“There also seems to be a playful nod to creative workers who, like the mouse chorus, often engage in a “labor of love” that results in little financial gain.”

Jenny Wang reviews Huidi Xiang’s solo exhibition at YveYANG Gallery

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“What anchored me was archival photography from the Florida School for Boys collection . . . As I dug into the school’s history and uncovered the abuse and violence, ‘Florida Boys’ became a reimagining . . . what if those boys had escaped?“

— Josh Aronson

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From a childhood in the rural Midwest to five formative years in Florence—where he first trained as a shoemaker before turning to sculpture—and later to London, artist Levi De Jong has continuously sought to expand his understanding of identity and materiality.

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“The only way to be established is to establish yourself.” A ballet techno party at the performance non-profit Project III takes doing-it-yourself to the next level.

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Art critic Theodora Bocanegra-Lang on “The Brooklyn Artists Exhibition” at the Brooklyn Museum: “Many take on Brooklyn as a subject, building or recreating the scaffolding of not necessarily a discrete idea, but the many Brooklyns personal to the artists.”

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Each year, the global art market emits an estimated 70 million tons of CO2.

On January 30th at 7 pm, join IMPULSE Magazine and sustainability initiative Embodied Earth for a panel discussion at Patagonia Brooklyn!

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