Musk: i reada da frankenstein
Mary Shelley: motherfucker
Shelley: you better not get this one wrong
Shelley: i literally could not spell it out any more obviously
Mus: itsa about how meddling in da domain ova god is good!
Shelley: MOTHER
Shelley: FUCKER

the bone china under a waning half moon
to conceal your secret better than
the body the wolves are digging up now. (2/2)

More likely they said 'this isn't the case to do it.' We'll still take the W for now.

Here is the full orders list from the Supreme Court: www.supremecourt.gov/orders/court...

And here is my earlier report at Law Dork on the Sixth Circuit decision rejecting Kim Davis's case, which the Supreme Court let stand with today's cert denial. www.lawdork.com/p/kim-davis-...

Favorite Stories: “I Love You, Lola!” by @stacywayne.bsky.social, “Hemorrhage,” by @cyrusafisher.bsky.social, “First Feast on Film,” by @superfiend.bsky.social, “Caregiver,” by @amandamblake.bsky.social.

www.amazon.com/Book-Queer-S...

I think part of the reason I liked the mutant imagery in the second half is because it reminded me of that scene in ALIEN: RESURRECTION--hardly the strongest in the franchise, but the when new Ripley sees all the previous iterations is one of the most chilling scenes.

Yeah, they'd be related in vibe and elements. I'm just not sure how best people might appreciate them, dropped one at a time or all at once.

I think the reason the first half felt weaker to me is that it cribbed a lot from ANACONDA.

The way it was attracted to fire rather than repelled was a nice touch. Bolstered by a good main cast. The family angle was a bit meh, but that part of the story had its moments, too.

Don't think they can belabor the mutants much more, though, if they make another one.