doi.org/10.1080/0967...
doi.org/10.1080/0967...
Mikelyn Rochford @mikelyn.bsky.social (@york.ac.uk ):'"I took the left turn for eternity": Otherworlds, Afterlives, and Discursive Storytelling Traditions in Flann O’Brien’s The Third Policeman and Máirtín Ó Cadhain’s Cré ne Cille / Graveyard Clay'
With talks on diverse aspects of "Home, Heritage & Origins" in O'Brien's writing; screenings; exhibitions & tours of O'Brien's home town
Registration & schedule👉 www.alley-theatre.com/whats-on/25-...
With talks on diverse aspects of "Home, Heritage & Origins" in O'Brien's writing; screenings; exhibitions & tours of O'Brien's home town
Registration & schedule👉 www.alley-theatre.com/whats-on/25-...
Mikelyn Rochford @mikelyn.bsky.social (@york.ac.uk ):'"I took the left turn for eternity": Otherworlds, Afterlives, and Discursive Storytelling Traditions in Flann O’Brien’s The Third Policeman and Máirtín Ó Cadhain’s Cré ne Cille / Graveyard Clay'
“Our community is based on diversity, equity is guaranteed to us in the Constitution, and inclusion is what we believe in,” Fujioka said.
“Our community is based on diversity, equity is guaranteed to us in the Constitution, and inclusion is what we believe in,” Fujioka said.