Many thanks to the iconic Paris Theater for inviting me to introduce Robert Altman’s opus "Nashville" today! Few films tell us more about how we got to where we are than this one does.

I’ve been recommending Walter Salles’ Brazilian drama “I’m Still Here” primarily for Fernanda Torres’ extraordinary work as a woman standing firm in the face of obscene state corruption. But…there are other reasons to see it, too.

Delighted for Demi, but my favorite Golden Globe winner is Fernanda Torres, so outstanding in the still-underseen “I’m Still Here”

It appears we’re at the point in the Die Hard-Xmas discourse where everyone urgently wants to announce they’re over the Die Hard-Xmas discourse

What a joy to see JAZZY—costarring Lily Gladstone--earn multiple Indie Spirit nominations. An absolute gem, and one of my favorites of the year. So glad intimate films like this one are still being recognized and honored.

My favorite thing about the NYFCC awards—besides that mad rush to see every great & good movie before our vote—is that we always honor such a wide range of artists. The full list is at @nyfcc.bsky.social, with THE BRUTALIST taking well-earned Best Film (and Best Actor).

Not one of you thought to tell me that Emilia Pérez is Lourdes from REBELDE?

Hoping to see just a little of that "Anora" love thrown towards Gia Coppola's tiny, tender "The Last Showgirl"-which isn't as splashy, but actually hits harder.