Reviewer at ConcertoNet and Seen and Heard
For my work at Munich’s Technical University Venture Lab for SW and AI, go to LinkedIn …
I studied AI in the 80s at Imperial College. We used Lisp. Did you used it ? No real Neural Network yet …
I now help startups in AI at Munich Technical University. AI is of huge value in so many domains.
I studied AI in the 80s at Imperial College. We used Lisp. Did you used it ? No real Neural Network yet …
I now help startups in AI at Munich Technical University. AI is of huge value in so many domains.
In the meanwhile, the slow movement of the recording by by Lisa Batiashvili, Esa Pena Salonen and the Bavarian is just unique and my favorite.
In the meanwhile, the slow movement of the recording by by Lisa Batiashvili, Esa Pena Salonen and the Bavarian is just unique and my favorite.
We all associate Brendel with the classic Schubert Mozart Beethoven but the first time I heard him live was in Schoenberg’s piano concerto with Mehta and the NYPO.
So no surprise he played a creation.
We all associate Brendel with the classic Schubert Mozart Beethoven but the first time I heard him live was in Schoenberg’s piano concerto with Mehta and the NYPO.
So no surprise he played a creation.
I understand that Vladimir Ashkenazy or Emil Gilels each played Beethoven’s 3rd Piano concerto with Karajan, respectively with the Berlin and with the Dresden Staatskapelle.
But is there a trace of a possible collaboration with Brendel ?
I understand that Vladimir Ashkenazy or Emil Gilels each played Beethoven’s 3rd Piano concerto with Karajan, respectively with the Berlin and with the Dresden Staatskapelle.
But is there a trace of a possible collaboration with Brendel ?
Unforgettable
Unforgettable