Danielle Ezzo
@danielleezzo.bsky.social
artist-writer • In the collections / libraries of The Met, Santa Barbara Museum of Art, Cornell • gun for hire ✍️
https://linktr.ee/danielleezzo
https://linktr.ee/danielleezzo
Pinned
Danielle Ezzo
@danielleezzo.bsky.social
· Apr 11
An overdue website update. Have a look:
www.danielleezzo.com
www.danielleezzo.com
I've posted another engaging conversation on my Substack. This time with Maria Mavropoulou, discussing what’s lost in the translation from the physical to the digital, novelty-seeking as a cultural phenomenon, and more.
danielleezzo.substack.com
danielleezzo.substack.com
October 29, 2025 at 1:12 PM
I've posted another engaging conversation on my Substack. This time with Maria Mavropoulou, discussing what’s lost in the translation from the physical to the digital, novelty-seeking as a cultural phenomenon, and more.
danielleezzo.substack.com
danielleezzo.substack.com
I've posted another engaging conversation on my Substack. This time with @travisleroy.bsky.social about the invisible labor of image production, CERN, and the challenges of balancing a creative and commercial practice.
danielleezzo.substack.com/p/the-compre...
danielleezzo.substack.com/p/the-compre...
October 15, 2025 at 4:17 PM
I've posted another engaging conversation on my Substack. This time with @travisleroy.bsky.social about the invisible labor of image production, CERN, and the challenges of balancing a creative and commercial practice.
danielleezzo.substack.com/p/the-compre...
danielleezzo.substack.com/p/the-compre...
I reviewed David Alekhuogie’s exhibition, highlifetime, at Yancey Richardson for Dear Dave Magazine.
deardavemagazine.com/deardaverevi...
deardavemagazine.com/deardaverevi...
DEAR DAVE Magazine
By Danielle Ezzo, October 10, 2025
deardavemagazine.com
October 13, 2025 at 8:55 PM
I reviewed David Alekhuogie’s exhibition, highlifetime, at Yancey Richardson for Dear Dave Magazine.
deardavemagazine.com/deardaverevi...
deardavemagazine.com/deardaverevi...
My first Substack post, a thoughtful conversation with Aimee Walleston, about risk is live. Have a look or follow along if that's your thing.
danielleezzo.substack.com
danielleezzo.substack.com
ill angels only | Danielle Ezzo | Substack
A place to work through some things (visual, linguistic, moral). Click to read ill angels only, by Danielle Ezzo, a Substack publication with hundreds of subscribers.
danielleezzo.substack.com
October 1, 2025 at 1:46 PM
My first Substack post, a thoughtful conversation with Aimee Walleston, about risk is live. Have a look or follow along if that's your thing.
danielleezzo.substack.com
danielleezzo.substack.com
Lately, I’ve been thinking about what’s at stake for us creative folks when the ground beneath us feels uncertain.
Beginning next Wednesday, every other week, I’ll be sharing conversations with creative people about the idea of risk. Strap in!
Beginning next Wednesday, every other week, I’ll be sharing conversations with creative people about the idea of risk. Strap in!
September 24, 2025 at 2:37 PM
Lately, I’ve been thinking about what’s at stake for us creative folks when the ground beneath us feels uncertain.
Beginning next Wednesday, every other week, I’ll be sharing conversations with creative people about the idea of risk. Strap in!
Beginning next Wednesday, every other week, I’ll be sharing conversations with creative people about the idea of risk. Strap in!
From the opening of ‘Current States of Being: Exploring AI’s Influence on Memory, Identity, and Creativity,’ curated by Sarah Knobel. It was a pleasure to exhibit two bodies of work side-by-side, and to be in such good company alongside @cyberneticforests.bsky.social and Ameera Kawash.
September 8, 2025 at 4:21 PM
From the opening of ‘Current States of Being: Exploring AI’s Influence on Memory, Identity, and Creativity,’ curated by Sarah Knobel. It was a pleasure to exhibit two bodies of work side-by-side, and to be in such good company alongside @cyberneticforests.bsky.social and Ameera Kawash.
Reposted by Danielle Ezzo
This week I spoke at St Lawrence University with @danielleezzo.bsky.social and Ameera Kawash as part of the Brush Art Gallery show, “Current States of Being,” examining AI’s impact on memory, identity and creativity. artgallery.stlawu.edu/current-stat...
September 6, 2025 at 3:09 AM
This week I spoke at St Lawrence University with @danielleezzo.bsky.social and Ameera Kawash as part of the Brush Art Gallery show, “Current States of Being,” examining AI’s impact on memory, identity and creativity. artgallery.stlawu.edu/current-stat...
I'm honored to be a Lumen Prize finalist in the Still Image category for An Incantation in Twelve Prompts, a poem paired with camera-born images about falling out of love with photography.
Hats off to all the other artists this year!
Hats off to all the other artists this year!
August 15, 2025 at 12:46 PM
I'm honored to be a Lumen Prize finalist in the Still Image category for An Incantation in Twelve Prompts, a poem paired with camera-born images about falling out of love with photography.
Hats off to all the other artists this year!
Hats off to all the other artists this year!
I'm thrilled to finally share that Psychic Telephone is going to Indonesia for JIPFest this September. The 22 artist lineup includes two of my favorite working photographers right now, Mackenzie Calle and Nikita Teryoshin, among others.
phmuseum.com/festivals/ji...
phmuseum.com/festivals/ji...
August 13, 2025 at 4:32 PM
I'm thrilled to finally share that Psychic Telephone is going to Indonesia for JIPFest this September. The 22 artist lineup includes two of my favorite working photographers right now, Mackenzie Calle and Nikita Teryoshin, among others.
phmuseum.com/festivals/ji...
phmuseum.com/festivals/ji...
I wrote about Raque Ford's exhibition ‘The Barkeeper’s Friend’ on view at Greene Naftali for @ocula.com. The show is on view until August 8th. A big thank you to Aimee Walleston for the invitation.
ocula.com/magazine/spo...
ocula.com/magazine/spo...
Raque Ford’s Aesthetics of the Aftermath
Danielle Ezzo considers the accumulation of forms and feelings in the bold but softly reciprocal work of Raque Ford at Greene Naftali in New York.
ocula.com
August 5, 2025 at 5:20 PM
I wrote about Raque Ford's exhibition ‘The Barkeeper’s Friend’ on view at Greene Naftali for @ocula.com. The show is on view until August 8th. A big thank you to Aimee Walleston for the invitation.
ocula.com/magazine/spo...
ocula.com/magazine/spo...
On the front page of @thetransmitter.bsky.social
this morning: 'Breaking the jar: Why NeuroAI needs embodiment' written by Bing Wen Brunton and John Tuthill. This is a fun one. Art Direction, Rebecca Horne
thetransmitter.org
this morning: 'Breaking the jar: Why NeuroAI needs embodiment' written by Bing Wen Brunton and John Tuthill. This is a fun one. Art Direction, Rebecca Horne
thetransmitter.org
July 21, 2025 at 1:40 PM
On the front page of @thetransmitter.bsky.social
this morning: 'Breaking the jar: Why NeuroAI needs embodiment' written by Bing Wen Brunton and John Tuthill. This is a fun one. Art Direction, Rebecca Horne
thetransmitter.org
this morning: 'Breaking the jar: Why NeuroAI needs embodiment' written by Bing Wen Brunton and John Tuthill. This is a fun one. Art Direction, Rebecca Horne
thetransmitter.org
My favorite time of the year is when I start printing my work, getting exhibition-ready, and inviting people into the studio for private viewings before things ship off, which is what I'm busy with all this month. From the series Psychic Telephone, UV prints on metal, 16x20"
July 15, 2025 at 9:03 PM
My favorite time of the year is when I start printing my work, getting exhibition-ready, and inviting people into the studio for private viewings before things ship off, which is what I'm busy with all this month. From the series Psychic Telephone, UV prints on metal, 16x20"
I’m over the moon to share with you my first @nytopinion.nytimes.com assignment. “Squashing Spotted Lanternflies Will Get Us Only So Far. We Need Wasps.” by Andrew Zaleski, about managing invasive bug species using biocontrol. An enthusiastic thank you, Elana Schlenker 🐞 Link in bio.
July 2, 2025 at 12:39 PM
I’m over the moon to share with you my first @nytopinion.nytimes.com assignment. “Squashing Spotted Lanternflies Will Get Us Only So Far. We Need Wasps.” by Andrew Zaleski, about managing invasive bug species using biocontrol. An enthusiastic thank you, Elana Schlenker 🐞 Link in bio.
I wrote a personal story for the forthcoming book Double Feature from Saint Lucy Books, which pairs vernacular photos from artist Patrick Pound's collection with texts that play into the theme of doubling.
Preorders coming soon: saintlucybooks.com
Preorders coming soon: saintlucybooks.com
July 1, 2025 at 5:51 PM
I wrote a personal story for the forthcoming book Double Feature from Saint Lucy Books, which pairs vernacular photos from artist Patrick Pound's collection with texts that play into the theme of doubling.
Preorders coming soon: saintlucybooks.com
Preorders coming soon: saintlucybooks.com
It's been a moment since I shared some new images from the series, Psychic Telephone—a collaboration with the author Marin Sardy. It's affirming to see a body of work emerge from time and effort spent. It's a slow process, but it happens bit by bit.
June 23, 2025 at 4:24 PM
It's been a moment since I shared some new images from the series, Psychic Telephone—a collaboration with the author Marin Sardy. It's affirming to see a body of work emerge from time and effort spent. It's a slow process, but it happens bit by bit.
I was commissioned by @thetransmitter.bsky.social for the NeuroAI column. 'The BabyLM Challenge: In search of more efficient learning algorithms, researchers look to infants' written by Alona Fyshe. Art Direction Rebecca Horne.
www.thetransmitter.org/neuroai/the-...
www.thetransmitter.org/neuroai/the-...
Can babies inspire more efficient learning algorithms?
A competition that trains language models on smaller datasets, more akin to how a baby learns, seeks solutions to some of LLM’s major challenges.
www.thetransmitter.org
May 19, 2025 at 2:51 PM
I was commissioned by @thetransmitter.bsky.social for the NeuroAI column. 'The BabyLM Challenge: In search of more efficient learning algorithms, researchers look to infants' written by Alona Fyshe. Art Direction Rebecca Horne.
www.thetransmitter.org/neuroai/the-...
www.thetransmitter.org/neuroai/the-...
Venice was nothing short of magic. A big thanks to the EA-AI Conference for the invitation.
May 11, 2025 at 10:51 AM
Venice was nothing short of magic. A big thanks to the EA-AI Conference for the invitation.
Special thanks to the British Journal of Photography for inviting me to report on the NEA defunding.
“Anticipatory obedience”: The precarious state of photography for the trans community in the United States.
www.1854.photography/2025/05/phot...
“Anticipatory obedience”: The precarious state of photography for the trans community in the United States.
www.1854.photography/2025/05/phot...
“Anticipatory obedience": The precarious state of photography for the trans community in the United States - 1854 Photography
In the US, the trans community faces a lack of funding in the arts. Danielle Ezzo speaks to four trans photographers in the US at a time of insecurity
www.1854.photography
May 9, 2025 at 10:04 PM
Special thanks to the British Journal of Photography for inviting me to report on the NEA defunding.
“Anticipatory obedience”: The precarious state of photography for the trans community in the United States.
www.1854.photography/2025/05/phot...
“Anticipatory obedience”: The precarious state of photography for the trans community in the United States.
www.1854.photography/2025/05/phot...
I was invited to write about Dana Karwas' solo exhibition at Spill 180, which opens May 2nd. Have a read, it's a fun one:
spill180.com/beans-1#subl...
spill180.com/beans-1#subl...
Beans — SPILL 180
SPILL 180 is a new contemporary project space in Red Hook, dedicated to interdisciplinary dialogue and grounded in the expanse of collective consciousness. We aim to cultivate a nurturing environment ...
spill180.com
April 23, 2025 at 9:33 PM
I was invited to write about Dana Karwas' solo exhibition at Spill 180, which opens May 2nd. Have a read, it's a fun one:
spill180.com/beans-1#subl...
spill180.com/beans-1#subl...
An overdue website update. Have a look:
www.danielleezzo.com
www.danielleezzo.com
April 11, 2025 at 8:05 PM
An overdue website update. Have a look:
www.danielleezzo.com
www.danielleezzo.com
My review of the Mungo Thomson exhibitions at Karma for Dear Dave Magazine is live.
deardavemagazine.com/deardaverevi...
deardavemagazine.com/deardaverevi...
DEAR DAVE Magazine
By Danielle Ezzo, April 10, 2025
deardavemagazine.com
April 11, 2025 at 4:28 PM
My review of the Mungo Thomson exhibitions at Karma for Dear Dave Magazine is live.
deardavemagazine.com/deardaverevi...
deardavemagazine.com/deardaverevi...
I'm writing a piece that is more deeply reported than the work I'm typically commissioned to do. The act of speaking w. people, seeing their faces, fills me with hope. It's the eye contact, the listening and not guiding the conversation that makes room for possibility.
March 27, 2025 at 2:59 PM
I'm writing a piece that is more deeply reported than the work I'm typically commissioned to do. The act of speaking w. people, seeing their faces, fills me with hope. It's the eye contact, the listening and not guiding the conversation that makes room for possibility.
I dance regularly to ass-shake the scaries away. Last night, friends and I went to a gay party that came highly recommended. When we got there it was 99.8% men and four women, two of which were dressed as clowns. I suspect it’s a metaphor for something, I’m just not sure what.
March 16, 2025 at 4:49 PM
I dance regularly to ass-shake the scaries away. Last night, friends and I went to a gay party that came highly recommended. When we got there it was 99.8% men and four women, two of which were dressed as clowns. I suspect it’s a metaphor for something, I’m just not sure what.
Reposted by Danielle Ezzo
Some updates on what we’ve been building at OZU - turning archives of video into searchable and editable troves of richly annotated narrative data - letting users discover and play with content in new ways.
ozu.ai
ozu.ai
The Story is Yours | OZU
OZU builds models and products that help people see and capture the world like a filmmaker
ozu.ai
March 3, 2025 at 7:26 PM
Some updates on what we’ve been building at OZU - turning archives of video into searchable and editable troves of richly annotated narrative data - letting users discover and play with content in new ways.
ozu.ai
ozu.ai