love arrived
in an unfinished sentence
and a syntax error
no one noticed
but something aligned in the air
like when the radio
suddenly catches
a song you didn’t ask for
love arrived
in an unfinished sentence
and a syntax error
no one noticed
but something aligned in the air
like when the radio
suddenly catches
a song you didn’t ask for
it doesn’t begin with fireworks
nor end with promises
true love
is almost imperceptible
a breath aligning
a silence well placed
the absence of effort
those who seek it in grand gestures
miss what matters
it lives
where no one is trying to prove anything
it doesn’t begin with fireworks
nor end with promises
true love
is almost imperceptible
a breath aligning
a silence well placed
the absence of effort
those who seek it in grand gestures
miss what matters
it lives
where no one is trying to prove anything
It’s not snobbery. It’s architecture.
Our ceilings have seen frescoes, ghosts, revolutions.
A cap indoors feels like pitching a tent in a salon.
It’s not snobbery. It’s architecture.
Our ceilings have seen frescoes, ghosts, revolutions.
A cap indoors feels like pitching a tent in a salon.
when freedom chooses
to trade the stride for the gallop
when freedom chooses
to trade the stride for the gallop
a balance between nothingness and the eternal
a balance between nothingness and the eternal
not the spark that birthed it,
but the darkness it devoured.
not the spark that birthed it,
but the darkness it devoured.
it multiplies into fragments
to bear the weight of the world.
each shard is not a loss but an expansion,
a silent act of survival.
it multiplies into fragments
to bear the weight of the world.
each shard is not a loss but an expansion,
a silent act of survival.
it merely teaches them to shift places.
it merely teaches them to shift places.
(But also, I get why it means a lot when others share them.)
From Lisbon, where nostalgia clings to the air like salt, I document the poetry of shadows and the arrogance of permanence.
This is not a place for answers – perhaps you’ll find a question worth keeping.
From Lisbon, where nostalgia clings to the air like salt, I document the poetry of shadows and the arrogance of permanence.
This is not a place for answers – perhaps you’ll find a question worth keeping.
but only for those who dare to look beyond the reflection.
but only for those who dare to look beyond the reflection.
the wind whispers to the skin
salt carries the sea
autumn’s scent traces memories in shadows
and touch unveils forgotten promises
the wind whispers to the skin
salt carries the sea
autumn’s scent traces memories in shadows
and touch unveils forgotten promises
words arrive half-formed,
a storm leaning against the horizon,
but vanish when pursued—
the poem writes itself
in the silence
you cannot translate,
a language
that lives only
in the breath before speaking.
words arrive half-formed,
a storm leaning against the horizon,
but vanish when pursued—
the poem writes itself
in the silence
you cannot translate,
a language
that lives only
in the breath before speaking.
the walls hold
the fossil of voices
veins of absence
shadows belong not to light
but to the memory of what never was
on the floor, scattered lines
are bones of paths
that died before they began
the walls hold
the fossil of voices
veins of absence
shadows belong not to light
but to the memory of what never was
on the floor, scattered lines
are bones of paths
that died before they began
the skin does not fall
it lingers
like an ancient map
hidden deep in the drawer
but beneath it
a timid fire grows
and every scar learns to breathe
as if for the first time
the skin does not fall
it lingers
like an ancient map
hidden deep in the drawer
but beneath it
a timid fire grows
and every scar learns to breathe
as if for the first time