🌙 Contact link⬇️
https://www.laceybedits.com/contact
As a fiction editor, I don’t just cut words. I ask questions. The kind that spark depth, clarity, and emotion.
Not “Fix this,” but...
As a fiction editor, I don’t just cut words. I ask questions. The kind that spark depth, clarity, and emotion.
Not “Fix this,” but...
🎄 second chance
🎄 small town
🎄 spicy hallmark
🎄 professional santa
🎄 and his elf
🎄 "its just physical"
🎄 caretaking
🎄 Christmas romance
Make You Mine This Christmas is part of the Holly Ridge series by Rachel Holm.
🎄 second chance
🎄 small town
🎄 spicy hallmark
🎄 professional santa
🎄 and his elf
🎄 "its just physical"
🎄 caretaking
🎄 Christmas romance
Make You Mine This Christmas is part of the Holly Ridge series by Rachel Holm.
You can’t explain it, but something feels off. 🦋 1/7
You can’t explain it, but something feels off. 🦋 1/7
Not just what happens but why it matters. A strong story question sits at the heart of your narrative. It’s a yes-or-no query that carries both emotional weight and plot momentum, shaping how the story unfolds and how the reader connects.
Not just what happens but why it matters. A strong story question sits at the heart of your narrative. It’s a yes-or-no query that carries both emotional weight and plot momentum, shaping how the story unfolds and how the reader connects.
A new fantasy subgenre takes off, a niche romance goes viral, and suddenly you’re thinking, "maybe that’s what I should be writing."
⠀
As a fiction editor, I see it all the time—writers trying to force their voice to fit a mold. 🦋 1/4
A new fantasy subgenre takes off, a niche romance goes viral, and suddenly you’re thinking, "maybe that’s what I should be writing."
⠀
As a fiction editor, I see it all the time—writers trying to force their voice to fit a mold. 🦋 1/4
As an editor, it’s one of the first places I look to see how a story carries its weight. And more often than not, the most memorable openings don’t try to explain everything…
🦋 1/4
As an editor, it’s one of the first places I look to see how a story carries its weight. And more often than not, the most memorable openings don’t try to explain everything…
🦋 1/4
You’ve poured your heart into this story. Then the edits come back, and suddenly it’s covered in comments, suggestions, and questions. And even when they’re kind and constructive… it stings.
Revising a scene you love—but that doesn’t quite work—is hard.
You’ve poured your heart into this story. Then the edits come back, and suddenly it’s covered in comments, suggestions, and questions. And even when they’re kind and constructive… it stings.
Revising a scene you love—but that doesn’t quite work—is hard.
It’s the beginning of the transformation.
Here’s a peek at what that journey looks like when we work together:
It’s the beginning of the transformation.
Here’s a peek at what that journey looks like when we work together:
I am currently accepting children's, MG, and adult—contemporary, historical, fantasy, and paranormal—manuscripts.
Reach out via my contact form.
I am currently accepting children's, MG, and adult—contemporary, historical, fantasy, and paranormal—manuscripts.
Reach out via my contact form.
Sometimes it’s because the edit was especially challenging.
Other times, it’s because I don’t know the author well enough yet to guess how the notes will land.
But at the heart of it?
It’s because I care.
Sometimes it’s because the edit was especially challenging.
Other times, it’s because I don’t know the author well enough yet to guess how the notes will land.
But at the heart of it?
It’s because I care.
That’s usually when I pull out the book map.
Mine is a glorified spreadsheet based on the one I got through the Editorial Arts Academy. 1/3
That’s usually when I pull out the book map.
Mine is a glorified spreadsheet based on the one I got through the Editorial Arts Academy. 1/3
“Developmental editors can hold your book in their mind's eye and see a shadow version of it simultaneously—a version where everything you've done well is still there while everything that detracts from the reading experience has been improved.” 1/4
“Developmental editors can hold your book in their mind's eye and see a shadow version of it simultaneously—a version where everything you've done well is still there while everything that detracts from the reading experience has been improved.” 1/4
I’ve gotten plenty of feedback over the years (from clients and my own editor), but the one that stuck with me the most?
I’ve gotten plenty of feedback over the years (from clients and my own editor), but the one that stuck with me the most?
Also me: [opens up my book containing fae realms, time travel, and/or monsters.] What?
I may be a little out of touch here. And I may need a little time to adjust to this realization.
Also me: [opens up my book containing fae realms, time travel, and/or monsters.] What?
I may be a little out of touch here. And I may need a little time to adjust to this realization.
Not terrible
Not brilliant.
Just… flat.
Here’s my gentle advice:
Don’t scrap it.
Shift it.
One of the most common culprits behind a “blah” scene?
TELLING INSTEAD OF SHOWING
And I get it. I really do. It’s so easy to do. Especially in early drafts.
Not terrible
Not brilliant.
Just… flat.
Here’s my gentle advice:
Don’t scrap it.
Shift it.
One of the most common culprits behind a “blah” scene?
TELLING INSTEAD OF SHOWING
And I get it. I really do. It’s so easy to do. Especially in early drafts.
Hi, I’m Lacey. I am the owner of On The Page Editorial.
Book Coach. Editor. Writer.
When I was a kid, I unfortunately wanted to be everything.
Hi, I’m Lacey. I am the owner of On The Page Editorial.
Book Coach. Editor. Writer.
When I was a kid, I unfortunately wanted to be everything.
And I love when I get to that part in the story where the characters are smitten and admitting it to themselves.
I love when they fall in love.
And I love when I get to that part in the story where the characters are smitten and admitting it to themselves.
I love when they fall in love.
Honestly?
It’s a kind of magic.
I’m notoriously bad at taking compliments (many of my clients can confirm this 😅), because I know how hard it is to hear feedback on something you’ve poured so much of yourself into.
Honestly?
It’s a kind of magic.
I’m notoriously bad at taking compliments (many of my clients can confirm this 😅), because I know how hard it is to hear feedback on something you’ve poured so much of yourself into.
It’s what I read, knew, and loved.
But… I grew.
My business grew.
And somewhere along the way, new stories found me.
It’s what I read, knew, and loved.
But… I grew.
My business grew.
And somewhere along the way, new stories found me.