El Mero Mero
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cuchito.bsky.social
El Mero Mero
@cuchito.bsky.social
“Life Is Not About Finding Yourself. Life Is About Creating Yourself”


Music , music, music, music …. Listen with me.
6/ Listening to The Sounds of Reality today feels like discovering the roots of rebellion in a whole different flavor. If you came here through punk (like I did), this album shows the same spirit — just with bass instead of distortion. Truth in a different accent.
December 1, 2025 at 11:49 PM
5/ What I love is how “unpolished” it all feels. You can hear the room, the sweat, the urgency. It sounds like musicians capturing life as it is — not how a label wants it to be. It’s beautiful because it’s real, imperfect, alive.
December 1, 2025 at 11:48 PM
4/ Artists singing about injustice, poverty, resilience, and spiritual strength. It’s music built from struggle, but delivered with warmth and groove. Exactly the kind of honesty punk kids crave.
December 1, 2025 at 11:48 PM
3/ The punk connection is real. Rotten didn’t just flirt with reggae; he championed it. His obsession helped push Virgin to create Front Line — a label with a clenched-fist logo instead of palm trees. Reggae made with the same anti-establishment heart as punk.
December 1, 2025 at 11:47 PM
2/ This compilation captures that moment: heavy bass, real stories, political fire, and voices that sound like they’ve lived ten lives more than you. It’s roots reggae with grit — no sunshine clichés, just truth set to rhythm.
December 1, 2025 at 11:46 PM
1/ The Sounds of Reality is the kind of album you find by accident — or in my case, by following Johnny Rotten’s rabbit hole into Jamaican roots. The Sex Pistols blew up, Rotten went to Kingston, and suddenly a whole new world opened up: Front Line, Virgin’s raw, rebellious reggae label.
December 1, 2025 at 11:46 PM
Sturgill reminded me of what Waylon, Willie, and even Dylan’s Nashville days , taught me: there are people like us in places you don’t expect. The open-minded ones, the questioners. Metamodern feels like finding your own tribe inside a genre you thought had no room for you.
December 1, 2025 at 9:24 PM
5/ Listening now, the album feels like a bridge for people who never saw themselves in country music. It keeps the soul of the genre — the storytelling, the sincerity — but strips away the posturing. This is country with curiosity, not judgment. A rare thing.
December 1, 2025 at 9:21 PM
4/ Songs like “Living the Dream” and “Voices” feel more like confessions than genre pieces. Sturgill sings with honesty, not bravado. Instead of preaching, he wonders. Instead of dividing, he invites.
December 1, 2025 at 9:20 PM
3/ “Turtles All the Way Down” starts with cosmic philosophy instead of clichés. No cheap patriotism, no simple answers — just a man trying to make sense of the universe. It hits deeper if you normally avoid country because of its stereotypes.
December 1, 2025 at 9:20 PM
2/ The sound is warm and gritty — classic guitars, steady rhythms — but then he tilts the whole thing into psychedelic reflection. It’s country for people who think, who doubt, who don’t fit inside the usual Nashville narrative.
December 1, 2025 at 9:19 PM
1/ I’m not a country guy — at least not the flag-waving, beer-commercial kind. But Metamodern Sounds in Country Music is different. Sturgill Simpson taps into that Willie/Waylon outlaw lineage: country that questions instead of preaches, opens doors instead of building walls.
December 1, 2025 at 9:18 PM
Johnny Strikes Up the Band” never grabs me at the very first, but somehow it always pulls me into the world of Excitable Boy. That little swagger flips a switch, and suddenly I’m in Zevon mode — the jokes sharpen, the stories deepen, and the whole album opens up. Funny how one song does that.
November 30, 2025 at 11:03 PM
6/ Listening now, the album feels like learning a new sense of humor and a new way to feel — bold, weird, and strangely comforting. Warren Zevon isn’t for everyone at first listen… but once he finds you, his world becomes a place you’re happy to keep visiting.
November 30, 2025 at 10:57 PM
5/ What makes Excitable Boy special is Zevon’s ability to be outrageous and honest in the same breath. He builds entire worlds in a single verse, turning the strangest stories into something heartbreakingly human.
November 30, 2025 at 10:56 PM
4/ Songs like “Accidentally Like a Martyr” hit you quietly — simple, tender, and devastating. Meanwhile “Lawyers, Guns and Money” is pure adrenaline, a perfect storm of chaos and charm. And the title track? A twisted Broadway number disguised as rock.
November 30, 2025 at 10:56 PM
3/ The album mixes California rock polish with lyrics that read like mini-movies: murder ballads, misfits, absurd heroes, and heartbroken narrators who laugh to keep from crying. Zevon writes like someone who’s seen everything and lived to tell it with a smirk.
November 30, 2025 at 10:55 PM
2/ I first knew Zevon the way many in around me did — as the punchline guy on morning radio, the “Werewolves of London” guy. But behind the wheel, somewhere between long drives and late nights, his music started opening up. The wit turned into wisdom. The jokes had teeth.
November 30, 2025 at 10:54 PM
1/ Excitable Boy is Warren Zevon at full theatrical power — dark humor, sharp storytelling, and melodies that sneak up on you. It’s the kind of album you don’t “get” right away… but once it clicks, it stays with you forever.
November 30, 2025 at 10:53 PM
7/ “The Soft Parade” was the one that hooked me for life the strange, sprawling Doors epic that felt like a doorway into Morrison’s mind. Not their “best,” but the one that grabbed me, shook me, and made me feel closer to the Lizard King I borrowed as my own identity. A whole world inside one song.
November 30, 2025 at 10:22 PM
6/ For anyone new to The Doors, this album shows their range. For those who grew up with them — like a teenager in 90s Caracas dreaming big in front of a stereo — it’s pure memory. A reminder that music doesn’t have to make sense to hit the soul. It just has to be alive.
November 30, 2025 at 10:20 PM
5/ Listening now, you realize this album taught many of us how to love the strange side of rock — the experimental stuff, the bold ideas, the moments where a band says: “Let’s try something no one expects.” And in that sense, The Soft Parade becomes a gateway drug.
November 30, 2025 at 10:19 PM