Sanjoy Roy
@sanjoyroy.net
Dance writer @theguardian.com: theguardian.com/profile/sanjoyroy
Editor: springback.org
Personal archive: sanjoyroy.net
My book(LET) Work/World: wardward.be/en/product/booklet-work-world-2/
Editor: springback.org
Personal archive: sanjoyroy.net
My book(LET) Work/World: wardward.be/en/product/booklet-work-world-2/
Backing Aditya Chaktarbortty too: www.theguardian.com/commentisfre...
The Zohran Mamdani method can work beyond New York. Take the fight to the right | Aditya Chakrabortty
For too long, the centre has been adopting the language of the right but deploying it with greater civility – to disastrous ends, says Guardian columnist Aditya Chakrabortty
www.theguardian.com
November 6, 2025 at 8:57 AM
Backing Aditya Chaktarbortty too: www.theguardian.com/commentisfre...
Note from the editor: the series is Critical Distances, not Crossing Currents. 😉
June 28, 2025 at 4:03 PM
Note from the editor: the series is Critical Distances, not Crossing Currents. 😉
And the last one will be by the 1 n only Kaliane Bradley… coming soon
June 27, 2025 at 6:09 PM
And the last one will be by the 1 n only Kaliane Bradley… coming soon
And the second is by Dom Czapski, on writing about a field in which you also work (love this cover image btw): www.mobiusindustries.com/news/critica...
| Mobius Industries
Dance performer, writer and improviser Dom Czapski discusses writing about and critiquing an industry you perform in
www.mobiusindustries.com
June 27, 2025 at 6:07 PM
And the second is by Dom Czapski, on writing about a field in which you also work (love this cover image btw): www.mobiusindustries.com/news/critica...
The first in the series is by me, on navigating cross currents between editorial and finance: www.mobiusindustries.com/news/critica...
| Mobius Industries
Dance writer and magazine editor Sanjoy Roy talks press relations
www.mobiusindustries.com
June 27, 2025 at 6:06 PM
The first in the series is by me, on navigating cross currents between editorial and finance: www.mobiusindustries.com/news/critica...
… 2/2
And here is a more biographical text about #MauriceRavel's two operas, seen in relation to his father (L'Heure espagnole) and his mother (L'Enfant et les sortilèges). www.theguardian.com/music/2012/a...
And here is a more biographical text about #MauriceRavel's two operas, seen in relation to his father (L'Heure espagnole) and his mother (L'Enfant et les sortilèges). www.theguardian.com/music/2012/a...
Getting to the heart of Ravel's opera double bill
L'Heure espagnole and l'Enfant et les Sortilèges are poles apart, but, writes Sanjoy Roy, what Ravel's operas both have at their heart is a lost parent
www.theguardian.com
March 7, 2025 at 8:22 AM
… 2/2
And here is a more biographical text about #MauriceRavel's two operas, seen in relation to his father (L'Heure espagnole) and his mother (L'Enfant et les sortilèges). www.theguardian.com/music/2012/a...
And here is a more biographical text about #MauriceRavel's two operas, seen in relation to his father (L'Heure espagnole) and his mother (L'Enfant et les sortilèges). www.theguardian.com/music/2012/a...
The background idea came from a wonderful BBC Four science/philosophy doc from 2011 called The Secret Life of Waves.
February 26, 2025 at 8:19 AM
The background idea came from a wonderful BBC Four science/philosophy doc from 2011 called The Secret Life of Waves.