Samuel Andrade
@andradesamuel.bsky.social
an analog guy in a digital world
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film projectionist at Cinemateca Portuguesa - Museu do Cinema
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film projectionist at Cinemateca Portuguesa - Museu do Cinema
Pinned
"plain folk."
(folk horror, shot in Super 16mm, with a Brueghelian touch; will always be ready for that).
#JustWatched 'Harvest' (2024, Athina Rachel Tsangari)
#ShotOnFilm
(folk horror, shot in Super 16mm, with a Brueghelian touch; will always be ready for that).
#JustWatched 'Harvest' (2024, Athina Rachel Tsangari)
#ShotOnFilm
November 28, 2025 at 11:05 PM
"plain folk."
(folk horror, shot in Super 16mm, with a Brueghelian touch; will always be ready for that).
#JustWatched 'Harvest' (2024, Athina Rachel Tsangari)
#ShotOnFilm
(folk horror, shot in Super 16mm, with a Brueghelian touch; will always be ready for that).
#JustWatched 'Harvest' (2024, Athina Rachel Tsangari)
#ShotOnFilm
Reposted by Samuel Andrade
a film walks into a cinema. the projectionist says, why the long running time?
List of longest films - Wikipedia
en.wikipedia.org
November 24, 2025 at 8:36 PM
a film walks into a cinema. the projectionist says, why the long running time?
it's a pity that you can't (or shouldn't 🤭) actually project this to an audience.
#filmleaders
#rcaindianhead
#smpte
#smpteleader
#35mm
#35mmfilm
#projectonfilm
#filmisnotdead
#filmleaders
#rcaindianhead
#smpte
#smpteleader
#35mm
#35mmfilm
#projectonfilm
#filmisnotdead
November 25, 2025 at 9:58 PM
it's a pity that you can't (or shouldn't 🤭) actually project this to an audience.
#filmleaders
#rcaindianhead
#smpte
#smpteleader
#35mm
#35mmfilm
#projectonfilm
#filmisnotdead
#filmleaders
#rcaindianhead
#smpte
#smpteleader
#35mm
#35mmfilm
#projectonfilm
#filmisnotdead
"Bet your bottom dollar you'll lose the blues in Chicago, Chicago"
#JustWatched 'Roxie Hart' (1942, William A. Wellman)
#35mm
#JustWatched 'Roxie Hart' (1942, William A. Wellman)
#35mm
November 21, 2025 at 9:20 PM
"Bet your bottom dollar you'll lose the blues in Chicago, Chicago"
#JustWatched 'Roxie Hart' (1942, William A. Wellman)
#35mm
#JustWatched 'Roxie Hart' (1942, William A. Wellman)
#35mm
Reposted by Samuel Andrade
Saw Peter Hujar’s Day last week and loved it, and I’m excited we got it on 35mm for a short run at @brattletheatre.bsky.social Fri-Tues! Shot on 16mm, there’s a lovely warmth and texture to this movie, evocative of the mid-70s setting, it’s gonna look so great on film
November 20, 2025 at 2:15 PM
Saw Peter Hujar’s Day last week and loved it, and I’m excited we got it on 35mm for a short run at @brattletheatre.bsky.social Fri-Tues! Shot on 16mm, there’s a lovely warmth and texture to this movie, evocative of the mid-70s setting, it’s gonna look so great on film
Reposted by Samuel Andrade
Adam Savage tours through the Paramount Pictures film archives, where Executive Director Chuck Woodfill shows us the many types of media inventoried and preserved for digitalization and restoration. https://loom.ly/JNapBWA
November 20, 2025 at 2:21 PM
Adam Savage tours through the Paramount Pictures film archives, where Executive Director Chuck Woodfill shows us the many types of media inventoried and preserved for digitalization and restoration. https://loom.ly/JNapBWA
looking like an 80's college girl – leader lady found in a 35mm print of 'The Man I Love' (1929, William A. Wellman).
#leaderladies
#themanilove1929
#williamawellman
#35mm
#35mmfilm
#filmleaders
#projectonfilm
#filmisnotdead
#leaderladies
#themanilove1929
#williamawellman
#35mm
#35mmfilm
#filmleaders
#projectonfilm
#filmisnotdead
November 20, 2025 at 11:11 AM
looking like an 80's college girl – leader lady found in a 35mm print of 'The Man I Love' (1929, William A. Wellman).
#leaderladies
#themanilove1929
#williamawellman
#35mm
#35mmfilm
#filmleaders
#projectonfilm
#filmisnotdead
#leaderladies
#themanilove1929
#williamawellman
#35mm
#35mmfilm
#filmleaders
#projectonfilm
#filmisnotdead
"Displaying both the most extreme artifice in self-presentation and the most authentic emotion in performance, she exemplifies Hollywood’s paradoxes in concentrated form."
www.newyorker.com/culture/the-...
www.newyorker.com/culture/the-...
“Joan Crawford: A Woman’s Face” Brings a Star’s Genius to Light
A new biography traces the self-transformative creation of the most movie-made actress of classic Hollywood.
www.newyorker.com
November 19, 2025 at 11:50 AM
"Displaying both the most extreme artifice in self-presentation and the most authentic emotion in performance, she exemplifies Hollywood’s paradoxes in concentrated form."
www.newyorker.com/culture/the-...
www.newyorker.com/culture/the-...
November 18, 2025 at 9:58 PM
the bureaucracies of memory.
#JustWatched 'O Agente Secreto' (aka 'The Secret Agent', 2025, Kleber Mendonça Filho)
#JustWatched 'O Agente Secreto' (aka 'The Secret Agent', 2025, Kleber Mendonça Filho)
November 16, 2025 at 11:02 PM
the bureaucracies of memory.
#JustWatched 'O Agente Secreto' (aka 'The Secret Agent', 2025, Kleber Mendonça Filho)
#JustWatched 'O Agente Secreto' (aka 'The Secret Agent', 2025, Kleber Mendonça Filho)
Reposted by Samuel Andrade
The heads and tails of film reels, sometimes wildly etched into, sometimes hastily written on, sometimes graciously labeled, always feel like private discoveries we make on the inspection table or while threading up. Here is beautiful Reel 4 leader from
Kurosawa’s Drunken Angel.
Kurosawa’s Drunken Angel.
November 15, 2025 at 5:43 AM
The heads and tails of film reels, sometimes wildly etched into, sometimes hastily written on, sometimes graciously labeled, always feel like private discoveries we make on the inspection table or while threading up. Here is beautiful Reel 4 leader from
Kurosawa’s Drunken Angel.
Kurosawa’s Drunken Angel.
'One Battle After Another' will never be my PTA's favourite film.
but I will love the technical wizardry ("long live VistaVision!" – and that Jonny Greenwood score!) of this sequence for as long as I live.
youtube.com/watch?v=h9Wh...
but I will love the technical wizardry ("long live VistaVision!" – and that Jonny Greenwood score!) of this sequence for as long as I live.
youtube.com/watch?v=h9Wh...
One Battle After Another, Car Chase Sequence
YouTube video by Aaaand Action!
youtube.com
November 14, 2025 at 12:51 PM
'One Battle After Another' will never be my PTA's favourite film.
but I will love the technical wizardry ("long live VistaVision!" – and that Jonny Greenwood score!) of this sequence for as long as I live.
youtube.com/watch?v=h9Wh...
but I will love the technical wizardry ("long live VistaVision!" – and that Jonny Greenwood score!) of this sequence for as long as I live.
youtube.com/watch?v=h9Wh...
'Eyes Wide Shut' (1999, Stanley Kubrick)
Top: Old Blu-ray
Middle: New Criterion
Bottom: 35mm scan
Top: Old Blu-ray
Middle: New Criterion
Bottom: 35mm scan
November 13, 2025 at 11:35 PM
'Eyes Wide Shut' (1999, Stanley Kubrick)
Top: Old Blu-ray
Middle: New Criterion
Bottom: 35mm scan
Top: Old Blu-ray
Middle: New Criterion
Bottom: 35mm scan
Reposted by Samuel Andrade
#filmsky #moviesky #filmnoir
#Noirvember
Robert Ryan #BOTD
as Earl Pfeiffer, a film projectionist in,
Clash By Night, 1952
#Noirvember
Robert Ryan #BOTD
as Earl Pfeiffer, a film projectionist in,
Clash By Night, 1952
November 11, 2025 at 12:32 PM
#filmsky #moviesky #filmnoir
#Noirvember
Robert Ryan #BOTD
as Earl Pfeiffer, a film projectionist in,
Clash By Night, 1952
#Noirvember
Robert Ryan #BOTD
as Earl Pfeiffer, a film projectionist in,
Clash By Night, 1952
about last night projection (plus, as a gift, my hands recording it).
Portuguese Experimental Cinema: The Cinema of the Artists, 1960s and 70s
'Sem Título II' (1973, Luís Noronha da Costa)
16mm . colour . 1.37 : 1 (18 fps)
#cinematecaportuguesa
#16mm
#projectionbooth
#projectonfilm
#filmisnotdead
Portuguese Experimental Cinema: The Cinema of the Artists, 1960s and 70s
'Sem Título II' (1973, Luís Noronha da Costa)
16mm . colour . 1.37 : 1 (18 fps)
#cinematecaportuguesa
#16mm
#projectionbooth
#projectonfilm
#filmisnotdead
November 12, 2025 at 12:08 PM
about last night projection (plus, as a gift, my hands recording it).
Portuguese Experimental Cinema: The Cinema of the Artists, 1960s and 70s
'Sem Título II' (1973, Luís Noronha da Costa)
16mm . colour . 1.37 : 1 (18 fps)
#cinematecaportuguesa
#16mm
#projectionbooth
#projectonfilm
#filmisnotdead
Portuguese Experimental Cinema: The Cinema of the Artists, 1960s and 70s
'Sem Título II' (1973, Luís Noronha da Costa)
16mm . colour . 1.37 : 1 (18 fps)
#cinematecaportuguesa
#16mm
#projectionbooth
#projectonfilm
#filmisnotdead
Tatsuya Nakadai (1932 - 2025)
November 11, 2025 at 12:47 PM
Tatsuya Nakadai (1932 - 2025)
"Barbara Stanwyck as Joan Gordon"
'The Purchase Price' (1932, William A. Wellman)
www.cinemateca.pt/Programacao....
35mm . colour . 1.37 : 1
#thepurchaseprice1932 #williamawellman #barbarastanwyck #cinematecaportuguesa #35mm #35mmfilm #eastmanfilm #projectonfilm #filmisnotdead
'The Purchase Price' (1932, William A. Wellman)
www.cinemateca.pt/Programacao....
35mm . colour . 1.37 : 1
#thepurchaseprice1932 #williamawellman #barbarastanwyck #cinematecaportuguesa #35mm #35mmfilm #eastmanfilm #projectonfilm #filmisnotdead
November 11, 2025 at 12:39 PM
"Barbara Stanwyck as Joan Gordon"
'The Purchase Price' (1932, William A. Wellman)
www.cinemateca.pt/Programacao....
35mm . colour . 1.37 : 1
#thepurchaseprice1932 #williamawellman #barbarastanwyck #cinematecaportuguesa #35mm #35mmfilm #eastmanfilm #projectonfilm #filmisnotdead
'The Purchase Price' (1932, William A. Wellman)
www.cinemateca.pt/Programacao....
35mm . colour . 1.37 : 1
#thepurchaseprice1932 #williamawellman #barbarastanwyck #cinematecaportuguesa #35mm #35mmfilm #eastmanfilm #projectonfilm #filmisnotdead
"The collection of film includes Terry's personal 16mm copies of the Python feature films, a 35mm print of his film adaptation of The Wind In The Willows (1996) and early sketches from series including The Late Show (BBC, 1966-67)."
Film material from The Terry Jones Archive has been donated by the Monty Python star's family to the BFI National Archive for preservation. https://loom.ly/8JeFW1c
The Terry Jones Archive donated to BFI National Archive - British Comedy Guide
Film material from The Terry Jones Archive has been donated by the Monty Python star's family to the BFI National Archive for preservation.
www.comedy.co.uk
November 10, 2025 at 4:36 PM
"The collection of film includes Terry's personal 16mm copies of the Python feature films, a 35mm print of his film adaptation of The Wind In The Willows (1996) and early sketches from series including The Late Show (BBC, 1966-67)."
small (gauge) pleasures.
November 10, 2025 at 11:24 AM
small (gauge) pleasures.
November 9, 2025 at 9:41 PM
November 7, 2025 at 12:06 AM