Sena
@senaotex.bsky.social
today's viewing: Char's Counterattack, Promare
first movie would have been good if the audio wasn't out of sync by several seconds (note: the second image was procured without opening the viewfinder and thereby any unwanted light source, so I am a lawful individual)
first movie would have been good if the audio wasn't out of sync by several seconds (note: the second image was procured without opening the viewfinder and thereby any unwanted light source, so I am a lawful individual)
November 8, 2025 at 12:55 AM
today's viewing: Char's Counterattack, Promare
first movie would have been good if the audio wasn't out of sync by several seconds (note: the second image was procured without opening the viewfinder and thereby any unwanted light source, so I am a lawful individual)
first movie would have been good if the audio wasn't out of sync by several seconds (note: the second image was procured without opening the viewfinder and thereby any unwanted light source, so I am a lawful individual)
today's viewing: Perfect Blue (rewatch)
I think its most impressive quality is balancing two halves - having a De Palma style voyeurism that decenters the protagonist in its first half, which is lessened in the second as it moves towards a self-concerned decentering via paranoia
I think its most impressive quality is balancing two halves - having a De Palma style voyeurism that decenters the protagonist in its first half, which is lessened in the second as it moves towards a self-concerned decentering via paranoia
November 4, 2025 at 10:44 PM
today's viewing: Perfect Blue (rewatch)
I think its most impressive quality is balancing two halves - having a De Palma style voyeurism that decenters the protagonist in its first half, which is lessened in the second as it moves towards a self-concerned decentering via paranoia
I think its most impressive quality is balancing two halves - having a De Palma style voyeurism that decenters the protagonist in its first half, which is lessened in the second as it moves towards a self-concerned decentering via paranoia
I accidentally set the ISO to 400 (very bad)
October 29, 2025 at 9:51 PM
I accidentally set the ISO to 400 (very bad)
it's mah birthday
I saw Hamlet and I also saw an exhibition on Marie Antionette
I saw Hamlet and I also saw an exhibition on Marie Antionette
October 21, 2025 at 1:59 AM
it's mah birthday
I saw Hamlet and I also saw an exhibition on Marie Antionette
I saw Hamlet and I also saw an exhibition on Marie Antionette
Watched Eugene Ionesco's The Bald Soprano today, did not know it was popular enough to be performed so this is quite a monumental day for me
September 23, 2025 at 10:40 PM
Watched Eugene Ionesco's The Bald Soprano today, did not know it was popular enough to be performed so this is quite a monumental day for me
today's viewing: All About Lily Chou-Chou
I'm conscious of De Palma's comment that a film cannot get by with just "visual arabesques". Sharp lighting, but the subjectivity it forwards in visuals, it avoids in narrative, choosing non-definition over a fluid or dialetheist one.
I'm conscious of De Palma's comment that a film cannot get by with just "visual arabesques". Sharp lighting, but the subjectivity it forwards in visuals, it avoids in narrative, choosing non-definition over a fluid or dialetheist one.
August 30, 2025 at 5:54 PM
today's viewing: All About Lily Chou-Chou
I'm conscious of De Palma's comment that a film cannot get by with just "visual arabesques". Sharp lighting, but the subjectivity it forwards in visuals, it avoids in narrative, choosing non-definition over a fluid or dialetheist one.
I'm conscious of De Palma's comment that a film cannot get by with just "visual arabesques". Sharp lighting, but the subjectivity it forwards in visuals, it avoids in narrative, choosing non-definition over a fluid or dialetheist one.
today's viewing: Princess Mononoke
There is a monumentality in its environment, which is by design, unlike its approach to character, which is given a much greater emotional distance. As such, the sentimentality of its ending is one not substantiated by the content of the film
There is a monumentality in its environment, which is by design, unlike its approach to character, which is given a much greater emotional distance. As such, the sentimentality of its ending is one not substantiated by the content of the film
August 15, 2025 at 10:28 PM
today's viewing: Princess Mononoke
There is a monumentality in its environment, which is by design, unlike its approach to character, which is given a much greater emotional distance. As such, the sentimentality of its ending is one not substantiated by the content of the film
There is a monumentality in its environment, which is by design, unlike its approach to character, which is given a much greater emotional distance. As such, the sentimentality of its ending is one not substantiated by the content of the film
