat of nuclear annihilation, is the most compelling film of her career. She discusses her commitment to authenticity and her mid-career switch to journalistic realism. By Henry K. Miller