FarzanehHolasu
@farzanehebh.bsky.social
Film and Media/Feminist Historiography/ stardom/ affective performance labor/Archives
🎬🎭📚Michigan State University📍
MUSE of Tragedy🐈 Coffeeholic ☕️
🎶Unapologetic self-centered subject 🧘🏻♀️
🎭Giggle at the funeral
🎬🎭📚Michigan State University📍
MUSE of Tragedy🐈 Coffeeholic ☕️
🎶Unapologetic self-centered subject 🧘🏻♀️
🎭Giggle at the funeral
Join us for Feminist Influences: An Online Roundtable (Feb 12, 5PM EST) — featuring brilliant voices in feminist film and media studies!
@hennefem.bsky.social @shelleystamp.bsky.social
@hennefem.bsky.social @shelleystamp.bsky.social
November 10, 2025 at 9:15 PM
Join us for Feminist Influences: An Online Roundtable (Feb 12, 5PM EST) — featuring brilliant voices in feminist film and media studies!
@hennefem.bsky.social @shelleystamp.bsky.social
@hennefem.bsky.social @shelleystamp.bsky.social
در این بهار، بر ما چه میوزد جز طوفان غم؟
May 6, 2025 at 10:46 PM
در این بهار، بر ما چه میوزد جز طوفان غم؟
Join us tomorrow (6–8 PM) at @scmstudies.bsky.social conference for our roundtable: Objects to Hold Onto: Rethinking Global Film History through Loss,Fragmentation & Amnesia.
Excited to be in conversation with: Dr. Grazia Ingravalle, Dr. Joshua Yumibe, Dr.Eric Hahn & Dr. Michelle Baroody! #SCMS2025
Excited to be in conversation with: Dr. Grazia Ingravalle, Dr. Joshua Yumibe, Dr.Eric Hahn & Dr. Michelle Baroody! #SCMS2025
April 3, 2025 at 6:13 AM
Join us tomorrow (6–8 PM) at @scmstudies.bsky.social conference for our roundtable: Objects to Hold Onto: Rethinking Global Film History through Loss,Fragmentation & Amnesia.
Excited to be in conversation with: Dr. Grazia Ingravalle, Dr. Joshua Yumibe, Dr.Eric Hahn & Dr. Michelle Baroody! #SCMS2025
Excited to be in conversation with: Dr. Grazia Ingravalle, Dr. Joshua Yumibe, Dr.Eric Hahn & Dr. Michelle Baroody! #SCMS2025
هرجا که میرفت و هرجا که بود، ندایی درونش زمزمه میکرد: من اینجا غریبم.
April 2, 2025 at 9:04 PM
هرجا که میرفت و هرجا که بود، ندایی درونش زمزمه میکرد: من اینجا غریبم.
دلم برای خونه تنگه، برای چهرههای آشنا، برای نگاههایی که حرف همو میفهمن بدون اینکه چیزی بگن…
عیدها دلم بیشتر تنگه…
As spring arrives, may it bring warmth, joy, and prosperity into our lives.
Happy Nowruz!
عیدها دلم بیشتر تنگه…
As spring arrives, may it bring warmth, joy, and prosperity into our lives.
Happy Nowruz!
March 19, 2025 at 10:21 PM
دلم برای خونه تنگه، برای چهرههای آشنا، برای نگاههایی که حرف همو میفهمن بدون اینکه چیزی بگن…
عیدها دلم بیشتر تنگه…
As spring arrives, may it bring warmth, joy, and prosperity into our lives.
Happy Nowruz!
عیدها دلم بیشتر تنگه…
As spring arrives, may it bring warmth, joy, and prosperity into our lives.
Happy Nowruz!
Cheers to @alixbeeston.bsky.social and @stefansolomon.bsky.social for winning “2025 SCMS Best Edited Collection Award” for their brilliant book, Incomplete: The Feminist Possibilities of the Unfinished Film!What a well-deserved honor!
January 27, 2025 at 4:24 PM
Cheers to @alixbeeston.bsky.social and @stefansolomon.bsky.social for winning “2025 SCMS Best Edited Collection Award” for their brilliant book, Incomplete: The Feminist Possibilities of the Unfinished Film!What a well-deserved honor!
Christmas in Tehran, Iran with “Beppe Flavi” band and iconic Googoosh at Couchini café in the 1960s, located at the intersection of Kakh Street and Elizabeth (Keshavarz) Boulevard.
December 25, 2024 at 11:38 AM
Christmas in Tehran, Iran with “Beppe Flavi” band and iconic Googoosh at Couchini café in the 1960s, located at the intersection of Kakh Street and Elizabeth (Keshavarz) Boulevard.
غمگینم و غمانگیز هم.
December 25, 2024 at 11:34 AM
غمگینم و غمانگیز هم.
William Wyler & iconic Googoosh👑
1974,Tehran international film festival
1974,Tehran international film festival
December 14, 2024 at 5:23 PM
William Wyler & iconic Googoosh👑
1974,Tehran international film festival
1974,Tehran international film festival
The unknown S.A.Makuxina — as Səkinə in Gilan Qizi [Gilan’s Daughter] (1928) By Leo Mur [Leonti Muraşko]
Like Makuxina, the story of Gilan's daughter is also incomplete, and her desires, wishes, and struggles are not reflected (Gilan girl in the novel is so different).
Like Makuxina, the story of Gilan's daughter is also incomplete, and her desires, wishes, and struggles are not reflected (Gilan girl in the novel is so different).
December 13, 2024 at 4:26 AM
The unknown S.A.Makuxina — as Səkinə in Gilan Qizi [Gilan’s Daughter] (1928) By Leo Mur [Leonti Muraşko]
Like Makuxina, the story of Gilan's daughter is also incomplete, and her desires, wishes, and struggles are not reflected (Gilan girl in the novel is so different).
Like Makuxina, the story of Gilan's daughter is also incomplete, and her desires, wishes, and struggles are not reflected (Gilan girl in the novel is so different).
Sofia Jozeffi (1906–1982) played a “dual role” in the silent film Qız qalası əfsanəsi [Legend of Maiden Tower] (1924), directed by Vladimir Ballyuzek.
The movie, based on one of the versions of an Azerbaijani myth, depicted a tragic tale and became a box office hit.
The movie, based on one of the versions of an Azerbaijani myth, depicted a tragic tale and became a box office hit.
December 10, 2024 at 3:16 AM
Sofia Jozeffi (1906–1982) played a “dual role” in the silent film Qız qalası əfsanəsi [Legend of Maiden Tower] (1924), directed by Vladimir Ballyuzek.
The movie, based on one of the versions of an Azerbaijani myth, depicted a tragic tale and became a box office hit.
The movie, based on one of the versions of an Azerbaijani myth, depicted a tragic tale and became a box office hit.
At home, I had lived most intensely in the cinema. ... In those dark spaces, I had dreamed of a life elsewhere.
Now, in the place that for all those years had been the “elsewhere,” no further dream was possible.
Now, in the place that for all those years had been the “elsewhere,” no further dream was possible.
December 7, 2024 at 5:34 PM
At home, I had lived most intensely in the cinema. ... In those dark spaces, I had dreamed of a life elsewhere.
Now, in the place that for all those years had been the “elsewhere,” no further dream was possible.
Now, in the place that for all those years had been the “elsewhere,” no further dream was possible.