Evan Jewell
quidamabo.bsky.social
Evan Jewell
@quidamabo.bsky.social
1.6K followers 520 following 190 posts
Assistant Professor of History at Rutgers University - Camden. Roman history, epigraphy, archaeology inter alia. Views are my own. He/him.
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Reposted by Evan Jewell
Lately I've been mulling over lots of questions re: wayfinding in the Subura and how demolition affected this process... Imagine my happy surprise when I discovered that @quidamabo.bsky.social published a fantastic article on wayfinding and subaltern Romans just last month! 👏👏
aww thank you! I've been off of here, so it's nice to come back and see this!
For all of the handwringing over the falling quality of students, we should always be willing to be surprised by every new cohort. I currently think I am teaching some of the best Roman history students I've ever had and it's their first ever Roman history class.
Reposted by Evan Jewell
My article, "The Life of Terence, Revisited," has now been published open access in NECJ. I discuss how classicists have historically denied Terence’s blackness out of a belief that “humanistic” or linguistic excellence could not be reconciled with blackness. crossworks.holycross.edu/necj/vol52/i...
"The Life of Terence, Revisited" by Hannah Čulík-Baird
Suetonius’ biography of Publius Terentius Afer, i.e., Terence the African (c. 195-159 BCE), identifies the Roman comic poet as a former slave from Carthage, describing him physically as a slim man of ...
crossworks.holycross.edu
Reposted by Evan Jewell
Reposted by Evan Jewell
In 2020, Margaret and Martha Malamud published an article on Edmonia Lewis' Cleopatra, discussing the sculpture's dialogue with the Cleopatra of William Wetmore Story #AncientBlackness muse.jhu.edu/article/815654
Project MUSE - The Petrification of Cleopatra in Nineteenth Century Art
muse.jhu.edu
Reposted by Evan Jewell
Lewis' "The Death of Cleopatra" (1876) shocked contemporary audiences for its realistic depiction of death, exhibited to great acclaim at the Centennial Exhibition in 1876. The sculpture was eventually used to mark a horse's grave at a racetrack #AncientBlackness

americanart.si.edu/artwork/deat...
Reposted by Evan Jewell
My article “Depathologizing the Bisexual Orpheus” is out in Helios!

It’s my first piece specifically on the classical canon, and uses a mix of psychology of sexuality, queer theory, and translation theory to make sense of how scholars have treated Ovid’s Orpheus as bi.

Hit me up for a copy!
Reposted by Evan Jewell
Firing everyone isn’t about efficiency, just like gutting the liberal arts wasn’t about budgets, just like crushing anti-genocide protesters wasn’t about safety
I took my Cleopatra and Roman history classes to this exhibition on Friday and it was stunning--and made my Cleopatra students really think about how to approach the question of her race and its reception in different periods. Really excellent work by Akili Tommasino.
[16] For today's contribution to #AncientBlackness, I'm posting the online catalogue for "Flight into Egypt" exhibit rn on display at the Metropolitan Museum in New York. An incredible collection of Black thinkers, artists, and scholars engaging ancient Egypt.

www.metmuseum.org/exhibitions/...
Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now - The Metropolitan Museum of Art
Exhibition now on view at The Met
www.metmuseum.org
We'll be in Etruria (including having an active dig!) and from June 16-21, then the bay of Naples from June 22-27,
then Rome from June 28-July 18. (Many thanks to all of you who joined us last year!)
Academic friends: If you have the time and volition, and want to link up with the AAR Classical Summer School, and possibly give a guest presentation, or site/excavation tour, please message me here or email: evan.jewellATrutgers.edu
Note: due to illness, this event has been postponed until later this Spring.
Philly area historians, esp. on US immigration and citizenship history - my department is hosting a seminar with Dr. Hardeep Dhillon (UPenn), "An Immigration Story: Children in the Era of Asian Exclusion", this Friday! If you're interested, please email me to RSVP & for the pre-circulated chapter.
Extremely pertinent to what is going on right now...
Philly area historians, esp. on US immigration and citizenship history - my department is hosting a seminar with Dr. Hardeep Dhillon (UPenn), "An Immigration Story: Children in the Era of Asian Exclusion", this Friday! If you're interested, please email me to RSVP & for the pre-circulated chapter.
Yes, fewer features, but honestly, so much easier to use. Sit simplex!
Anyone else had so many issues with Perusall? This year it seems impossible to use. So I tried out Hypothesis - so much easier to use with Canvas! Wow.
Reposted by Evan Jewell
rescuing Romans from the idea of fascism is more important to some than confronting the real and material threat of fascism
god bless the Oxford English Dictionary
Most excited about the charcoal and incised graffiti (the former, so often not recorded in earlier excavations and now lost!).
As someone who's been obsessed with domestic baths at Pompeii for a long time (one day I'll get that article on the baths in the House of the Menander out!), this is so exciting.

www.theguardian.com/world/2025/j...
Pompeii excavation unearths private spa for wooing wealthy guests
Thermal bath complex is latest discovery among ruins of Italian city destroyed by Vesuvius eruption in AD79
www.theguardian.com
One thing I'm going to tell/ask my students about using AI in their writing this semester: if everyone's using AI to write for them, then how will your writing stand out from the crowd? What will make your essay, personal statement, your sales pitch, [insert genre], unique?