www.elizabethmreese.com
Feeling an awful lot like Victor Frankenstein right about now.
Feeling an awful lot like Victor Frankenstein right about now.
A few years ago, this would have sent me into a spiral. Now? I can read pages of this without thinking twice.
A few years ago, this would have sent me into a spiral. Now? I can read pages of this without thinking twice.
Clarke, circa 1870: Let's just get this out of the way, the dude is good looking.
Clarke, circa 1870: Let's just get this out of the way, the dude is good looking.
substack.com/@elizareese?...
substack.com/@elizareese?...
I've been thinking an awful lot about Edwin Booth these past few days. Hoping that his story is a comfort to others, too.
I've been thinking an awful lot about Edwin Booth these past few days. Hoping that his story is a comfort to others, too.
This daguerreotype of the father and son was taken only a few months later.
This daguerreotype of the father and son was taken only a few months later.
"I must sell this house and get rid of 'Boothden' as soon as possible, in order to support my son (of a bitch) in-law who does nothing but spend money, smile, and live on his wife's father."
(1/2)
"I must sell this house and get rid of 'Boothden' as soon as possible, in order to support my son (of a bitch) in-law who does nothing but spend money, smile, and live on his wife's father."
(1/2)
All my regular coursework is officially done and it's officially thesis time.
All my regular coursework is officially done and it's officially thesis time.
While I don't think Edwin Booth would be a Swiftie, I think she captures the loneliness of celebrity he certainly experienced.
While I don't think Edwin Booth would be a Swiftie, I think she captures the loneliness of celebrity he certainly experienced.
This is from "Giant in the Shadows" by Jason Emerson (Southern Illinois University Press, 2012)
This is from "Giant in the Shadows" by Jason Emerson (Southern Illinois University Press, 2012)
I'm immensely grateful to the staff at @folger.edu for working to allow me to view and handle Edwin Booth's Richard III tunic yesterday. Textiles are such a beast to preserve and make accessible. Being able to spend time with this costume meant the world.
I'm immensely grateful to the staff at @folger.edu for working to allow me to view and handle Edwin Booth's Richard III tunic yesterday. Textiles are such a beast to preserve and make accessible. Being able to spend time with this costume meant the world.
If you're attending, check out our panel on Crafting and Commemorating Legacies of American Women in the Revolution and Early Republic on Friday at 4:15!
If you're attending, check out our panel on Crafting and Commemorating Legacies of American Women in the Revolution and Early Republic on Friday at 4:15!
This is Angela Lewis' wedding dress, made from the silk of her mother's (Nelly Custis Lewis) wedding dress.
Bringing a 1799 dress into 1830s fashion was a meticulous skill, done by enslaved seamstresses Dolcey and Sukey.
This is Angela Lewis' wedding dress, made from the silk of her mother's (Nelly Custis Lewis) wedding dress.
Bringing a 1799 dress into 1830s fashion was a meticulous skill, done by enslaved seamstresses Dolcey and Sukey.