@erinsullivan.bsky.social
Shakespeare, emotions, digital, community
I don't really know where to go now to share and stay abreast of work things, but I worked really hard on this article for a very long time and I'm really happy that it's now out and free. Here's to more cross-readings of Shakespeare, Gerwig, and culture at large.
academic.oup.com/adaptation/a...
academic.oup.com/adaptation/a...
Adaptation as reception—or, Lady Bird as The Tempest
Abstract. The idea that audiences are a crucial part of the adaptation process is widely acknowledged, and yet research exploring reception as an engine of
academic.oup.com
October 3, 2025 at 12:28 PM
I don't really know where to go now to share and stay abreast of work things, but I worked really hard on this article for a very long time and I'm really happy that it's now out and free. Here's to more cross-readings of Shakespeare, Gerwig, and culture at large.
academic.oup.com/adaptation/a...
academic.oup.com/adaptation/a...
CFP: Screening Live Performance: Multi-Camera Production and the Performing Arts (at Southampton in July).
What is the future of performance arts broadcasting and streaming?
screeningliveperformance.soton.ac.uk
What is the future of performance arts broadcasting and streaming?
screeningliveperformance.soton.ac.uk
Screening Live Performance – Multi-camera production and the performing arts
screeningliveperformance.soton.ac.uk
January 16, 2025 at 12:19 PM
CFP: Screening Live Performance: Multi-Camera Production and the Performing Arts (at Southampton in July).
What is the future of performance arts broadcasting and streaming?
screeningliveperformance.soton.ac.uk
What is the future of performance arts broadcasting and streaming?
screeningliveperformance.soton.ac.uk