We now his full name is Makoto Kuonji, but according to Yamaguchi there's a reason why he didn't give his family name when he was introduced in the 2nd episode. He is a a good obedient child and his various good qualities as a character will become clear in future episodes (2/2).

Naturally, I'm more of an Omegamon guy than Omnimon, so I included the scene from the Japanese version. I like that the Japanese name includes the Ω symbol.

The same. I still can't believe we won't be having Hudiemon or Arkadimon following up from Hacker's Memory. If they could at least add them as free new Digimon, even with the old models would already make me happy.

We live in 2025, but Beatbreak happens in 2050. How did technology develop? They usually get an expert to supervise the worldview in such cases, but director Miyamoto, on his own, hand-made a detailed setting booklet that was helpful in sharing the worldview with the staff. (2/2)

*2050
There's another part of the interview that mentions 2025 so I ended up remembering that year instead of 2050 (In fact, even while writing this, I have written 2025 every time I was supposed to write 2050, what is wrong with me?)

Oh, my mistake. It's 2050. I was thinking of 2025 from another part of the interview and ended up transcribing that by mistake...

After episode 4, he finally could reflect on his position in the world, now he knew about Digimon and those with them. What is the next step? Yamaguchi said Tomoro's growth will be the story for the 2nd cour onwards, so he wants us to keep watching while waiting for it (2/2)

It's thanks to Pristimon's support that Reina was able to survive and now continue working as a Cleaner, it's all thanks to she being motivated by Pristimon.
Yamaguchi said the big reveal will happen in "an amazing episode, so please so please look forward to it".

Last time, Animedia interviewed the Series Director Hiroaki Miyamoto, but this time the interview was with Series Composer Ryōta Yamaguchi. Since we have more episodes, there aren't many reveals, but there are still a few interesting comments I'll be mentioning for a few days.

So if the only thing the director and producer are talking about in that specific quote is about how the name "Beatbreak" wasn't chosen for a music motif, then I'm not saying the series has no intentional usage of music as a motif, only that the title wasn't chosen for that.

As I often say, whatever I share from creators only matters in the context of the interview I'm referencing, by what they said (some are known to lie) and is unrelated to what isn't mentioned in that quote and by other interviews, past and future (Unless stated otherwise).

A good work will be a good work regardless of the target demographic, and although there are limits to what can be shown in each demographic, the understanding of what can be understood or not isn't as simple as some might think.