The White Reindeer (1952)
For the second (maybe third) time ever, this year, I completed the 31DoH Challenge of watching a horror film each day this month. Concluding the festivities tonight with this Finnish schism-mode horror-fantasy.
First-time watch
Source: Shudder
The White Reindeer (1952)
For the second (maybe third) time ever, this year, I completed the 31DoH Challenge of watching a horror film each day this month. Concluding the festivities tonight with this Finnish schism-mode horror-fantasy.
First-time watch
Source: Shudder
Necropolis (1986)
Ten minutes in, I was ready to shut off this Charles Band production. Glad I didn’t. It’s often laughable and confusing, but the parts that pay off PAY OFF. And the synth score slaps. I’ll be revisiting this one.
First-time watch
Source: Prime
Necropolis (1986)
Ten minutes in, I was ready to shut off this Charles Band production. Glad I didn’t. It’s often laughable and confusing, but the parts that pay off PAY OFF. And the synth score slaps. I’ll be revisiting this one.
First-time watch
Source: Prime
Suspiria (1977)
I’m a giallo fan, and this is my favorite one. Dario Argento’s haunting, often-imitated masterpiece boasts a sumptuous, memorable score by Claudio Simonetti’s Goblin. The 2018 remake is also superb.
Source: Synapse 4K Blu-ray
Suspiria (1977)
I’m a giallo fan, and this is my favorite one. Dario Argento’s haunting, often-imitated masterpiece boasts a sumptuous, memorable score by Claudio Simonetti’s Goblin. The 2018 remake is also superb.
Source: Synapse 4K Blu-ray
Candyman (1992)
My love for Candyman knows no bounds. Clive Barker’s masterful nightmare comes to life via the legendary Tony Todd. Virginia Madsen and Xander Berkeley are key to bringing this urban fantasy to life. And the cinematography is incredible.
Source: DVD
Candyman (1992)
My love for Candyman knows no bounds. Clive Barker’s masterful nightmare comes to life via the legendary Tony Todd. Virginia Madsen and Xander Berkeley are key to bringing this urban fantasy to life. And the cinematography is incredible.
Source: DVD
In the Mouth of Madness (1994)
This is the most Lovecraft non-Lovecraft film ever. The camerawork has this filtered look like it’s a made-for-TV movie, but nonetheless effectively creepy. And the cast delivers. I’m a longtime fan.
Source: DVD
In the Mouth of Madness (1994)
This is the most Lovecraft non-Lovecraft film ever. The camerawork has this filtered look like it’s a made-for-TV movie, but nonetheless effectively creepy. And the cast delivers. I’m a longtime fan.
Source: DVD
The Lords of Salem (2012)
Many Rob Zombie fans consider this his worst film. I enjoy some of his other filmmaking efforts, but this is my favorite RZ movie by far. It’s so atmospheric, immersive. I want to live there. Plus Meg Foster wows. And that score.
Source:Blu-ray
The Lords of Salem (2012)
Many Rob Zombie fans consider this his worst film. I enjoy some of his other filmmaking efforts, but this is my favorite RZ movie by far. It’s so atmospheric, immersive. I want to live there. Plus Meg Foster wows. And that score.
Source:Blu-ray
Night of the Demons (1988)
This is probably my favorite Linnea Quigley film. I say that as a fan of hers since the ‘80s. She brings an intelligent tude and a dark humor to her performances that I greatly admire. Plus, NotD is damn fun.
Source: Scream Factory Blu-ray
Night of the Demons (1988)
This is probably my favorite Linnea Quigley film. I say that as a fan of hers since the ‘80s. She brings an intelligent tude and a dark humor to her performances that I greatly admire. Plus, NotD is damn fun.
Source: Scream Factory Blu-ray
HALLOWEEKEND Day 3:
Tucker and Dale vs. Evil (2010)
For me, for the last dozen-plus years, there has been no October without Tucker and Dale. Would’ve loved to see a trilogy (Tucker and Dale vs. Armageddon, etc.), but I’m thankful to have this gem to watch.
Source: Blu-ray
HALLOWEEKEND Day 3:
Tucker and Dale vs. Evil (2010)
For me, for the last dozen-plus years, there has been no October without Tucker and Dale. Would’ve loved to see a trilogy (Tucker and Dale vs. Armageddon, etc.), but I’m thankful to have this gem to watch.
Source: Blu-ray
HALLOWEEKEND Day 2:
Killer Klowns from Outer Space (1988)
A perennial fave for me and my family. Schlocky ‘80s goodness from the Chiodo Brothers that’s legit (intentionally) funny, with superb SFX and a cool, memorable score.
Source: DVD
HALLOWEEKEND Day 2:
Killer Klowns from Outer Space (1988)
A perennial fave for me and my family. Schlocky ‘80s goodness from the Chiodo Brothers that’s legit (intentionally) funny, with superb SFX and a cool, memorable score.
Source: DVD
HALLOWEEKEND Day 1:
The Haunting (1963)
A classic. The haunted-house subgenre has no finer example, and Robert Wise masterfully directed this cornerstone of horror cinema.
Source: DVD
HALLOWEEKEND Day 1:
The Haunting (1963)
A classic. The haunted-house subgenre has no finer example, and Robert Wise masterfully directed this cornerstone of horror cinema.
Source: DVD
HALLOWEEKEND Day 1:
The Giant Claw (1957)
Super-schlocky ‘50s sci-fi about a big bird of unknown origin flying around terrorizing the United States. The giant bird SFX are awful, and the writing isn’t a whole lot better, but this is a lot of fun to watch.
Source: Goodtimes VHS
HALLOWEEKEND Day 1:
The Giant Claw (1957)
Super-schlocky ‘50s sci-fi about a big bird of unknown origin flying around terrorizing the United States. The giant bird SFX are awful, and the writing isn’t a whole lot better, but this is a lot of fun to watch.
Source: Goodtimes VHS
Slime City (1988)
The acting sucks. The camerawork is à la the I Once Saw A Movie School of Cinematography. The dialogue contains words. The SFX aren’t. And I enjoyed it. If you appreciate such ostensible cinema, here’s 80 minutes for you.
First-time watch
Source: Tubi
Slime City (1988)
The acting sucks. The camerawork is à la the I Once Saw A Movie School of Cinematography. The dialogue contains words. The SFX aren’t. And I enjoyed it. If you appreciate such ostensible cinema, here’s 80 minutes for you.
First-time watch
Source: Tubi
Viy (1967)
This 77-minute work of folk horror flies by, and you won’t look away. It’s a masterpiece with a simple and oft-told tale, boasting gripping visuals and SFX. I break it out at least every few years for October.
Source: Severin Blu-ray
Viy (1967)
This 77-minute work of folk horror flies by, and you won’t look away. It’s a masterpiece with a simple and oft-told tale, boasting gripping visuals and SFX. I break it out at least every few years for October.
Source: Severin Blu-ray
Pontypool (2008)
I’ve banged the drum for this underrated gem since before it came out, when I was a professional pop-culture critic. It’s brilliant both in concept and execution. Stephen McHattie steals the show, and the atmosphere holds you breathless.
Source: DVD
Pontypool (2008)
I’ve banged the drum for this underrated gem since before it came out, when I was a professional pop-culture critic. It’s brilliant both in concept and execution. Stephen McHattie steals the show, and the atmosphere holds you breathless.
Source: DVD